© Jan van de Ven © Chris Decato © Sebastien Rieussec© Isabel PintoBlue Flamingo (The Netherlands)Contact: Dox RecordsLabel: Excelsior RecordingsBombino (Niger)Contact: ModibaLabel: CumbanchaBoubacar Traoré (Mali)Contact: Mad Minute MusicLabel: LusafricaCarminho (Portugal)Contact: Músicas do MundoLabel: EMI MusicArtists A – ZS h o w c a s e sFriday 01:45 Foyer Stage 1 Saturday 23:00 Foyer Stage 2DJ, musician and designer Ziya Ertekin lives in Rotterdamand collects old 78 rpm records. Lots of them. He travelsafar to find them and as a DJ he shares his discoverieswith his audiences, playing them on a 1957 Garrardturn table through a Fender Vibroverb guitar tube-amp.He also releases CD compilations of selections from thecollection. The latest is called Congo Jazz, containingrare gems of classic Congolese rumba as well as somesizzling hot jazz, gospel, jug-band and exotica from thelost world of direct live recording. Ask him too aboutArgentine tango, swing, rhythm and blues or fado. He’san enthusiast, a shellac hunter exploring in the junk-shopjungle, searching for history captured on a record, tobring it back into the light.www.ziya.nlBlue Flamingo DJThe young Tuareg guitarist and songwriter Omara‘Bombino’ Moctar was raised during an era of armedstruggles for independence and violent suppression bygovernment forces. His electrifying jams capture the spiritof resistance and rebellion while echoing with guitar riffsinhabited by spirits of the universal blues from Ali FarkaTouré to Jimi Hendrix, fusing traditional Berber rhythmswith the energy of rock’n’roll. A committed advocate forthe Tuareg community, his songs speak of the constantneed to maintain their cultural heritage and continue tosurvive with dignity intact. On stage, he drives his bandinto intensively tight grooves, spraying guitar licks aroundlike a Tuareg Chuck Berry. His 20<strong>11</strong> release, Agadez, hasswept up rave reviews and he arrives at <strong>WOMEX</strong> aftera summer of touring through Europe, the US, Japanand Korea.www.bombinoafrica.com› <strong>WOMEX</strong> <strong>11</strong> Showcase Trailer on www.womex.comBombino guitar, vocalsMohamed Serge Maurice percussion, vocalsKawissan Mohamed rhythm guitarIbrahim Atchinguil Emoud drums, djembe, vocalsEric Herman electric bassSaturday 23:30 Studio 1Boubacar Traoré is a founding father of modernMandingo music. His unique guitar technique standsat the crossroads between his kora influences and hisintuitive affinity with the styles of the Delta blues mastersof America’s Deep South. In the ‘60s, in the heady days ofindependence, he was the first to play Mandingo-rootedmusic on electric guitar and a string of hits provided thesoundtrack for the new freedom. But in 1968, the militarycoup saw him exiled from the airwaves and he returnedhome to become a farm worker. A brief comeback in1987 was halted by personal tragedy and he journeyedto Paris to work as a labourer. It wasn’t until 1990, that hebegan recording again. Now we have the chance to seea master at work. Don’t miss it!www.myspace.com/boubacartraoreofficiel› CD <strong>WOMEX</strong>IMIZER <strong>11</strong>› <strong>WOMEX</strong> <strong>11</strong> Showcase Trailer on www.womex.comBoubacar Traoré vocals, guitarMadieye Niang percussionVincent Bucher harmonicaFriday 23:30 Studio 1Although tipped for some years as fado’s brightest youngnewcomer, Carminho nonetheless took her time torecord her debut album. Such is the respect she holds forthe great fadistas that she grew up listening to, that shewanted to wait until she felt she had more life experiencebefore she presented herself as a serious contender, soshe took herself off for a year-long trip around the world.Now, still only 25, she’s made the transition from brightestnewcomer to rising star. With an emotional intensitythat belies her years, her translucent voice connects heraudiences with the raw soul of fado. Even if you don’tunderstand the language, you know what she means. Thealbum has finally emerged and the reviews are ecstatic.Catch a fado star in the making!www.carminho.net› CD <strong>WOMEX</strong>IMIZER <strong>11</strong>Carminho vocalsLuís Guerreiro Portuguese guitarDiogo Clemente acoustic guitarDaniel Pinto acoustic bass guitarArtists A – ZS h o w c a s e s182183
