Sabot2/1/3SabotDaria D. Perva<strong>in</strong>59-61 Henri Barbusse Str.RO-400616 Cluj-NapocaT +40 264 437 079M +40 723 224 105<strong>in</strong>fo@galeria-sabot.rowww.galeria-sabot.roShown at <strong>LISTE</strong>:Mihuț Boșcu Kafch<strong>in</strong>, 1986, ROStefano Calligaro, 1976, ITRadu Comșa, 1975, ROOther Artists of the Gallery:Al<strong>in</strong>e Cautis, USLucie Fonta<strong>in</strong>e, FRFlor<strong>in</strong> Maxa, ROAlex Mirutziu, ROVlad Nancă, ROAlice Tomaselli, IT(top left)Radu ComșaTranscriptionblue-black, <strong>2013</strong>Concrete, <strong>in</strong>laidpaper50 × 33 cm(top right)Stefano CalligaroA paradox, yes, <strong>2013</strong>Neon sign42 × 21 × 4cmMihuț Boșcu Kafch<strong>in</strong>Father Energy, <strong>2013</strong>Mirrored disco ball,eng<strong>in</strong>e, syntheticbeard, pa<strong>in</strong>tVariable dimensionsPhoto credit: ȘtefanSavaCourtesy of the <strong>art</strong>istand Sabot152 / 153Mihuț Boșcu Kafch<strong>in</strong> is one of the mostdist<strong>in</strong>ctive voices among the newgeneration of Romanian <strong>art</strong>ists. Not onlyhis work employs different media,it is also versatile <strong>in</strong> the way it borrowsvisual elements from the legacy ofvisual <strong>art</strong>, from history, science, movies,videogames and folk culture. Draw<strong>in</strong>gthe map of our collective cloud – whereArcadia meets Star Wars’ expandeduniverse – the <strong>art</strong>ist is maneuver<strong>in</strong>g a hugemach<strong>in</strong>ery of marvels. Recent shows:‘It’s compulsory that we have a title’ (Salonulde Proiecte, Bucharest, <strong>2013</strong>),‘La Triennale’ (Palais de Tokyo, Paris, 2012),‘European Travellers – Art from Clujtoday’ (Műcsarnok Kunsthalle, Budapest,2012), ‘Overlapp<strong>in</strong>g Biennial / Young Artists’Biennial’ (Bucharest, 2012).‘Objects are notes’, this could be a goodway to <strong>in</strong>troduce Stefano Calligaro.But there’s someth<strong>in</strong>g more, someth<strong>in</strong>ghidden to our perception that goesbeyond the process of mak<strong>in</strong>g, beyondthe object and the space. ‘Notes are soft’,they occupy silently the surface of a page,one next to the other, bits and pieces ofa more complex text. ‘Objects are suggestions’,but they have clear shapes andtheir own place <strong>in</strong> the world. Subtle, notm<strong>in</strong>imal, yet simple, not small, not big, buthuman scale. Recent projects at FondazioneMACC (Calasetta, <strong>2013</strong>) and SelfService Open Art Space (Stuttg<strong>art</strong>, <strong>2013</strong>).Radu Comşa’s latest works deal with form,with abstraction seen as an amal gamationof p<strong>art</strong>s and leftovers, play<strong>in</strong>g on theidea of the <strong>art</strong> object concretely exist<strong>in</strong>gas a transcript. Accord<strong>in</strong>g to theirirregularities, their need to occupy aspace, and their polarity (you can eitherhang or lay them, shift<strong>in</strong>g their function),his pa<strong>in</strong>t<strong>in</strong>gs are sculptures. <strong>The</strong> <strong>art</strong>istalways ‘rewrites’ them – disrupt<strong>in</strong>g,isolat<strong>in</strong>g, connect<strong>in</strong>g the pieces – so theyeventually operate as visual morphemesexpected to collide. Recent showsat Arken Museum (Copenhagen, <strong>2013</strong>),Műcsarnok Kunsthalle (Budapest,2012), Marianne Boesky (New York, 2012),Peles Empire (London, 2012),Gaudel de Stampa (Paris, 2012).
Schleicher / Lange0/1/2Schleicher/LangeJulia SchleicherAndreas Schleicher-LangeMarkgrafenstrasse 68DE-10969 Berl<strong>in</strong>T +49 30 955 92 917M +49 170 483 <strong>14</strong>87<strong>in</strong>fo@schleicherlange.comwww.schleicherlange.comSolo Show at <strong>LISTE</strong>:Meris Angioletti, 1977, ITOther Artists of the Gallery:Chris Cornish, UKLars Englund, SEFranziska Furter, CHKristof K<strong>in</strong>tera, CZMaria Loboda, DE/PLG<strong>in</strong>taras Makarevicius, LTAlison Moffett, USLaurent Monatron, FRTimo Nasseri, DE/IRDiogo Pimentão, PTEvariste Richer, FRMeris AngiolettiGolden, Brown andBlue, 2012Six synchronizedslide projections,coloured gels andtextDimensions variableCourtesy the <strong>art</strong>istand SCHLEICHER /LANGEMeris AngiolettiDit des trois vifs etdes trois morts, 201216mm film and wallpa<strong>in</strong>t<strong>in</strong>gDimensions variableCourtesy the <strong>art</strong>istand SCHLEICHER /LANGE154 / 155Meris Angioletti’s practice is situatedon the border between <strong>art</strong> and science.Central to her work are issues of perception,memory, and the unconscious, whichthe <strong>art</strong>ist studies by trigger<strong>in</strong>g synestheticprocesses <strong>in</strong> the viewer. In her <strong>in</strong>stallationsof light, sound, color, and images, whichfrequently use c<strong>in</strong>ema tographic techniquesand the idea of the ‘expanded c<strong>in</strong>ema’of the 1970’s, she questions vision and theprocess of reception.Angioletti expresses her <strong>in</strong>terest <strong>in</strong>relations between external and <strong>in</strong>ternal,mental spaces as well as <strong>in</strong>visibleand unconscious processes, and how they<strong>in</strong>fluence and change one another.She often leaves a free visible space <strong>in</strong> herprojections, function<strong>in</strong>g as a ‘placeholder’,as a proposal to project one’s own‘<strong>in</strong>ner vision’. She tries to draw the viewer<strong>in</strong>to a meditational experience, by us<strong>in</strong>gcerta<strong>in</strong> color effects, film-loops or multipleprojections.Meris Angioletti was born <strong>in</strong> Bergamo,Italy <strong>in</strong> 1977, and lives and works <strong>in</strong> Paris.In 2012, she p<strong>art</strong>icipated <strong>in</strong> the São PauloBiennale and was featured at the VeniceBiennale <strong>in</strong> 2011. She was also nom<strong>in</strong>atedfor the Future Generation Art Prize <strong>in</strong> 2012at Kiev’s P<strong>in</strong>chuck Art Center.