We have been waiting for Carla to come to London for quite some time,and now she is here, to lead a workshop as part of <strong>nanopolitics</strong>. Tonalitiesof relations, exploring tone and relation through touch: some 15 exhaustedweekend bodies show up for this experiment.We start by laying on the ground. Carla talks, but hers are not instructions,she doesn’t really tell us what to do and how to move our bodies, herwords are not entirely meaningful, they suggest rather than mean something,using some more or less anatomical terms, leading us across different bodyparts, movements and tissues. Her words come towards us, and we react tothem, encouraged to reach out into the void of their signification, each of usin a different way: it is not about getting it right and doing the same thingall together, everybody seems to follow something else, a different voice andbody, new imaginaries of the layers of our corporeality.What we seem to do is to ‘map a different geography of our bodies’, asCarla puts it. Fascia, bones, muscles, fluids, tensions, softness, resistance,breath… We trace a new map in the sense that we learn to perceive, think,feel our bodies differently. Our body becomes something else, its interiorizedhierarchy changes: the umbilical zone becomes the living centre of the body,and so the head is now another limb, it moves like an appendage, the coccyxturns into a tail, into another limb that we’ve lost long ago, we now regain it inthis becoming animal, becoming starfish, becoming octopus. Maybe the term‘body mind centring’, which is the curious name of the method we are exploring,refers to the shift of these two familiar entities, body and mind, to thepossibility of moving them around, recomposing their relationship? We don’tdwell on abstractions such as mind-body relations but plunge into the depthsof our sensed anatomy, sensation aided by the terms Carla gives us. Carlaasks us to imagine the navel becoming a mouth, she says ‘imagine...’, then shedoesn’t say it anymore, my navel is opening, I can feel it, a living cavity opensin my belly. I get scared, but just for a moment. The sense of our existentialgeographies shifting and undergoing earthquakes, which we all know fromrelationships, precarity, migration, now takes on a very geological dimension.Anxiety is the way a loss of reference points feels, says Simondon, and we eachhave our moments of vertigo as some certainties about our supposedly stableand objective maps of our bodies are undone.I do still think, I use my brain during this exercise, but this is not the“centre” of my body anymore. Other parts of the body begin to emerge, consolidate,they gain a different consistency, as if they would think by themselves,as if part of my leg becomes a head with a brain: it starts pulsating, it is alive,I can feel it, it is thinking! My body loses its outline, my six limbs elongate inspace, the body becomes limitless, at least this is how it feels. It feels, because160
in a way it is not really me feeling, it is the body itself. Now our bodies toucheach other, grazing, it is as if part of my leg, my foot, becomes somethinglike a hand, a sensitive piece of flesh which is not quite mine anymore. Thisreconfiguration of limits allows for other kinds of encounter, far beyond theverbal or even vocal.Thus we explore ‘tuning into’: bodies that tune in with one other. In themselves,the movements and gestures we make are simple – I gently lean myhands onto someone else’s body. But it is something else than just leaningwhat we do. Carla talks about the bodily tissues behind the skin, about muscularfascia, about what is unseen of our bodies. She seems to use anatomicalknowledge, an anatomy far more complex than the one we’ve learned inschool. Carla asks us to touch and sense and affect the connective tissues ofsomeone else’s body, imagining is a mapping which allows us to start engagingwith the tissues of our bodies. Carla tells us how, because of the way thebody is constituted at a ‘nano’ level, a pressure on its surface becomes a pressureon its interior (but Carla never talks in terms of interior and exterior ofa body). ‘Anatomy is a kind of fiction’ says Carla, and it is also the ‘real’, solidbase for these exercises. I really ‘yield’ into someone else’s body with my own.I perceive the other body alive, moving, palpitating. Then I don’t perceive itanymore, I forget that my hand is pressing someone else’s shoulder, I forgetsomeone’s hand touching my leg. My body becomes limitless in all directions:its shape changes not only outwards but also inwards, it is made of movingfractals.Whilst Carla talks to us about connective tissues my mind wanders offand I start thinking of something apparently unrelated to what we are doing.I think about the way I often tend to position myself in relation to others,from strangers, to friends, to people I work with: I realize that I use somethinglike a judgement scale that works according to largely undefined parametersformed more or less unconsciously. An example of one of these parametersI inadvertently use could be called ‘intelligence’, the ‘ability of expressingmyself through words’, or ‘formulating theoretical knowledge’. This scale ofjudgement with its parameters constantly produces a sort of negotiable butnonetheless repressive power structure where I position myself in relationto other people. I’m compelled to feel, speak, act differently, according to theposition I end up occupying on this provisional structure. There is somethingalmost ‘nano’ in this mechanism that makes me feel inadequate most of thetime: it is something that happens largely below a threshold of consciousness,something that Carla’s exercises bring to fore. But substantially this devise ofjudgement is an individualizing one, the relations it dictates are based on aseparation between individuals. It is through thinking and experiencing the161
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nanopoliticshandbookthe nanopolitic
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IndexpageIntroduction11collective p
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Towards a careful listeningexercise
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1/2/3/A map of this bookThis book h
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From bodies to booksTrying to rende
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collectiveprocesses
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So a second level of our work conce
