Pierscape at Navy Pier Phase II Design Team Organization + ...
Pierscape at Navy Pier Phase II Design Team Organization + ...
Pierscape at Navy Pier Phase II Design Team Organization + ...
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Lisa D. Freiman<br />
Whole, Oly Genger<br />
Indianapolis Museum of Art<br />
55<br />
Known for transforming common nylon climbing rope into elabor<strong>at</strong>e monumental<br />
sculptures, New York-based artist Orly Genger has cre<strong>at</strong>ed Whole, a unique<br />
site-specific install<strong>at</strong>ion, in response to the Efroymson Family Entrance Pavilion <strong>at</strong><br />
the Indianapolis Museum of Art (IMA). Gengers project for the IMA is her largest<br />
and most ambitious to d<strong>at</strong>e, incorpor<strong>at</strong>ing thousands of feet of rope, which she handknots,<br />
paints and stacks, cre<strong>at</strong>ing immense sculptures th<strong>at</strong> confront the viewer.<br />
Looped and knotted by hand, Whole evokes the normally intim<strong>at</strong>e processes<br />
of knitting and crocheting, yet expands them to a newly epic scale. Gengers work<br />
challenges typical associ<strong>at</strong>ions with craft and textile through its intensely<br />
physical cre<strong>at</strong>ion process, in which the artist wrestles rope into knots and amasses<br />
it into powerful sculptural objects. The resulting works are intended to provoke<br />
a visceral physical response from viewers, challenging them to reconsider their<br />
rel<strong>at</strong>ionship to the normally unobstructed space around them and forcing them to<br />
navig<strong>at</strong>e the space in new ways. Comprised of nine different sculptures, Whole<br />
is impossible to fully grasp from a single viewpoint, and in its interplay between its<br />
fragmented parts calls into question the n<strong>at</strong>ure of wholeness itself.