2013/14 - LISTE 18 | The young art fair in Basel
2013/14 - LISTE 18 | The young art fair in Basel
2013/14 - LISTE 18 | The young art fair in Basel
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Sommer & Kohl1/2/1Sommer & KohlPatricia KohlSalome SommerKurfürstenstrasse 13/<strong>14</strong>DE-10785 Berl<strong>in</strong>T +49 30 23 00 55 81M +49 163 880 65 38M +49 179 478 <strong>14</strong> 78<strong>in</strong>fo@sommerkohl.comwww.sommerkohl.comShown at <strong>LISTE</strong>:Matt Calderwood, 1975, UKAndreas Eriksson, 1975, SEKara Uzelman, 1978, CAOther Artists of the Gallery:Eva Berendes, DEBeni Bischof, CHAlexandre da Cunha, BRKnut Henrik Henriksen, NOJeroen Jacobs, NLTony Just, USDeborah Ligorio, ITAdrian Lohmüller, DEPaul McDevitt, GBRiccardo Previdi, ITKara UzelmanAntenna, LastMounta<strong>in</strong> BirdSanctuary, <strong>2013</strong>C-pr<strong>in</strong>t,edition 1/3 + 1 AP68.5 × 48.5 cm,framed160 / 161With a background <strong>in</strong> contemporary <strong>art</strong>,urban plann<strong>in</strong>g and archaeology, KaraUzelman constructs elaborate pseudohistoricalnarratives for hitherto discarded,forlorn objects. She works with scavengedmaterials to explore the possible storiesembedded <strong>in</strong> found materials. Her grow<strong>in</strong>gbody of work has consistently evaluatedthe object’s potential for alternative sourcesof mean<strong>in</strong>g beyond what is read orunderstood on the surface. Uzelman’s workis an <strong>in</strong>terruption <strong>in</strong> our collective drivetowards mega-production and the disposableobject; it proposes a landscape <strong>in</strong> whichobjects beg<strong>in</strong> to assert themselves andreveal layer upon layer of alternativemean<strong>in</strong>g.<strong>The</strong> works for <strong>LISTE</strong> stem from Uzelman’srecent move to rural Saskatchewan,and her research <strong>in</strong>to renegade communitiesthat have historically populated this remotearea. Sourc<strong>in</strong>g materials from garagesales, adhoc excavations, and exploratorymeander<strong>in</strong>gs <strong>in</strong> the countryside, this seriesis composed of an ongo<strong>in</strong>g collectionof fabricated <strong>art</strong>efacts and documented siteworks. Uzelman engages techniquesassociated with regional homestead<strong>in</strong>g,survivalist culture and experimentalarchaeology. Through this collection ofobjects and imagery, a material languageof salvaged and reassembled twentiethcentury refuse is developed, generat<strong>in</strong>g agateway for reflection on the possiblepast and future of objects, their lost historiesand their possible stories.