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Colonial period in Cuba<br />

‘Before Night Falls’<br />

Hollywood projected Cuba<br />

as ‘police state’ for gays<br />

Hollywood turned up the volume on charges that Cuba was a “penal colony” for<br />

homosexual males with its release of “Before Night Falls” in August 2000.<br />

The movie was based on a memoir by the late anti-communist Cuban homosexual<br />

writer Reinaldo Arenas, who emigrated to the United States in 1980. A decade later<br />

Arenas committed suicide in a dilapidated Hell’s Kitchen apartment in Manhattan, the<br />

capital of capital. Impoverished and dying as a result of AIDS, he had no health insurance<br />

and could not afford high medical costs of care—rights enjoyed by every Cuban<br />

under the revolution in his homeland.<br />

Since the early days of the 1959 revolution, the CIA had trolled for grievances about<br />

the revolution—real, manufactured or exaggerated.<br />

“Before Night Falls” was the pinnacle of this propaganda campaign, by virtue of having<br />

the most capital invested in its production, its cast and distribution network; the<br />

publicity generated for its release; and the accolades and awards that gave it the imprimatur<br />

of “truth.” Interspersed snippets of actual archival footage from the early days of<br />

the revolution and snippets of newsreel of Fidel Castro’s speeches aim to lend the film<br />

the appearance of historical authenticity.<br />

As the movie begins, the cameras pan across what is actually rural Mexico, as the backdrop<br />

for Arenas’ childhood in Cuba. The reality of agricultural plantation enslavement<br />

is nowhere to be seen. Instead, the voiceover narrates that the author’s childhood was<br />

“splendor,” adding that “it was absolute poverty but also absolute freedom … .”<br />

Projected onto movie screens, “Before Night Falls” became an imperialist-era sequel to<br />

“Gone with the Wind.”<br />

In both reactionary propaganda films, bygone epochs of white-supremacist plantation<br />

slavery—which shackled African and Indigenous peoples—are nostalgically revived,<br />

revised and romanticized. In both films, the armies that break the manacles of slavery for<br />

profit are cast as the bad guys.<br />

Pre-revolution: exploitation, not freedom<br />

Viewers of “Before Night Falls” are left with the overall impression that the U.S.-<br />

backed Batista regime actually offered greater “freedom.”<br />

Hollywood projected Cuba as ‘police state’ for gays 25

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