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Thich Nhat Hanh Jewish Roots The Better Way to Live Alone in the ...

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wonderful MOMENTYanomono aga<strong>in</strong>. I stared <strong>in</strong><strong>to</strong> <strong>the</strong> darkness try<strong>in</strong>g <strong>to</strong> see where Iwas and what was around me. I saw noth<strong>in</strong>g.My heart began <strong>to</strong> race. I couldn’t get my breath. I began <strong>to</strong>paddle frantically through <strong>the</strong> river, bump<strong>in</strong>g <strong>in</strong><strong>to</strong> <strong>the</strong> right bank,<strong>the</strong>n <strong>the</strong> left.A bat flew past, brush<strong>in</strong>g my face with its w<strong>in</strong>gs. Isquealed.Mosqui<strong>to</strong>es buzzed my ears, bit my arms.<strong>The</strong> sounds from <strong>the</strong> ra<strong>in</strong>forest grew louder: frogs especially,but birds <strong>to</strong>o, and o<strong>the</strong>r jungle animals I couldn’t name. I had <strong>to</strong>get home!I peered anxiously <strong>in</strong><strong>to</strong> <strong>the</strong> darkness, try<strong>in</strong>g <strong>to</strong> see what wasout <strong>the</strong>re, look<strong>in</strong>g for <strong>the</strong> bank of mud <strong>in</strong> front of <strong>the</strong> path <strong>to</strong> myhut, look<strong>in</strong>g for <strong>the</strong> tree root that was my port, look<strong>in</strong>g for anyth<strong>in</strong>gfamiliar. I could see noth<strong>in</strong>g.I passed under a low hang<strong>in</strong>g branch and someth<strong>in</strong>g fell from<strong>the</strong> tree <strong>in</strong><strong>to</strong> my hair. A tarantula! A huge tarantula! A huge hairyjungle tarantula!I paddled fast, desperately slapp<strong>in</strong>g <strong>the</strong> water with my paddle.My arms, my shoulders, my whole body was tense. I gasped fora breath.And <strong>the</strong>n a voice from somewhere <strong>in</strong>side whispered,“S<strong>to</strong>p.”I s<strong>to</strong>pped. I <strong>to</strong>ok a slow breath.I lifted my paddle from <strong>the</strong> water and let my canoe drift.I s<strong>to</strong>pped tell<strong>in</strong>g myself jungle s<strong>to</strong>ries. I s<strong>to</strong>pped my Tarzandrama. I just s<strong>to</strong>pped. S<strong>to</strong>pped and <strong>to</strong>ok a long slow breath.<strong>The</strong>n ano<strong>the</strong>r.And ano<strong>the</strong>r.And ano<strong>the</strong>r.F<strong>in</strong>ally, I forced a little smile.“Hola, rio.” I whispered. Took a breath. Let it out.“Buena noche, ¿no?”<strong>The</strong> sounds of <strong>the</strong> jungle softened. <strong>The</strong> stars brightened. <strong>The</strong>river slowed.I lifted my paddle and gently dipped it <strong>in</strong><strong>to</strong> <strong>the</strong> soft starsparkledriver. I pulled it slowly through <strong>the</strong> calm waters.Breath<strong>in</strong>g <strong>in</strong>, I know that I am here, now.(Dip <strong>the</strong> paddle, pull <strong>the</strong> water, glide.)Breath<strong>in</strong>g out, I know that I am now here.(No longer <strong>in</strong>vent<strong>in</strong>g scary jungle s<strong>to</strong>ries.)In…. here.(Not th<strong>in</strong>k<strong>in</strong>g about <strong>the</strong> English lessons I just gave; not plann<strong>in</strong>ghow <strong>to</strong> get up <strong>the</strong> muddy slope when I get home.)Out….here.(Dip, pull, glide.)Here <strong>in</strong> this present moment.(New trees above me, new stars. New water below, new fishand mud and snakes. <strong>The</strong> air I now brea<strong>the</strong> is not <strong>the</strong> air of mylast breath.)Here <strong>in</strong> this wonderful moment.