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concept for more efficient support of the arts in 2007–2013 - Divadlo.cz

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III. Instruments<br />

The primary <strong>in</strong>struments <strong>for</strong> fufill<strong>in</strong>g <strong>the</strong> Concept <strong>for</strong> More Efficient Support <strong>of</strong> <strong>the</strong> Arts <strong>in</strong><br />

<strong>2007–2013</strong> are:<br />

a) Institutional<br />

– exist<strong>in</strong>g cultural <strong>in</strong>stitutions founded by <strong>the</strong> state; exist<strong>in</strong>g cultural <strong>in</strong>stitutions founded by<br />

regional authorities; secondary, vocational and post-secondary schools specialis<strong>in</strong>g <strong>in</strong> <strong>the</strong><br />

<strong>arts</strong>; post-secondary departments specialis<strong>in</strong>g <strong>in</strong> research and scholarship <strong>in</strong> <strong>the</strong> <strong>arts</strong>; <strong>in</strong>stitutes<br />

<strong>of</strong> <strong>the</strong> Academy <strong>of</strong> Sciences <strong>of</strong> <strong>the</strong> Czech Republic; non-governmental, not-<strong>for</strong>-pr<strong>of</strong>it<br />

organisations focused on culture; and o<strong>the</strong>r entities provid<strong>in</strong>g services <strong>in</strong> <strong>the</strong> field <strong>of</strong> <strong>the</strong><br />

<strong>arts</strong>, which <strong>for</strong>m <strong>the</strong> structural background that is essential <strong>for</strong> <strong>the</strong> identification, presentation,<br />

preservation, distribution, documentation, and qualified reflection <strong>of</strong> <strong>the</strong> <strong>arts</strong>.<br />

– International networks and associations that assist Czech member organisations <strong>in</strong> becom<strong>in</strong>g<br />

<strong>in</strong>tegrated at <strong>the</strong> <strong>in</strong>ternational level, <strong>in</strong> shar<strong>in</strong>g and exchang<strong>in</strong>g <strong>in</strong><strong>for</strong>mation<br />

and experiences, and <strong>in</strong> participat<strong>in</strong>g <strong>in</strong> cooperative endeavours and <strong>in</strong> <strong>the</strong> advancement<br />

<strong>of</strong> specific areas <strong>of</strong> artistic work and <strong>the</strong> presentation <strong>of</strong> artistic work.<br />

b) Economic<br />

direct<br />

– grants from <strong>the</strong> state budget, contributions from <strong>the</strong> budgets <strong>of</strong> <strong>the</strong> regional and district<br />

authorities<br />

– <strong>in</strong> <strong>the</strong> case <strong>of</strong> cultural heritage, <strong>in</strong> con<strong>for</strong>mity with <strong>the</strong> act on <strong>the</strong> conservation <strong>of</strong> collections<br />

(<strong>the</strong> act on heritage protection, <strong>the</strong> archive act), <strong>in</strong> <strong>the</strong> case <strong>of</strong> <strong>support</strong> <strong>for</strong> public<br />

services <strong>in</strong> con<strong>for</strong>mity with <strong>the</strong> bill on some types <strong>of</strong> <strong>support</strong> <strong>for</strong> culture and on amendments<br />

to certa<strong>in</strong> related acts (ensur<strong>in</strong>g public access to artistic work and cultural heritage)<br />

<strong>in</strong>direct<br />

– streng<strong>the</strong>n cooperative fund<strong>in</strong>g and fund<strong>in</strong>g <strong>for</strong> multi-year projects from public budgets<br />

– establish comparable circumstances <strong>in</strong> <strong>the</strong> area <strong>of</strong> fund<strong>in</strong>g <strong>for</strong> governmental organisations<br />

and not-<strong>for</strong>-pr<strong>of</strong>it organisations (legal-labour relations, social and economic aspects)<br />

– promote philanthropy 28 , sponsorship 29 and patronage 30 <strong>of</strong> <strong>the</strong> <strong>arts</strong>, ie. through effecti-<br />

28 The promotion <strong>of</strong> corporate philanthropy <strong>in</strong> <strong>the</strong> Czech Repubic began as part <strong>of</strong> <strong>the</strong> Corporate Social Responsibility<br />

(CSR) strategy and ma<strong>in</strong>ly developed among <strong>for</strong>eign companies. CSR began to be used as a term<br />

