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Thich Nhat Hanh Jewish Roots The Better Way to Live Alone in the ...

Thich Nhat Hanh Jewish Roots The Better Way to Live Alone in the ...

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wonderful MOMENTWalk<strong>in</strong>g at a slow, determ<strong>in</strong>ed pace, <strong>the</strong> cart pullers seem <strong>to</strong>be concentrat<strong>in</strong>g only on <strong>the</strong> essential: a firm grip, <strong>the</strong> next step.Look<strong>in</strong>g straight ahead, apparently undistracted by sights andsounds around <strong>the</strong>m, and appear<strong>in</strong>g <strong>to</strong> rely on <strong>in</strong>tuition <strong>to</strong> f<strong>in</strong>d what<strong>the</strong>y are look<strong>in</strong>g for, <strong>the</strong>y pull aga<strong>in</strong>st <strong>the</strong> weight of <strong>the</strong>ir load. Are<strong>the</strong>y really that s<strong>in</strong>gle-m<strong>in</strong>ded <strong>in</strong> <strong>the</strong>ir purpose?To me, <strong>the</strong>ir work seems possible only for people of greaterphysical ability—stronger, younger people. Month after month, onhot days and cold days, <strong>the</strong>y walk <strong>the</strong>ir path. It may be that somedare <strong>to</strong> pity <strong>the</strong>m. But, look<strong>in</strong>g closely at <strong>the</strong>m and see<strong>in</strong>g what<strong>the</strong>y do, <strong>in</strong> those fleet<strong>in</strong>g moments, I rediscover compassion andrenew awe <strong>in</strong> my life, <strong>the</strong> same experience I had upon see<strong>in</strong>g <strong>the</strong>old woman who seemed <strong>to</strong> be look<strong>in</strong>g at my foot.Connect<strong>in</strong>g <strong>to</strong> <strong>the</strong> Sourceof CompassionAfter <strong>the</strong> old woman passed out of sight <strong>the</strong> bus came. Andsoon after that we crossed over <strong>the</strong> bridge <strong>to</strong> <strong>the</strong> island and arrivedat <strong>the</strong> bot<strong>to</strong>m of <strong>the</strong> road that led up <strong>to</strong> <strong>the</strong> temple. We walked up<strong>the</strong> steep hill at a slow but determ<strong>in</strong>ed pace, and I noticed as wewalked that <strong>the</strong> bandage was hold<strong>in</strong>g, protect<strong>in</strong>g <strong>the</strong> cut.At <strong>the</strong> <strong>to</strong>p of <strong>the</strong> hill we passed through <strong>the</strong> old s<strong>to</strong>ne templegate, headed for <strong>the</strong> ma<strong>in</strong> Buddha Hall, went <strong>in</strong>, and as we alwaysdid upon first arriv<strong>in</strong>g at a temple, performed <strong>the</strong> bow<strong>in</strong>g ritual.As I bowed before <strong>the</strong> statue of Buddha, <strong>the</strong> weight of <strong>the</strong> koan,<strong>the</strong> weakness of my ability, and <strong>the</strong> strength of <strong>the</strong> barrier allbowed with me.After a last bow, I stepped out of <strong>the</strong> temple door, putt<strong>in</strong>g myleft foot <strong>in</strong> my sandal. And as I bent down <strong>to</strong> check <strong>the</strong> conditionof <strong>the</strong> bandage on my right foot, I thought of <strong>the</strong> old woman at<strong>the</strong> moment when she had passed between <strong>the</strong> s<strong>to</strong>re wall and me.But this time I saw <strong>the</strong> moment clearly; this time I could see <strong>in</strong><strong>to</strong>it as it expanded <strong>in</strong> my m<strong>in</strong>d.<strong>The</strong> moment deepened until it merged with my whole be<strong>in</strong>g.In that one moment that seemed <strong>to</strong> extend forever, I saw deeply<strong>in</strong><strong>to</strong> <strong>the</strong> simple and awesome truth of <strong>the</strong> moment when <strong>the</strong> oldwoman passed between <strong>the</strong> wall and me, and at <strong>the</strong> same time <strong>in</strong><strong>to</strong><strong>the</strong> mystery of <strong>the</strong> cart pullers.This moment merged with that moment <strong>in</strong> a birth of clarity,and I connected <strong>to</strong> <strong>the</strong> source of my compassion for <strong>the</strong>m, and myawe. I unders<strong>to</strong>od: <strong>The</strong>re are people all around me who are do<strong>in</strong>g<strong>the</strong> impossible. And <strong>in</strong> that moment I shared <strong>the</strong>ir burden, <strong>the</strong>irsuffer<strong>in</strong>g and <strong>the</strong>ir strength. <strong>The</strong>re was no space between us.Intuitively, I turned my head from <strong>the</strong> bandage on my foot <strong>to</strong><strong>the</strong> direction <strong>the</strong> old woman’s head had appeared from—and saw<strong>the</strong> smil<strong>in</strong>g face of a monk who was walk<strong>in</strong>g <strong>to</strong>ward <strong>the</strong> BuddhaHall <strong>to</strong> welcome us. I slid my right foot firmly <strong>in</strong><strong>to</strong> <strong>the</strong> sandal,s<strong>to</strong>od up straight, clasped my hands beh<strong>in</strong>d my back, and walkedslowly forward <strong>to</strong> meet him.John Beaudry has taken <strong>the</strong> precepts butcont<strong>in</strong>ues <strong>to</strong> search hermitages deep <strong>in</strong><strong>the</strong> Korean mounta<strong>in</strong>s for an old master <strong>to</strong>take as a teacher. He lives <strong>in</strong> Seoul.Woman with cartpho<strong>to</strong> by Eileen Kiera<strong>the</strong> M<strong>in</strong>dfulness Bell 21

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