A Functional Perspective on Narrative in Computer Games - Wolf Maul

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Acknowledgements I would like to thank my advisor Bert Einsiedel I would also especially like to thank Tamsin Bohnet for her many sacrifices and critical assistance in completing this project. And Griffin, who was a welcome addition to the team. 2
Table of Contents Abstract…………………………………………….……………………. 4 Introduction……………………………………………………………… 5 Review of Literature……………………………………………………. 10 Methodology…………………………………………………..………… 15 Findings…………………………………………………….…………… 22 Discussion/Conclusion…………………………………….…….……. 44 Further Considerations……………………………………….……….. 46 References………………………………………………………..….… 48 Footnotes……………………………………………………………….. 50 3
Page 1: A Functional <stro
Page 5 and 6: A Functional <stro
Page 7 and 8: crossovers. Actors, including major
Page 9 and 10: Reviewers of computer games tend to
Page 11 and 12: The word Murray uses to describe na
Page 13 and 14: Juul, 2001). From this perspective,
Page 15 and 16: Does a computer game have to be cyb
Page 17 and 18: GameSpot and 4.5/5 by Adrenaline Va
Page 19 and 20: environment is similar to that of r
Page 21 and 22: my illustration of the model of fra
Page 23 and 24: location. The mouse is used for the
Page 25 and 26: Riven - Left image: Atreus gives in
Page 27 and 28: Baldur’s Gate uses an isometric (
Page 29 and 30: On the most basic level, the interf
Page 31 and 32: Granularity is a measure of how fin
Page 33 and 34: In The Longest Journey, for example
Page 35 and 36: possess the key). Since it may lead
Page 37 and 38: locked, and forest paths can be blo
Page 39 and 40: information nor building annoyance
Page 41 and 42: Macro-impact is similar to micro-im
Page 43 and 44: (I had to repair a watch with a pus
Page 45 and 46: inhibiting agency and drawing atten
Page 47 and 48: player responses to agency and cont
Page 49 and 50: Poole, Steven (2000). Trigger Happy

A Functional Perspective on Narrative in Computer Games - Wolf Maul

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