<strong>in</strong> advanced countries dur<strong>in</strong>g <strong>the</strong> 1990s. The EU Lisbon summit <strong>in</strong> 2000 adopted <strong>the</strong> position that this <strong>concept</strong><br />

should be strategically promoted and advanced.<br />

29 Sponsor<strong>in</strong>g is based on a commercial advantage <strong>for</strong> both parties. In practice it <strong>of</strong>ten occurs <strong>in</strong> <strong>the</strong> <strong>for</strong>m <strong>of</strong><br />

an agreement on advertis<strong>in</strong>g and on <strong>the</strong> provision <strong>of</strong> services by cultural entities to o<strong>the</strong>r entities outside <strong>the</strong><br />

cultural sphere. Sponsor<strong>in</strong>g is a part <strong>of</strong> corporate bus<strong>in</strong>ess strategy. The sponsor purchases <strong>the</strong> right to be l<strong>in</strong>ked<br />

to a particular cultural event and use it <strong>for</strong> its own promotional purposes. In <strong>the</strong> Czech Republic it is understood<br />

as a <strong>for</strong>m <strong>of</strong> philanthropy.<br />

30 A patron <strong>of</strong> <strong>the</strong> <strong>arts</strong> is a person that <strong>support</strong>s projects or events out <strong>of</strong> <strong>the</strong>ir personal capital (not with corporate funds).<br />

ve cooperation with public adm<strong>in</strong>istration, awards <strong>for</strong> acts <strong>of</strong> philanthropy, sponsorship,<br />

and patronage, optimis<strong>in</strong>g possible tax deductions <strong>in</strong> this area (tax assignment)<br />

– promote cooperation between <strong>in</strong>stitutions founded by public adm<strong>in</strong>istration and private-legal<br />

entities<br />

– streng<strong>the</strong>n <strong>the</strong> state’s o<strong>the</strong>r fund<strong>in</strong>g sources – <strong>the</strong> State Fund <strong>of</strong> Culture <strong>of</strong> <strong>the</strong> Czech<br />

Republic, <strong>the</strong> State Fund <strong>for</strong> <strong>the</strong> Support and Development <strong>of</strong> Czech C<strong>in</strong>ematography,<br />

tak<strong>in</strong>g full advantage <strong>of</strong> all <strong>the</strong>se f<strong>in</strong>ancial sources and endeavour<strong>in</strong>g to f<strong>in</strong>d new<br />

ones<br />

– ensure proper protection and adm<strong>in</strong>istration <strong>of</strong> copyright<br />

– f<strong>in</strong>ancial loans and securities<br />

c) legislative<br />

direct<br />

– develop <strong>in</strong>struments <strong>for</strong> <strong>the</strong> systematic observance <strong>of</strong> <strong>the</strong> <strong>the</strong> legislative norms relat<strong>in</strong>g<br />

to <strong>the</strong> field <strong>of</strong> <strong>arts</strong>, film and audiovisual work<br />

– implement <strong>the</strong> act on some types <strong>of</strong> public <strong>support</strong> <strong>for</strong> culture and on amendments to<br />

certa<strong>in</strong> related acts<br />

<strong>in</strong>direct<br />

– ensure co-participation <strong>in</strong> <strong>the</strong> preparation <strong>of</strong> new legislation (<strong>the</strong> Civic Code and <strong>the</strong><br />

Labour Code, etc.) favourable to <strong>the</strong> <strong>arts</strong> – e. g. a public benefit statute<br />

– address <strong>the</strong> issue <strong>of</strong> employ<strong>in</strong>g <strong>for</strong>eign employees <strong>in</strong> <strong>the</strong> Czech Republic, <strong>in</strong>clud<strong>in</strong>g<br />

social and health <strong>in</strong>surance issues<br />

– promote <strong>the</strong> adoption <strong>of</strong> tax relief <strong>for</strong> selected bus<strong>in</strong>ess activities <strong>in</strong> <strong>the</strong> <strong>the</strong> <strong>arts</strong>, lower<br />

VAT rates<br />

– promote <strong>the</strong> possibility <strong>of</strong> a reduction <strong>of</strong> <strong>the</strong> <strong>in</strong>come tax base <strong>in</strong> exchange <strong>for</strong> artistic<br />

work or a reduction <strong>of</strong> estate duties through <strong>the</strong> donation <strong>of</strong> artistic works or <strong>the</strong><br />

transfer <strong>of</strong> copyright to <strong>the</strong> collections <strong>of</strong> state <strong>in</strong>stitutions, foundation assets, or state<br />

funds<br />

– promote application <strong>of</strong> <strong>the</strong> Act on Tax Assignment that takes <strong>in</strong>to account <strong>the</strong> conditions<br />

<strong>of</strong> artistic activity<br />

– promote <strong>the</strong> implementation <strong>of</strong> <strong>the</strong> Public-Private Partnership that takes <strong>in</strong>to account<br />

conditions <strong>for</strong> artistic activity<br />

– promote <strong>the</strong> implementation <strong>of</strong> partnerships between entities that takes <strong>in</strong>to account<br />

<strong>the</strong> conditions <strong>for</strong> artistic activity<br />

66<br />

67

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