24. Welcome to Dubrovnik - TuristiÄka zajednica grada Dubrovnika
24. Welcome to Dubrovnik - TuristiÄka zajednica grada Dubrovnika
24. Welcome to Dubrovnik - TuristiÄka zajednica grada Dubrovnika
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The Pho<strong>to</strong>graphic Eye of<br />
Najka<br />
Mirković<br />
<strong>Dubrovnik</strong> must<br />
give of itself<br />
Najka Mirković<br />
was born in<br />
Bratislava. Since<br />
her early childhood she has<br />
been living in <strong>Dubrovnik</strong>,<br />
where she attended the<br />
grammar school and<br />
graduated from the Faculty<br />
of Tourism and Foreign Trade.<br />
In 1986 she completed a<br />
pho<strong>to</strong>graphy course, and since<br />
then pho<strong>to</strong>graphy has become<br />
one of the major interests in<br />
her life, both in the professional<br />
and private sense. She has<br />
conducted a number of wellreceived<br />
pho<strong>to</strong>graphy workshops,<br />
and has taken part as an associate<br />
of the <strong>Dubrovnik</strong> Museums’<br />
Archaeological Department in<br />
pho<strong>to</strong>graphing his<strong>to</strong>rical artefacts.<br />
Since 2002, she has had one-man<br />
exhibitions in <strong>Dubrovnik</strong>, Split,<br />
Zagreb and Mostar.<br />
It was Najka Mirković’s family<br />
that encouraged her early interest in<br />
pho<strong>to</strong>graphy as an artistic expression<br />
of her own personality. The mood<br />
and atmosphere of <strong>Dubrovnik</strong> and its<br />
surroundings provide the source for the<br />
motifs of her pho<strong>to</strong>graphs. She discovers<br />
a specific quality in every-day, simple<br />
and ordinary things, using<br />
pho<strong>to</strong>graphy <strong>to</strong> get us <strong>to</strong> see<br />
things we fail <strong>to</strong> notice in our<br />
superficial times. She shows us<br />
the seemingly familiar in a way we<br />
have never experienced before. Delving<br />
in<strong>to</strong> the very essence of an object and<br />
revealing it by means of her astute mind<br />
is characteristic of the style of this artist,<br />
not only in her pho<strong>to</strong>graphy, but also in<br />
her way of thinking and her perception<br />
of the world.<br />
Your intriguing approaches <strong>to</strong><br />
your subject in almost all the<br />
cycles of your pho<strong>to</strong>graphic work<br />
have been determined by your<br />
extremely emotional perception of<br />
<strong>Dubrovnik</strong>…<br />
As a pho<strong>to</strong>grapher I am constantly deeply<br />
aware of <strong>Dubrovnik</strong>’s ancient his<strong>to</strong>ry and<br />
tradition, and of the power and beauty of its<br />
natural atmosphere. I rejoice in discovering<br />
new aspects of this harmony over and over<br />
again. Every step in understanding the<br />
aesthetics, mystery, balance and energy which<br />
<strong>Dubrovnik</strong> definitely still possesses brings<br />
me closer <strong>to</strong> discovering the harmony within<br />
myself. Whether it’s a question of my series<br />
of pho<strong>to</strong>graphs of motifs from the Franciscan<br />
Monastery Cloister with the wealth of<br />
human faces and s<strong>to</strong>ne figures I captured<br />
there, my landscape pho<strong>to</strong>graphs exploring the<br />
Island of Šipan’s countryside in all seasons,<br />
pho<strong>to</strong>graphs of the Festival of St Blaise and<br />
the emotions it arouses reflected on people’s<br />
44 Dobrodošli u <strong>Dubrovnik</strong> Zima 2012./13.