ook REVIEWSThis TenderPlace<strong>The</strong> S<strong>to</strong>ry of aWetland YearBy Laurie LawlorUniversity of Wiscons<strong>in</strong>Press, 2005Hardcover, 166 pages,$26.95LittlePilgrimBy Ko UnParallax Press, 2005Softcover, 381 pages, $18.95Reviewed by Judith ToyReviewed by Janice Rub<strong>in</strong>In a volume of fewer than 200 pages, Laurie Lawlor, author ofthirty-three books for children and adults, writes <strong>the</strong> s<strong>to</strong>ry of a loveaffair with a swamp that is ultimately a clarion call <strong>to</strong> preserve ourwetlands if we wish <strong>to</strong> ensure adequate supplies of potable water.Lawlor and her husband, Jack, bought <strong>the</strong> eleven-acre property <strong>in</strong>sou<strong>the</strong>ast Wiscons<strong>in</strong> as a way <strong>to</strong> “reconstruct” <strong>the</strong>mselves follow<strong>in</strong>g<strong>the</strong> deaths of <strong>the</strong>ir fa<strong>the</strong>rs with<strong>in</strong> months of each o<strong>the</strong>r. In spr<strong>in</strong>g <strong>the</strong>yplanted a p<strong>in</strong> oak, beneath which were placed her fa<strong>the</strong>r’s ashes.This Tender Place is permeated with Lawlor’s deep practiceof m<strong>in</strong>dfulness <strong>in</strong> nature. As a Dharma teacher who has received<strong>the</strong> Lamp Transmission from <strong>Thich</strong> <strong>Nhat</strong> <strong>Hanh</strong>, her s<strong>to</strong>ries reflect herten-year <strong>in</strong>timacy with <strong>the</strong> vegetation, animal life, and m<strong>in</strong>erals <strong>in</strong> this14,000-year-old fen. In an enchant<strong>in</strong>g tableau of <strong>the</strong> four seasons of<strong>the</strong> year, beg<strong>in</strong>n<strong>in</strong>g with w<strong>in</strong>ter and go<strong>in</strong>g back <strong>to</strong> <strong>the</strong> start of <strong>the</strong> IceAge, she chronicles <strong>the</strong> gradual formation of <strong>the</strong> current wetlandslandscape and its seasonal changes.We are with her as she travels by kayak or canoe along <strong>the</strong>streams and passageways of <strong>the</strong> fen <strong>to</strong> <strong>the</strong> lake, or walks <strong>the</strong> pathsand slogs through mud, observ<strong>in</strong>g <strong>the</strong> changes <strong>in</strong> water quality,vegetation, and animal life at each season of <strong>the</strong> year. We note <strong>the</strong>com<strong>in</strong>g of spr<strong>in</strong>g <strong>in</strong> <strong>the</strong> water bubbl<strong>in</strong>g up through cracks <strong>in</strong> <strong>the</strong>ice on <strong>the</strong> marshes as w<strong>in</strong>ter ends, <strong>the</strong> <strong>in</strong>cipience of summer <strong>in</strong><strong>the</strong> return of mated pairs of cranes <strong>in</strong> early spr<strong>in</strong>g, <strong>the</strong> crackl<strong>in</strong>g of<strong>the</strong> dry<strong>in</strong>g water-lily pads and <strong>the</strong> presence of scum, white swanfea<strong>the</strong>rs, and dead <strong>in</strong>sects on <strong>the</strong> pond foretell<strong>in</strong>g <strong>the</strong> com<strong>in</strong>gautumn and “<strong>the</strong> long slide <strong>in</strong><strong>to</strong> <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g of silence.” On her lastkayak<strong>in</strong>g trip of <strong>the</strong> year, she f<strong>in</strong>ds herself cutt<strong>in</strong>g through a th<strong>in</strong> filmof ice; <strong>the</strong> turtles and frogs are gone, vegetation is float<strong>in</strong>g loose, andsnow beg<strong>in</strong>s <strong>to</strong> fall.Unrestricted hunt<strong>in</strong>g led <strong>to</strong> <strong>the</strong> ext<strong>in</strong>ction <strong>in</strong> <strong>the</strong> area ofelk, white-tail deer, black bear, wild turkey, sandhill cranes, andmassasauga rattlesnakes by 1850. Past practices of dra<strong>in</strong><strong>in</strong>g wetareas <strong>to</strong> create land that can be farmed or developed for hous<strong>in</strong>g,shopp<strong>in</strong>g centers, or <strong>in</strong>dustrial uses have resulted <strong>in</strong> <strong>the</strong> dim<strong>in</strong>ishedavailability of fresh water as <strong>the</strong> population grows. Grassrootsconservancy groups are now <strong>in</strong>volved <strong>in</strong> promot<strong>in</strong>g <strong>the</strong> reclamationand preservation of watersheds, prairies, woodlands, shorel<strong>in</strong>es, ando<strong>the</strong>r sensitive areas from human <strong>in</strong>difference.We feel, with Lawlor, a grow<strong>in</strong>g sense of oneness with <strong>the</strong>environment as she makes her way. Twenty-two pho<strong>to</strong>graphs, mos<strong>to</strong>f <strong>the</strong>m taken by her, reflect <strong>the</strong> peaceful aspect of this tender placeeven when animal and plant life are most abundant. For this, if for noo<strong>the</strong>r reason, wetlands areas must be preserved as places wherepeople can f<strong>in</strong>d refuge from <strong>the</strong> hurly-burly of everyday life.A novel twenty-two years <strong>in</strong> <strong>the</strong> writ<strong>in</strong>g by celebrated Koreanpoet and former Buddhist monk Ko Un (pronounced ‘Go Oon’),this book is a Dharma treasure brought <strong>to</strong> us by transla<strong>to</strong>rs Bro<strong>the</strong>rAnthony of Taizé and Young-Moo Kim. <strong>The</strong> protagonist is a tenyear-oldboy, Sudhana, who dur<strong>in</strong>g his life’s fantastical journey,morphs more than once <strong>in</strong><strong>to</strong> an adult and even once <strong>in</strong><strong>to</strong> a leper.He encounters fifty-three teachers <strong>in</strong> all, sometimes <strong>in</strong> dreams, fromgods <strong>to</strong> s<strong>in</strong>g<strong>in</strong>g snails <strong>to</strong> a boy who becomes a girl, <strong>to</strong> bums andbodhisattvas (sometimes <strong>the</strong> bums are bodhisattvas), a giant, anunderworld, heavenly realms, vanish<strong>in</strong>g be<strong>in</strong>gs, and a kite that po<strong>in</strong>ts<strong>the</strong> way on his travels.Ko Un’s fiction without a plot is based on <strong>the</strong> thirty-n<strong>in</strong>th, <strong>the</strong> lastand longest section of <strong>the</strong> Avatamsaka Sutra, known as <strong>the</strong> GarlandSutra––a teach<strong>in</strong>g that’s had an extraord<strong>in</strong>ary impact on East AsianBuddhism s<strong>in</strong>ce its <strong>in</strong>troduction <strong>in</strong><strong>to</strong> Ch<strong>in</strong>a <strong>in</strong> <strong>the</strong> sixth century.Supposedly derived from a series of sermons by <strong>the</strong> his<strong>to</strong>ricalGautama Buddha––or possibly by his disciple, <strong>the</strong> bodhisattvaof Great Action, Samantabhadra, Ko Un’s poetic render<strong>in</strong>g of <strong>the</strong>pilgrim’s journey is like a str<strong>in</strong>g of wisdom pearls.Like St. Exupery’s Little Pr<strong>in</strong>ce, who always felt he was at home,<strong>the</strong> little pilgrim Sudhana teaches us two crucial lessons: how <strong>to</strong> see<strong>the</strong> signposts that show us where <strong>to</strong> go next on our life’s pilgrimage;and how <strong>to</strong> let go. At each s<strong>to</strong>p, someone or someth<strong>in</strong>g directs <strong>the</strong>boy <strong>to</strong> his next dest<strong>in</strong>ation. He only hears <strong>the</strong>m because this childwithout parents or roots is able <strong>to</strong> move through <strong>the</strong> universe with anopen heart. He simply allows each teach<strong>in</strong>g <strong>to</strong> enter him, and <strong>the</strong>n<strong>the</strong> young pilgrim moves on.