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2013/14 - LISTE 18 | The young art fair in Basel

2013/14 - LISTE 18 | The young art fair in Basel

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Kraupa-Tuskany Zeidler0/9/6Kraupa-Tuskany ZeidlerNad<strong>in</strong>e ZeidlerAmadeo Kraupa-TuskanyKarl-Liebknecht-Straße 29DE-10178 Berl<strong>in</strong>T +49 30 688 127 10M +49 172 86 66 106office@aktnz.comwww.aktnz.comSolo Show at <strong>LISTE</strong>:Florian Auer, 1984, DEOther Artists of the Gallery:Sture Johannesson, SEK-Hole, USAids-3D, USKatja Novitskova, EEAvery S<strong>in</strong>ger, USSlavs and Tatars, EurasiaFlorian AuerFrom N<strong>in</strong>e To Five,<strong>2013</strong>Neon coat hanger,jacket, airbrush120 × 90 cm112 / 113In the early 20th century chronocyclegraphsor motion study photographs weredeveloped by Frank B. Gilbreth as ameans to analyze and optimize <strong>in</strong>dustrialwork processes. Be<strong>in</strong>g a bricklayerhimself Gilbreth first began to improve theworkflow of bricklay<strong>in</strong>g, seek<strong>in</strong>g for selfimprovementand efficiency. Associatedwith factories, stability and progress dur<strong>in</strong>gthe <strong>in</strong>dustrial age brick walls turned<strong>in</strong> the 1980s <strong>in</strong>to a fashionable fake surfacedecorat<strong>in</strong>g the lofts of the nouveaurich, <strong>in</strong>dicat<strong>in</strong>g a shift from the primacyof production <strong>in</strong> factories to new forms ofvirtual office based workflows.<strong>The</strong> 1980s were the decade whenDaniel Bell’s prediction of the post-<strong>in</strong>dustrialsociety became reality on a political scale.Produc<strong>in</strong>g ideas and <strong>in</strong>creas<strong>in</strong>g capitalbecame the ma<strong>in</strong> way to grow the economy.Especially the bank<strong>in</strong>g <strong>in</strong>dustry ga<strong>in</strong>edmore power and <strong>in</strong>fluence. Stock tickerswere the tools to communicate stock prices.<strong>The</strong> most efficient way of mak<strong>in</strong>g putand call decisions was based on the<strong>in</strong>formation transmitted via analogue andlater digital ticker tapes. By depict<strong>in</strong>g pastactivities and at the same time serv<strong>in</strong>gto determ<strong>in</strong>e even more effective futureactivities, stock tickers became thechronocyclegraphs of the <strong>in</strong>formation age.<strong>The</strong> transition from <strong>in</strong>dustrial manufactur<strong>in</strong>gto the digital age of <strong>in</strong>formationmanagement and its aesthetic and visualmanifestations are central to FlorianAuer’s work. Understand<strong>in</strong>g ergonomics asa category of equipment and devicesthat fit the human body and its cognitiveabilities Florian Auer explores its hiddenforces <strong>in</strong> a post-fordist society,where work<strong>in</strong>g processes and leisure timeare blend<strong>in</strong>g <strong>in</strong>to an entity of life styleand self-optimization.

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