2013/14 - LISTE 18 | The young art fair in Basel
2013/14 - LISTE 18 | The young art fair in Basel
2013/14 - LISTE 18 | The young art fair in Basel
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Tufnell0/5/1Rob Tufnell83 Page StreetGB-London SW1P 4HAmail@robtufnell.comwww.robtufnell.comSolo Show at <strong>LISTE</strong>:Aaron Angell, 1987, UKOther Artists of the Gallery:Joel Croxson, UKRuth Ewan, UKStephen Sutcliffe, UKWorks available by:Mary Barnes, UKDavid Burton, UKChristopher Logue, UKHumphrey Spender, UKAaron AngellUntitled, 2012Glazed stoneware29 × 23.5 × 17 cmAaron AngellWheel of Flesh –Long Hair, 2012Collaged walldraw<strong>in</strong>g250 cm diameter172 / 173Aaron Angell’s presentation announcesthe foundation of his Troy Town Art Pottery.This ‘studio pottery’ follows twentiethcentury ideas of <strong>art</strong>isanal ceramic makersand will accommodate both his practiceand that of <strong>in</strong>vited peers. <strong>The</strong> Pottery takessome <strong>in</strong>fluence from the works of a longforgotten novice monk, Brother V<strong>in</strong>centEley, an <strong>in</strong>itiate of the Trappist, neo-GothicMount St. Bernard Abbey <strong>in</strong> Leicestershire,England <strong>in</strong> the 1950s.After build<strong>in</strong>g a kiln beneath the monasterywithout the permission of the Abbot,he set about produc<strong>in</strong>g what he believed tobe an archetypal monastic-ware basedupon his observation of fragments ofMedieval pottery found across Europe.His Charnwood Cistercian Ware developedfrom his studies <strong>in</strong> ceramics at a localtechnical school. In 1951 he was <strong>in</strong>vitedto present his over-sized coil pots bear<strong>in</strong>gamateurish depictions of prehistoricd<strong>in</strong>osaurs with<strong>in</strong> the Festival of Brita<strong>in</strong>.After 1965 there is no trace of him.Angell’s idea of Charnwood CistercianWare consumed by 1960s counter cultureprovides one st<strong>art</strong><strong>in</strong>g po<strong>in</strong>t for the TroyTown Art Pottery. <strong>The</strong> pottery takes itsname from the Troy Town sites foundthroughout Brita<strong>in</strong>. <strong>The</strong> name <strong>in</strong>dicatesthat they were locations for historical,turf mazes based upon ancient, Classicaldesigns that were used for games andritualsDraw<strong>in</strong>g on the Lat<strong>in</strong> root of the word‘compost’, compositus – literally ‘someth<strong>in</strong>gput together’ – Angell sees his ceramics,wall draw<strong>in</strong>gs and pa<strong>in</strong>t<strong>in</strong>gs as hav<strong>in</strong>gbeen developed through accretion and rot:‘an imperfect, <strong>in</strong>complete and unscientificprocess’ <strong>in</strong> opposition to the distillationor ‘alchemical’ ideas expounded <strong>in</strong> muchcontemporary and Modern <strong>art</strong>.