<strong>The</strong> sett<strong>in</strong>g is India <strong>in</strong> <strong>the</strong> Gautama Buddha era, and someplace names are familiar <strong>to</strong> us from <strong>the</strong> life of <strong>the</strong> Buddha. While<strong>the</strong> Buddha is not a character <strong>in</strong> <strong>the</strong> novel, <strong>the</strong>re are <strong>in</strong>creas<strong>in</strong>glyfrequent references <strong>to</strong> his teach<strong>in</strong>gs as <strong>the</strong> boy’s journey unfolds. Tofully receive <strong>the</strong> sweep of Ko Un’s novel as a metaphor for our lives,it’s probably best <strong>to</strong> read it through at once, ra<strong>the</strong>r than piecemeal.Readers will want <strong>to</strong> l<strong>in</strong>ger at <strong>the</strong> strik<strong>in</strong>g papercut illustrations byJason DeAn<strong>to</strong>nis that pepper <strong>the</strong> text.As a sangha body we can apply <strong>the</strong>se two lessons––trust<strong>in</strong>g<strong>the</strong> way enough <strong>to</strong> be available <strong>to</strong> <strong>the</strong> teach<strong>in</strong>gs that abound <strong>in</strong> everymoment and becom<strong>in</strong>g still enough <strong>to</strong> know where as a sangha ourpath is lead<strong>in</strong>g us next; and allow<strong>in</strong>g ourselves <strong>to</strong> let go of <strong>the</strong> manypeople who come and go <strong>in</strong> a sangha, lov<strong>in</strong>g <strong>the</strong>m <strong>in</strong> a nonattachedway. Allow<strong>in</strong>g <strong>the</strong> com<strong>in</strong>gs and go<strong>in</strong>gs <strong>to</strong> happen without anyresistance, without cl<strong>in</strong>g<strong>in</strong>g. With <strong>the</strong> Buddha, Ko Un shows how <strong>to</strong> letgo and jo<strong>in</strong> <strong>the</strong> dance!44 Summer 2006
ook REVIEWS<strong>The</strong> Wonderof <strong>the</strong> TaoA Meditation on Spiritualityand Ecological BalanceBy James EggertPublished by Humanics, LakeWorth, FloridaHardcover; 90 pages; $14.95Reviewed by Hope L<strong>in</strong>dsay andBarbara CaseyJames Eggert is an emeritus faculty member of <strong>the</strong> University ofWiscons<strong>in</strong>. As both economist and ecologist, Eggert offers a s<strong>in</strong>gularperspective on <strong>the</strong> work<strong>in</strong>gs of our world and our relationships <strong>in</strong> it.For example, he suggests that we consider <strong>the</strong> concept of marketcapitalism as a flawed gems<strong>to</strong>ne. Inspect<strong>in</strong>g it for defects from <strong>the</strong>viewpo<strong>in</strong>t of an economist and <strong>the</strong>n an ecologist, Eggert offers avision <strong>to</strong> br<strong>in</strong>g balance and harmony back <strong>in</strong><strong>to</strong> our economic system.Eggert’s simple s<strong>to</strong>ries offer a wise view of life and practicalmethods for deepen<strong>in</strong>g our understand<strong>in</strong>g of <strong>in</strong>terbe<strong>in</strong>g. To helpdevelop balance and an <strong>in</strong>creased awareness of o<strong>the</strong>r species, hedescribes simple t’ai chi exercises that embody qualities of bear,crane, monkey, deer, and tiger. Open<strong>in</strong>g our eyes <strong>to</strong> a larger view of<strong>the</strong> world, Eggert describes <strong>the</strong> unfold<strong>in</strong>g of <strong>the</strong> universe, throughstellar