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Section 3 - Educating and Partnering for CEDAW

Section 3 - Educating and Partnering for CEDAW

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<strong>CEDAW</strong> primers<br />

The primer was taken from the 2006 planner. This was translated into seven<br />

dialects <strong>and</strong> given away at <strong>CEDAW</strong> <strong>for</strong>ums <strong>and</strong> exhibits, making <strong>CEDAW</strong> more<br />

accessible even to non-English readers.<br />

OWN! zine (Dumpling Press)<br />

Claire Villacorta <strong>and</strong> Paolo Cruz of Dumpling<br />

Press pose by sample pages from the OWN!<br />

zine<br />

Dubbed as the <strong>CEDAW</strong> zine, OWN!<br />

took its name from the intergenerational<br />

blog hosted by WFS. It was a voluntary<br />

ef<strong>for</strong>t on the part of indie publishers<br />

Claire Villacorta <strong>and</strong> Paolo Cruz. The<br />

co-authored pieces touched on <strong>CEDAW</strong><br />

in the era of “girl power”, <strong>and</strong> Philippine<br />

feminism. There was also a section<br />

dedicated to female illustrators <strong>and</strong><br />

graphic artists with their interpretations<br />

of <strong>CEDAW</strong> articles like VAW, Labor<br />

<strong>and</strong> Employment, Women in Politics<br />

<strong>and</strong> Government, <strong>and</strong> Education. With<br />

Cruz’s active participation in this do-ityourself<br />

printed matter, it’s proof that guys, too, can get into <strong>CEDAW</strong>. 400 copies<br />

found their way in schools around the country, namely UP Baguio, University of<br />

San Carlos (Cebu), UP Iloilo, Ateneo de Naga, Bicol University, Mindanao State<br />

University, <strong>and</strong> UPV - Tacloban. Some copies were also made available through<br />

<strong>CEDAW</strong> channels as well as a defunct bookstore in Quezon City.<br />

<strong>CEDAW</strong> button: “Make Women’s Rights Real”<br />

It may come off as flowery, but this<br />

3-inch button is anything but dainty.<br />

To approximate a gathering of women<br />

is a clever lesson in creative design, by<br />

way of a paper doll-like assemblage<br />

of women <strong>for</strong>ming shapes of flowers.<br />

The production cost <strong>for</strong> the buttons<br />

was solicited from Management<br />

Association of the Philippines (MAP).<br />

Their chairperson at the time, Evelyn<br />

Singson, was MAP’s first woman Chair.<br />

She was also a guest speaker at the<br />

<strong>CEDAW</strong> <strong>for</strong>um.<br />

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