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Victor Hugo<br />

VICTOR MARIE VICOMETE HUGO, one of the most distinguished French writers, was born February 26th, 1802, at<br />

Besancon, where his father was then commandant of the garrison. He early acquired distinction by his poetic effusions,<br />

and before he was thirty years of age, his published works were numerous, and his name famous. Odes and ballads,<br />

romances, dramas, etc., flowed from his prolific pen. Shortly before the revolution of 1830, a literary revolution took<br />

place, at the head of which was Hugo. A band of young men, imaginative, ardent, and confident, sought to renovate French<br />

literature by departing from classic rules and models, substituting a varied and very irregular verse for the monotonous<br />

Alexandrines of the old school. The new school, "la jeune France," as they called themselves, formed the Romanticists,<br />

and their opponents the Classicists. The literary war which arose lasted for several years.<br />

He who opens a school door, closes a prison.<br />

Hugo's popularity continued to increase, and in 1837, Louis Philippe made him an officer of the Legion of Honor, and in<br />

1845 a peer of France. After the revolution of 1848, he was elected to represent the city of Paris, both in the Constituent<br />

and in the Legislative Assembly, in which he manifested democratic principles, and was one of those members of the<br />

extreme left, who were banished from France for life by Louis Napoleon. He took up his residence in the island of Jersey.<br />

In 1852, he assailed the ruler of France in a remarkable political pamphlet, Napoleon le Petit, (Napoleon the Little), which<br />

produced a great sensation; but the effect of its severity was weakencd by its undignified virulence. In 1862, he published<br />

Les Miserables, in which, with great dramatic force, he handles some of the most important social questions. Hugo's<br />

writings have great faults. They are often extravagant both in form and substance, and sometimes marred by an affected<br />

triviality of images and harshness of versification. Yet they have also great excellencies; the command of language is<br />

wonderful, and as a lyric poet, Hugo has, perhaps, never been equalled in France.<br />

Page 168<br />

An intelligent hell would be better than a stupid paradise.<br />

Abhi Sharma

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