© Fernando Vega © Toti Ferrer© Steve Gullick© Mark ShoulCelso Piña (Mexico)Contact: Derapage ProductionsLabel: La Tuna RecordsDuquende (Spain)Contact: Taller de MúsicsLabel: unsignedEliza Carthy Band (UK)Contact, Label: HemHem RecordsHugh Masekela (South Africa)Contact: GriotLabel: GalloArtists A – ZS h o w c a s e sSaturday 22:00 Foyer Stage 1 Thursday 00:45 Studio 1With nearly two dozen albums to his credit, singer,composer and accordionist Celso Piña is known for hispioneering experimentation with the tropical style, theMexican version of cumbia popular since the 1950s. He’sbeen hooking it up with all kinds of urban and popularstyles from norteña and sonidera to ska, reggae, rap andhip-hop. His massive 2001 hit, ‘Cumbia Sobre el Rio’ –featured in the soundtrack of the film Babel – created awhole new hybrid of cumbia and electronica. Since then,he’s made successful collaborations with artists suchas Lila Downs, Control Machete, El Gran Silencio, andSergent Garcia while constantly touring at home and inthe Americas with his group, Ronda Bogotá. Now, after acareer spanning over 30 years, he’s making his Europeandebut at <strong>WOMEX</strong>. Será una fiesta!www.derapageprod.fr/en/Celso-Pina› CD <strong>WOMEX</strong>IMIZER <strong>11</strong>› <strong>WOMEX</strong> <strong>11</strong> Showcase Trailer on www.womex.comCelso Piña lead vocals, accordionRuben Piña Arvizu drums, percussionJorge Eduardo Piña Arvizu bassEnrique Alejandro Rosales Granados guitarJuan Jose Quiroz Dominguez second vocals, guacharacaHernan Cortes Nava congas, caja, backing vocalsJuan Rafael Cortés Santiago, known as Duquende, wasborn in Sabadell, Catalonia, into a Gypsy family. For a longtime he has been considered one of the most worthysuccessors to the late Camarón de la Isla. Indeed, it wasthe legendary cantaor who ‘initiated’ him by invitingDuquende to sing when he was only nine years old,as Camarón himself accompanied him on guitar. Hisadmiration for the master continues and he is proudto have had extended collaborations with both ofCamerón’s two most famous guitarists, recording andtouring the world with Paco de Lucía and undertakinga series of projects with Tomatito, but Duquende hasdeveloped his own voice and is expanding flamencotraditions, as attested by the recent surprise success ofhis version of Leonard Cohen’s song ‘The Gypsy’s Wife’.www.tallerdemusics.com/en/duquende› <strong>WOMEX</strong> <strong>11</strong> Showcase Trailer on www.womex.comDuquende vocals | Chicuelo guitar | Isaac Vigueras percussionSponsors: Institut Ramón Llull, ICIC – Catalan! Music,Taller de MúsicsFriday 22:00 Foyer Stage 1Winner of innumerable accolades, Eliza Carthy hasperformed and recorded with a diverse array of artistsincluding Paul Weller, Rufus and Martha Wainwright, NickCave, Billy Bragg and Bob Neuwirth. More than most,Eliza Carthy has revitalised folk music and captured themost hardened of dissenters with intelligent, boundarycrossingperformances. She grew up immersed in theworld of traditional music and still divides her timebetween touring and recording with her legendaryparents, Martin Carthy and Norma Waterson, as well asengaging in numerous solo and band projects includingthe groundbreaking Imagined Village, which boldly reexaminedthe concept of what constitutes an Englishmusical identity in the multicultural 21 st century. ElizaCarthy describes herself simply as a modern Englishmusician, which, as she proves, covers a lot of ground.www.eliza-carthy.com› <strong>WOMEX</strong> <strong>11</strong> Showcase Trailer on www.womex.comEliza Carthy lead vocals, violin, guitar, violas, accordion | William Mollesondrums, backing vocals | Bethany Porter cello, backing vocals | Steven Christiepiano, accordion, backing vocals | Emma Smith double bass, vocalsSponsors: HemHem Records, PRS – British Music AbroadSunday 12:00 Studio 2It’s impossible to encapsulate the remarkable careerof Hugh Masekela in just one paragraph. After all, it’sbeen more than half a century since he first picked upa trumpet and he shows no sign of putting it down yet.It was the instrument that helped him find his voice tosound out against the injustice and suffering inflictedon millions of South Africans by apartheid and it helpedhim break out during those dark days to bring a musicalcommuniqué to the rest of the world. From successin the US pop charts in the ‘60s, through the Afro-jazzexperiments of the ‘70s, returning to Africa and touringwith Paul Simon in the ‘80s and on until today, he hasnot stopped releasing albums, touring the world andengaging in new collaborative projects. At 72 yearsyoung, to paraphrase one of his album titles, the boy’sstill doin’ it!www.griot.de/hughmasekela.html› On Location/<strong>WOMEX</strong> Artist Award› CD <strong>WOMEX</strong>IMIZER <strong>11</strong>› <strong>WOMEX</strong> <strong>11</strong> Showcase Trailer on www.womex.comHugh Masekela flugelhorn | Cameron John Ward guitarAbednigo Sibongiseni Zulu bass | Randal Skippers keyboardLee-Roy Sauls drums | Francis Manneh Edward Fuster percussionArtists A – ZS h o w c a s e s184185