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mines our lives, work and politics
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through other experiences? And how
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care (not just individual but colle
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mal and natural that make life ‘e
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areas are erased by gated shopping
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Work, professionalization and the p
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on guidelines and protocols: whethe
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Endnotes1. This text was collective
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that we have been wandering these l
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does the common narrative of a grou
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also audiovisual recordings. We wou
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How is it that the awareness and lo
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translate into product. As an a pri
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and palpable to us on a daily basis
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en its double meaning in Spanish.
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Looking again at Bifo’s text, it
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Micropolitics— David Vercauteren
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to pursue here, which is that of gr
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So what are the stakes concerning t
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In order for a power relation to be
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7. Félix Guattari (1986), Les ann
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of our terrain? What do we need (co
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noyed, fatigue...) in 2-3 words. Th
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methodsandmethodologies
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activities? Are the quests of a sha
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present, and the relationship is mo
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fundamental question of the worksho
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another, and this confusion also al
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* * *The production of subjectivity
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Sculpting and modelling seriesAs a
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verbalised - of our experiences and
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exerciseThe machine of rhythmsIn Ap
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Somaan anarchist experiment— Jorg
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Because they want to make omelettes
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Soma games ask a group to interact
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scientifically proven fact today, m
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Endnotes1. Roberto Freire (1990) Am
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At the end, the group plays as a wh
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architects, planners, councillors,
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esistances of individual bodies des
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happens by way of a new externalisa
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If we look for a slogan that can de
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Endnotes1. Precarias a la Deriva.
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and the Permanence of Primitive Acc
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exerciseAn exercise indeproletarian
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No time for the sad passions— Ami
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men and things seem set in sparklin
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that radicality (the radicals playi
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merely reflect action received from
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to capture value, or the autonomy o
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Endnotes1. Francois Dosse (2010), G
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Towards a careful listening— Anja
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privilege that underlie our speech.
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consensus based to saturation-based
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easy reception of linguistic conten
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It is apparent that the refusal to
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materiality and characteristics, th
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tralian.com.au/national-affairs/mea
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ecologiesandmetabolisms
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Water it a bit. 3Water regularly, d
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Voku Pocu:making a people’s kitch
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People’s kitchens have a strong l
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Polenta cakes for friends andcomrad
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mix it with maple syrup. This is pr
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ResourcesIn this section we collate
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Campo Grupal, Buenos Aires (AR). Un
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Caring labour, an extensive archive
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Silvia Gil (2011) ‘Vidas precaria
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Freaksexual blog, good on sexuality
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Biographies:the nanopolitics group
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he is researching the recent histor
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mara ferreri has worked and studied
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Minor CompositionsOther titles in t