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Following Odysseus Not the end of the world Amarna city of light ...

Following Odysseus Not the end of the world Amarna city of light ...

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Egyptian archaeology10monastic community in <strong>the</strong> earlycenturies AD. The scenes on <strong>the</strong>irwalls, and <strong>the</strong> content <strong>of</strong> hugeboundary tablets that Akhenatenhad had carved into <strong>the</strong> perimetercliffs, alerted European visitors to<strong>the</strong> character <strong>of</strong> Akhenaten’s reignfrom early in <strong>the</strong> 19th century.Excavation <strong>of</strong> <strong>the</strong> <strong>city</strong> began witha single six-month season, spanning1891 and 1892, carried out by <strong>the</strong>British archaeologist WM FlindersPetrie, assisted by Howard Carter,<strong>the</strong>n on his first assignment inEgypt. His one season was enoughto satisfy his curiosity, and he neversought to return. Some 15 yearslater, in 1907, <strong>the</strong> Egyptian governmentgranted a permit to workat <strong>Amarna</strong> to Ludwig Borchardt8. and 9. side and frontviews <strong>of</strong> a workingmodel for Nefertiti’shead. New Kingdom,18th Dynasty, 1351-1334. © State Museum<strong>of</strong> Berlin. Photograph:Sandra Steiss.10. Model <strong>of</strong> <strong>the</strong> mainpart <strong>of</strong> <strong>the</strong> ‘House <strong>of</strong>Aten’, <strong>the</strong> Long Templeat <strong>the</strong> front <strong>of</strong> <strong>the</strong>enclosure at <strong>Amarna</strong>.© Model and photoby Eastwood Cook;concept by MallinsonArchitects.11. Map <strong>of</strong> <strong>Amarna</strong>© Barry Kemp.9<strong>of</strong> Berlin. Although working in<strong>the</strong> name <strong>of</strong> <strong>the</strong> Deutsche Orient-Gesellschaft (German OrientalSociety), he was funded directlyby one wealthy Berlin textile merchantand philanthropist, JamesSimon. Borchardt set out on along-term, methodical excavation<strong>of</strong> much <strong>of</strong> <strong>the</strong> <strong>city</strong>. Through thishe hoped to achieve two things.One was a detailed exploration <strong>of</strong>its architecture (reflecting his ownearly training as an architect); <strong>the</strong>o<strong>the</strong>r was <strong>the</strong> discovery <strong>of</strong> objectsand works <strong>of</strong> art that would grace<strong>the</strong> rapidly growing collections <strong>of</strong><strong>the</strong> Berlin Museum, by this time acultural showpiece for Germany’sambitions.In both he was quickly successful.In three seasons, between 1911and <strong>the</strong> spring <strong>of</strong> 1914, he and hissmall team excavated and mademeticulous plans <strong>of</strong> a huge part<strong>of</strong> <strong>the</strong> main residential sector <strong>of</strong><strong>the</strong> <strong>city</strong>. The culmination came on6 December, 1912. In a small roomin <strong>the</strong> house <strong>of</strong> a sculptor, probablynamed Thutmose, lay an extraordinarycollection <strong>of</strong> sculptor’s modelsand related material, among <strong>the</strong>m abrightly painted limestone head andshoulders <strong>of</strong> a woman, instantlyidentifiable by her distinctive crownas Queen Nefertiti, Akhenaten’s wife.The head, with <strong>the</strong> rest <strong>of</strong> <strong>the</strong>Thutmose material, passed through<strong>the</strong> Cairo Museum divisions systemand, following export to Berlin,became <strong>the</strong> property <strong>of</strong> JamesSimon. He subsequently presentedit all to <strong>the</strong> Berlin Museum. There itremains, <strong>the</strong> head <strong>of</strong> Nefertiti almostas much a symbol <strong>of</strong> Berlin as it is <strong>of</strong><strong>the</strong> Egyptian tourist industry.To mark <strong>the</strong> centenary <strong>of</strong> its discovery,<strong>the</strong>re is an exhibition in<strong>the</strong> impressive setting <strong>of</strong> <strong>the</strong> NeuesMuseum, <strong>the</strong> part <strong>of</strong> <strong>the</strong> museumensemble in Berlin which is hometo <strong>the</strong> Egyptian collection and isitself only recently restored from <strong>the</strong>ruin that was left at <strong>the</strong> <strong>end</strong> <strong>of</strong> <strong>the</strong>Second World War.The outcome <strong>of</strong> <strong>the</strong> First WorldWar, and <strong>the</strong> increasing feeling inEgypt that <strong>the</strong> head <strong>of</strong> Nefertitishould be returned, meant <strong>the</strong><strong>end</strong> <strong>of</strong> Borchardt’s expedition. Inits place, from 1921 to 1936, <strong>the</strong>London-based Egypt ExplorationSociety fielded an annual expeditionkeycultivated landexcavated <strong>city</strong>unexcavated <strong>city</strong>11NKmodern villageboundary stelaquarriesNorth Cityrock-cut tombNorth Riverside PalaceNorth PalaceDesert AltarsVNorth TombsNorth SuburbGreat Aten TempleGreat PalaceSmall Aten TempleCentral CityUriver Nile'River Temple'Main City SouthMain City NorthWorkmen's Villagehouse <strong>of</strong> Thutmoseto <strong>the</strong> Royal TombStone VillageSouth SuburbKom el-NanaEl-MangaraMaru-AtenSouth Tombs

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