(Dip, pull, glide.)After a while I saw some white tree trunks that looked familiarand dipp<strong>in</strong>g my paddle <strong>in</strong>, pull<strong>in</strong>g back easily, I glided slowly<strong>to</strong>ward <strong>the</strong>m. I had arrived. I was home.“Try liv<strong>in</strong>g like that,” <strong>the</strong> Yanomono River said.“Thanks for <strong>the</strong> dharma talk,” I smiled.<strong>The</strong> next day it ra<strong>in</strong>ed most of <strong>the</strong> day. About an hour beforesunset, when <strong>the</strong> ra<strong>in</strong> had s<strong>to</strong>pped, I <strong>to</strong>ok a small bucket <strong>to</strong> mycanoe <strong>to</strong> bail out <strong>the</strong> ra<strong>in</strong>water. I also expected <strong>to</strong> bail out that hugetarantula that I had shook from my hair <strong>the</strong> night before.<strong>The</strong>re was no tarantula. In <strong>the</strong> ra<strong>in</strong>water, <strong>in</strong> <strong>the</strong> bot<strong>to</strong>m of mydugout canoe, a small purple flower floated.Dur<strong>in</strong>g <strong>the</strong> months I lived <strong>in</strong> <strong>the</strong> jungle, I became friends with<strong>the</strong> trees that l<strong>in</strong>ed <strong>the</strong> banks of <strong>the</strong> Yanomono River and familiarwith its “S” turns. I came <strong>to</strong> know <strong>the</strong> sounds of <strong>the</strong> jungle and itssmells. I recognized <strong>the</strong> reeds on <strong>the</strong> left that meant <strong>the</strong> river wasgo<strong>in</strong>g <strong>to</strong> w<strong>in</strong>d <strong>to</strong> <strong>the</strong> right; <strong>the</strong> wide space overhead that meant Iwas <strong>to</strong> go straight; <strong>the</strong> cluster of white-barked trees that meant I wasgett<strong>in</strong>g close <strong>to</strong> home; <strong>the</strong> hoarse frogs that meant I had arrived.Aware that I was surrounded by friends—<strong>the</strong> river, <strong>the</strong> stars,<strong>the</strong> trees, <strong>the</strong> sounds, <strong>the</strong> smells—I was no longer so afraid. In fact,most of <strong>the</strong> time I was awed by <strong>the</strong> majesty—by <strong>the</strong> miracle—ofit all.It was <strong>the</strong> Yanomono River, deep <strong>in</strong> <strong>the</strong> jungle of Peru,that taught me <strong>The</strong> <strong>Better</strong> <strong>Way</strong> <strong>to</strong> <strong>Live</strong> <strong>Alone</strong>.*<strong>The</strong> “Elder Sutra” as well as<strong>the</strong> “Discourse on Know<strong>in</strong>g<strong>the</strong> <strong>Better</strong> <strong>Way</strong> <strong>to</strong> <strong>Live</strong> <strong>Alone</strong>”can be found beg<strong>in</strong>n<strong>in</strong>g onpage 234 of <strong>The</strong> Plum VillageChant<strong>in</strong>g and Recitation Book.Both are <strong>the</strong> subject of OurAppo<strong>in</strong>tment with Life by<strong>Thich</strong> <strong>Nhat</strong> <strong>Hanh</strong>, whichalso <strong>in</strong>cludes his beautifulcommentary on <strong>the</strong>m.Terry Masters, True Actionand Virtue, lives <strong>in</strong> Aust<strong>in</strong>,Texas where she practiceswith <strong>the</strong> Plum BlossomSangha. She has justreturned from ano<strong>the</strong>rmonth teach<strong>in</strong>g English<strong>in</strong> <strong>the</strong> jungle of Peru.draw<strong>in</strong>g by Terry Masters<strong>the</strong> M<strong>in</strong>dfulness Bell 19

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