2013/14 - LISTE 18 | The young art fair in Basel

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Minini2/1/2Francesca MininiAlessandra MininiVia Massimiano 25IT-20134 MilanoT +39 022 692 46 71F +39 022 159 64 02M +39 335 784 35 43M +39 347 848 03 28info@francescaminini.itwww.francescaminini.itShown at LISTE:Riccardo Previdi, 1974, ITMandla Reuter, 1975, DEOther Artists of the Gallery:Ghada Amer, ETBecky Beasley, GBMatthias Bitzer, DEArmin Boehm, DEPaolo Chiasera, ITJan de Cock, BEGiulio Frigo, ITDan Graham, USAli Kazma, TRDeborah Ligorio, ITSimon Dybbroe Møller, DKGabriele Picco, ITFrancesco Simeti, ITRiccardo PrevidiInstallation view,Francesca Minini,Milan, 2012Photograph:Agostino OsioMandla ReuterInstallation view,Kunsthalle Basel,2013Photograph:Gunnar Meier128 / 129
Monitor0/6/2MONITORPaola CapataVia Sforza Cesarini, 43A–44IT-00186 RomeT +39 063 937 80 24monitor@monitoronline.orgwww.monitoronline.orgShown at LISTE:Jesse Ash, 1977, UKClaudio Verna, 1937, ITOther Artists of the Gallery:Francesco Arena, ITAdam Avikainen, USGraham Hudson, UKPeter Linde Busk, DKTomaso De Luca, ITRä di Martino, ITUrsula Mayer, ATNathaniel Mellors, UKAntonio Rovaldi, ITAlexandre Singh, FRIan Tweedy, DENico Vascellari, ITKostis Velonis, GRGuido van der Werve, NLZimmerFrei, ITClaudio Verna,Superficie modulareN. 12, 1966. Oil oncanvas, 50 × 50 cm.Courtesy the artistand Monitor, Rome.130 / 131Jesse Ash’s (London 1977) work configuresa personal and material relationship topolitics by imposing processes of reconstructionand abstraction upon existingimages, sounds and words of disseminatedideology. His work often uses the formalsupports of these contemporary authoritiessuch as political convention stage sets,newspaper imagery, rhetorical devises,gestures or advertising strategies as materialto combine with processes of delicatecraft and personally driven narratives.In turn, the work tends to convey a sense ofa personal endeavour to get closer, bothphysically and theoretically to the events,speech or content that map relations to eachother and the society that we live within.Interested in the radical potential of speech,rumour and gossip Ash’s work is concernedwith the processes of uncovering content –treating the process of unearthing as aplace where content is equally.Claudio Verna (Guardiagrele, 1937) isconsidered to be one of the most brilliantrepresentatives of the ‘analytical painting’.Since 1967 his painting has been free ofany subject reference – not even to anabstract image and it has been totallyconcerned with the dynamics and dialecticsof the elements of painting itself, especiallycolour. Verna explores the changes thatexternal sources of light effect on distinctprimary colours, some bright and someopaque. Where colour areas overlap, thereis a sense of form and movement.Geometric forms provide the key to understandingthe work and they are achievedby colour itself – never by drawing. Theseforms constitute the venue for an ambiguityof the perception and they are alsothe focus of the artist’s attention. In Verna’spaintings the colour is the source ofambiguity (Tomaso Trini, 1973).
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Inhalt / ContentGalerien / Gallerie
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Forum Würth ArlesheimKunst in Base
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Werkraum Warteck pp BaselMuseum fü
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Page 25 and 26: Zeitschriften 0/9/9ArtCriticismToda
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Page 31 and 32: Balice Hertling1/1/2Balice Hertling
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Page 35 and 36: Bureau0/7/3BureauGabrielle Giattino
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Page 39 and 40: Dépendance2/1/1dépendanceMichael
Page 41 and 42: Fonti2/2/1FontiGiangi FontiVia Chia
Page 43 and 44: Fritz-1/2/3Leslie Fritz GalleryLesl
Page 45 and 46: Grey Noise0/10/2Grey NoiseUmer Butt
Page 47 and 48: Hofland0/2/1Jeanine HoflandContempo
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Page 51 and 52: Hunt Kastner0/7/1hunt kastnerKather
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Page 55 and 56: Kisterem0/9/5KisteremMargit ValkóK
Page 57 and 58: KOW2/3/1KOWAlexander KochNikolaus O
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Page 89 and 90: VI, VII1/1/1VI, VIIEsperanza Rosale
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Page 93 and 94: My name: JuliaMy occupation: Young
Page 97 and 98: Die besteGesellschaft,wenn Sie mali
Page 99 and 100: GO!C!ART@CARGOA Minimal Festival of
Page 101 and 102: Herzlich willkommenim ältesten Res
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2013/14 - LISTE 18 | The young art fair in Basel

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