Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>High</strong> <strong>Fidelity</strong><br />
http://www.fictionbook.ru/author/hornby_nick/high_fidelity/hornby_high_fidelity.html<br />
Page 31 of 112<br />
6/20/2006<br />
“You’re a fucking arsehole, Rob,” she says, and then she turns around and walks out, and the people at<br />
the next table stare at me. I blush, stare at the Time Out and take a big pull on my pint in the hope that<br />
the glass will obscure my reddening face.<br />
She’s right, of course. I am a fucking arsehole.<br />
Seven<br />
For a couple of years, at the end of the eighties, I was a DJ at a club in Kentish Town, and it was there<br />
I met Laura. It wasn’t much of a club, just a room above a pub, really, but for a six-month period it was<br />
popular with a certain London crowd—the almost fashionable, right-on, black 501s-and-DMs-crowd<br />
that used to move in herds from the market to the Town and Country to Dingwalls to the Electric<br />
Ballroom to the Camden Plaza. I was a good DJ, I think. At any rate, people seemed happy, they danced,<br />
stayed late, asked me where they could buy some of the records I played, and came back week after<br />
week. We called it the Groucho Club, because of Groucho Marx’s thing about not wanting to join any<br />
club that would have him as a member; later on we found out that there was another Groucho Club<br />
somewhere in the West End, but nobody seemed to get confused about which was which. (Top five<br />
floor-fillers at the Groucho, incidentally: ‘It’s a Good Feeling’ by Smokey Robinson and the Miracles;<br />
‘No Blow No Show’ by Bobby Bland; ‘Mr. Big Stuff’ by Jean Knight; ‘The Love You Save’ by the<br />
Jackson Five; ‘The Ghetto’ by Donny Hathaway.)<br />
And I loved, loved doing it. To look down on a roomful of heads all bobbing away to the music you<br />
have chosen is an uplifting thing, and for that six-month period when the club was popular, I was as<br />
happy as I have ever been. It was the only time I have ever really had a sense of momentum, although<br />
later I could see that it was a false momentum, because it didn’t belong to me at all, but to the music:<br />
anyone playing his favorite dance records very loud in a crowded place, to people who had paid to hear<br />
them, would have felt exactly the same thing. Dance music, after all, is supposed to have momentum—I<br />
just got confused.<br />
Anyway, I met Laura right in the middle of that period, in the summer of ’87. She reckons she had<br />
been to the club three or four times before I noticed her, and that could well be right—she’s small, and<br />
skinny, and pretty, in a sort of Sheena Easton pre-Hollywood makeover way (although she looked<br />
tougher than Sheena Easton with her radical lawyer spiky hair and her boots and her scary pale blue<br />
eyes), but there were prettier women there, and when you’re looking on in that idle kind of way, it’s the<br />
prettiest ones you look at. So, on this third or fourth time, she came up to my little rostrum thing and<br />
spoke to me, and I liked her straightaway: she asked me to play a record that I really loved (‘Got to Get<br />
You off My Mind’ by Solomon Burke, if anyone cares), but which had cleared the floor whenever I’d<br />
tried it.<br />
“Were you here when I played it before”<br />
“Yeah.”<br />
“Well, you saw what happened. They were all about to go home.”<br />
It’s a three-minute single, and I’d had to take it off after about a minute and a half. I played ‘Holiday’<br />
by Madonna instead; I used modern stuff every now and again, at times of crisis, just like people who<br />
believe in homeopathy have to use conventional medicine sometimes, even though they disapprove of it.<br />
“They won’t this time.”<br />
“How do you know that”<br />
“Because I brought half of this lot here, and I’ll make sure they dance.”<br />
So I played it, and sure enough Laura and her mates flooded the dance floor, but one by one they all<br />
drifted off again, shaking their heads and laughing. It is a hard song to dance to; it’s a mid-tempo R&B<br />
thing, and the intro sort of stops and starts. Laura stuck with it, and though I wanted to see whether she’d<br />
struggle gamely through to the end, I got nervous when people weren’t dancing, so I put ‘The Love You<br />
Save’ on quick.<br />
She wouldn’t dance to the Jackson Five, and she marched over to me, but she was grinning and said