A Functional Perspective on Narrative in Computer Games - Wolf Maul

Narrative in computer games, I would argue, encompasses everything taking place on the
fiction frame. It is a chronicle of player-character actions as they take place within a world
created and described by the game and interpreted through a single perspective.
The game frame becomes more transparent, allowing more focus on the fiction frame,
when the player is able to act freely and consistently within the game environment. Narrative
in computer games thus becomes the creation of both the developer and the player, a balance
of action and detail. For this medium, then, narrative is agency in context.
Discussion / Conclusion
As tempting as it is to imagine famous works of art brought from the pages of a book – or
even from the stage or screen – to be enacted as computer games, that concept is
fundamentally flawed when we consider the definition of computer game narrative to be
agency in context. The essence of computer game narrative is agency, and at the core of
agency is choice. Choice precludes the type of narrative experience possible in a book or play,
enabling instead a new type of narrative to flourish based on players’ experiences in the fiction
frame.
The role of the game developer in creating a game narrative is, therefore, not to author a
story but to create compelling spaces and situations that can be successful catalysts to
meaningful play. These spaces should be structured to influence participant behavior rather
than dictating it, and to enable a series of seemingly serendipitous moments of insight and
accomplishment rather than attempting to force a rigidly structured whole. They should
provide enough detail to evoke the world frame, while maintaining enough simplicity to avoid
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