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THE REPUBLIC OF PLATO - Studyplace

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PREFACE<br />

Here, even if the double question-'renders what to what'-were<br />

reduced to normal English, the repetitions would still sound pedantic<br />

and clumsy; and the reader, as he toiled along, might well<br />

wonder why Plato has been upheld, in every age, as a master of<br />

elegant prose. 1<br />

It is a curious fact that in parts of the dialogue where the thought<br />

is most difficult-notably in chapter xxiv (the Line)-it is packed<br />

into the smallest number of words, so that some expansion is required.<br />

But in the main bulk of the work the style is (as the<br />

ancients said) 'copious'; and, since often a single Greek word can<br />

only be represented by two or three in English, the literal translator<br />

may easily find that the number of words he has used exceeds<br />

Plato's by 20 or 25 per cent. I have tried, by various means, to keep<br />

down this version to nearly the same length as the text. Only a<br />

few passages, chiefly in the earlier books, have been omitted altogether,<br />

for reasons given in the notes. Much more space has been<br />

saved by leaving out many of the formal expressions of assent<br />

interjected by Glaucon and Adeimantus, and thus allowing Socrates<br />

to advance one step in his argument in a single connected<br />

speech. This liberty has been taken sparingly in the first Part,<br />

where the company join in a genuine conversation; but, from the<br />

moment when the two brothers have opened their case against<br />

Justice in chapter v and Socrates begins his reply, the dialogue is<br />

in substance a continuous discourse, to which Glaucon and Adeimantus<br />

contribute very little. The convention of question and<br />

answer becomes formal and frequently tedious. Plato himself came<br />

near to abandoning it in his latest work, the Laws, where the<br />

Athenian lectures for pages together without interruption. I have<br />

not hesitated to spare the reader time and effort by omissions which<br />

the following passage (421 c, p. 112 of this version) may serve to<br />

illustrate :<br />

'I wonder whether you will agree on another point closely connected<br />

with that and concerned with the craftsmen. Is it not true that they<br />

also are spoilt,and turned into bad workmen by wealth and poverty<br />

alike<br />

1 It is fair to add that I have constantly consulted the Locb translation as a<br />

valuable clue to the construction of the Greek.<br />

vii

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