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24. Welcome to Dubrovnik - Turistička zajednica grada Dubrovnika

24. Welcome to Dubrovnik - Turistička zajednica grada Dubrovnika

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The Pho<strong>to</strong>graphic Eye of<br />

Najka<br />

Mirković<br />

<strong>Dubrovnik</strong> must<br />

give of itself<br />

Najka Mirković<br />

was born in<br />

Bratislava. Since<br />

her early childhood she has<br />

been living in <strong>Dubrovnik</strong>,<br />

where she attended the<br />

grammar school and<br />

graduated from the Faculty<br />

of Tourism and Foreign Trade.<br />

In 1986 she completed a<br />

pho<strong>to</strong>graphy course, and since<br />

then pho<strong>to</strong>graphy has become<br />

one of the major interests in<br />

her life, both in the professional<br />

and private sense. She has<br />

conducted a number of wellreceived<br />

pho<strong>to</strong>graphy workshops,<br />

and has taken part as an associate<br />

of the <strong>Dubrovnik</strong> Museums’<br />

Archaeological Department in<br />

pho<strong>to</strong>graphing his<strong>to</strong>rical artefacts.<br />

Since 2002, she has had one-man<br />

exhibitions in <strong>Dubrovnik</strong>, Split,<br />

Zagreb and Mostar.<br />

It was Najka Mirković’s family<br />

that encouraged her early interest in<br />

pho<strong>to</strong>graphy as an artistic expression<br />

of her own personality. The mood<br />

and atmosphere of <strong>Dubrovnik</strong> and its<br />

surroundings provide the source for the<br />

motifs of her pho<strong>to</strong>graphs. She discovers<br />

a specific quality in every-day, simple<br />

and ordinary things, using<br />

pho<strong>to</strong>graphy <strong>to</strong> get us <strong>to</strong> see<br />

things we fail <strong>to</strong> notice in our<br />

superficial times. She shows us<br />

the seemingly familiar in a way we<br />

have never experienced before. Delving<br />

in<strong>to</strong> the very essence of an object and<br />

revealing it by means of her astute mind<br />

is characteristic of the style of this artist,<br />

not only in her pho<strong>to</strong>graphy, but also in<br />

her way of thinking and her perception<br />

of the world.<br />

Your intriguing approaches <strong>to</strong><br />

your subject in almost all the<br />

cycles of your pho<strong>to</strong>graphic work<br />

have been determined by your<br />

extremely emotional perception of<br />

<strong>Dubrovnik</strong>…<br />

As a pho<strong>to</strong>grapher I am constantly deeply<br />

aware of <strong>Dubrovnik</strong>’s ancient his<strong>to</strong>ry and<br />

tradition, and of the power and beauty of its<br />

natural atmosphere. I rejoice in discovering<br />

new aspects of this harmony over and over<br />

again. Every step in understanding the<br />

aesthetics, mystery, balance and energy which<br />

<strong>Dubrovnik</strong> definitely still possesses brings<br />

me closer <strong>to</strong> discovering the harmony within<br />

myself. Whether it’s a question of my series<br />

of pho<strong>to</strong>graphs of motifs from the Franciscan<br />

Monastery Cloister with the wealth of<br />

human faces and s<strong>to</strong>ne figures I captured<br />

there, my landscape pho<strong>to</strong>graphs exploring the<br />

Island of Šipan’s countryside in all seasons,<br />

pho<strong>to</strong>graphs of the Festival of St Blaise and<br />

the emotions it arouses reflected on people’s<br />

44 Dobrodošli u <strong>Dubrovnik</strong> Zima 2012./13.

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