contractions and expansions, <strong>the</strong> orig<strong>in</strong> of water, <strong>the</strong> moon’s<strong>in</strong>fluence, and <strong>the</strong> development of life forms.Each chapter beg<strong>in</strong>s with a verse from <strong>the</strong> Tao Te Ch<strong>in</strong>g, a slimvolume written by Lao Tzu 2,400 years ago, and woven <strong>in</strong><strong>to</strong> <strong>the</strong> hear<strong>to</strong>f Buddhist teach<strong>in</strong>gs. <strong>The</strong> wisdom of simplicity, balance, and lett<strong>in</strong>ggo show us a way through <strong>the</strong> complexities of modern life and <strong>the</strong>confusion of search<strong>in</strong>g for happ<strong>in</strong>ess outside ourselves. <strong>The</strong> lastchapter, “<strong>The</strong> Wonder of <strong>the</strong> Tao,” beg<strong>in</strong>s with <strong>the</strong> verse:“If you don’t realize <strong>the</strong> source,You stumble <strong>in</strong> confusion and sorrow…Immersed <strong>in</strong> <strong>the</strong> wonder of <strong>the</strong> Tao,You can deal with whatever life br<strong>in</strong>gs you,And when death comes, you are ready.”Eggert gently leads us back <strong>to</strong> <strong>the</strong> source of true happ<strong>in</strong>ess,through his s<strong>to</strong>ries of connect<strong>in</strong>g with nature and see<strong>in</strong>g <strong>the</strong> world<strong>in</strong> all its remarkable beauty. In <strong>the</strong> book’s foreword, <strong>Thich</strong> <strong>Nhat</strong> <strong>Hanh</strong>writes, “Please enjoy this offer<strong>in</strong>g of our friend, James Eggert, as an<strong>in</strong>vitation <strong>to</strong> enter <strong>in</strong><strong>to</strong> a deep relationship with our home <strong>the</strong> earthand all her creatures, <strong>to</strong> cultivate our awakened wisdom <strong>to</strong> f<strong>in</strong>dharmony and balance.”<strong>The</strong> Wonder of <strong>the</strong> Tao is generously illustrated with calligraphyand brush pa<strong>in</strong>t<strong>in</strong>gs by Li-ch<strong>in</strong> Crystal Huang. A lovely snapshot ofone man’s walk <strong>in</strong> m<strong>in</strong>dfulness through our world, this book reflects<strong>the</strong> simplicity and fullness of which it speaks.Request for SubmissionsThay very much wants <strong>to</strong> publish a book on EngagedBuddhism written collectively by practitioners <strong>in</strong> ourtradition. We have a number of practitioners <strong>in</strong> m<strong>in</strong>d formost of <strong>the</strong> <strong>to</strong>pics we want <strong>to</strong> cover, but we need helpf<strong>in</strong>d<strong>in</strong>g authors for <strong>the</strong> follow<strong>in</strong>g <strong>to</strong>pics:• Rural development• Mass media (journalists,TV, etc.)• Car<strong>in</strong>g for <strong>the</strong> dy<strong>in</strong>g• S<strong>in</strong>gle parents• Parents and children--bridg<strong>in</strong>g <strong>the</strong> generation gap• Sports (athletes, tra<strong>in</strong>ers, coaches, commenta<strong>to</strong>rs, etc.)• Artists• Help<strong>in</strong>g professionals (nurses, physicians who work <strong>in</strong>emergency rooms, etc.)We would like <strong>to</strong> hear about <strong>the</strong> author’s personaltransformation through m<strong>in</strong>dfulness <strong>in</strong> <strong>the</strong>ir work, aswell as how <strong>the</strong>y have brought <strong>the</strong> practice <strong>in</strong><strong>to</strong> <strong>the</strong>world: how it has helped transform <strong>the</strong>ir work situation orrelationships.Please email: deerparkmonastery@yahoo.com,attention: Sr. Jewel (Sr. Chau Nghiem).<strong>the</strong> M<strong>in</strong>dfulness Bell 45