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BNA INDIA - March / April 2015

DISCOVER WITH BNA INDIA THE UNIQUE COMBINATION OF CINEMA, ENTERTAINMENT AND CULTURE FROM INDIA AND GERMANY!

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ROY<br />

For what kind of target audience you<br />

actually made this dear film-maker?<br />

FILM REVIEW<br />

Certain films make you feel so annoyed and<br />

restless sitting in the theatre watching an allstar<br />

casting that you just wish to catch someone<br />

from the team and ask him that whether this<br />

was really made on a so called script of say 100<br />

pages? And whether the team really knew what<br />

they were making and for what kind of target<br />

audience precisely?<br />

Giving that exact experience to the viewer,<br />

ROY literally tests your patience<br />

in its 150 minutes of lengthy duration<br />

and is arguably one of those<br />

movies that repeatedly shakes<br />

your confidence in Hindi Cinema<br />

and its talented film-makers in<br />

comparative terms. Supposedly<br />

inspired from the romantic link<br />

between western directors Quentin<br />

Tarantino and Sofia Coppola<br />

as admitted by its debutant director<br />

Vikramjit Singh in his interviews,<br />

ROY straight away pays a<br />

tribute to the genius director in its<br />

very first sequence with a mention<br />

of a two part film. And then begins<br />

at such a lazy pace that you<br />

are amazed to see the confidence<br />

(or over-confidence) of its makers<br />

as if they are making a deep psychological<br />

thriller with many hidden multi layers<br />

with some great poetic depths………….,<br />

whereas in reality it doesn’t even have the<br />

layers of a simple sandwich.<br />

The viewers keep waiting for it to come up with<br />

something engaging after bearing the extremely<br />

slow initial 10-15 minutes. But the film is<br />

simply not interested in leaving its boring, amateurish<br />

or ‘Pakaao’ mode and then keeps moving<br />

on a silly self-obsessed path with all<br />

worthless content which in turn makes the actors<br />

also look like fools acting in those meaningless<br />

scenes so professionally. In fact the<br />

way they all talk looks like we are listening to<br />

a few professors of psychology having a seminar<br />

kind of thing on life and its basic issues<br />

without caring about whether their words are<br />

even reaching out to the audience or not. Making<br />

a constant effort to connect or find its<br />

storyline, I honestly couldn’t do that after an<br />

hour despite few catchy tracks<br />

and thus failed to get any of its<br />

story progression, cameos or<br />

double role as projected.<br />

In short it was Friday the 13th<br />

and the date clearly had its impact<br />

on our Hindi cinema since<br />

ROY turned out to be one of the<br />

worst films of the year <strong>2015</strong><br />

without a doubt. However luckily<br />

I still managed to have a good<br />

time in the single screen theatre<br />

post intermission when I joined<br />

a group of college friends who<br />

were regularly delivering many<br />

entertaining comments over the<br />

film’s various sequences, making<br />

the best use of the dark. And<br />

here are some of those funny<br />

remarks they came up extempore<br />

that actually helped me remaining awake<br />

watching the torture called ROY. Post almost<br />

90 minutes into the film, Arjun expressed<br />

"Main Jab Yahan Aaya Tha To Kahani Nahin<br />

Thi".....A voice from the audience replied,<br />

"Hamare Paas Abhi Bhi Nahin Hai!"As the<br />

song "Yaara Re" began......the college group<br />

started singing along...<br />

Continue reading here (click)<br />

<strong>BNA</strong> <strong>INDIA</strong> <strong>March</strong> / <strong>April</strong> <strong>2015</strong><br />

27

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