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THE GREAT KNOWLEDGE QUIZ - Duropal

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CrEatiVitY<br />

FROM OLD TRUTHS<br />

TO NEW PRODUCT<br />

CONCEPTS<br />

A SPECIALIST ARTICLE BY QUALIFIED DESIGNER ROLF WARDA<br />

from left_ R 6002 Antique White, R 6001 Smokey Gold, R 6000 Red Hot Sunglo<br />

in future we will live, increasingly clearly, in the time<br />

of the hybrid — of hybrid furniture and interiors.<br />

the old and the new will be combined together<br />

just as routinely as the processing and handling of versatile<br />

materials, as the combination of elements from<br />

different cultures and value systems.<br />

‘Values’ is here one of the key concepts for the<br />

coming years. there is quite clearly a growing<br />

influence of traditions, values and<br />

even of religions on our attitude towards<br />

life — and that applies throughout the<br />

world. in view of our increasingly<br />

complex living conditions, we must<br />

make an effort to return to value<br />

judgements and customs which<br />

already appear to have been lost, to<br />

bring about a renaissance of classical<br />

principles and moral attitudes.<br />

the supposed contradiction between<br />

economic progress and the return to traditional<br />

values will become the well-spring of new mentalities<br />

and viewpoints. this dissolution of boundaries<br />

and the fusion of previously contradictory values<br />

leads us in the design context from old truths to new<br />

(product) concepts: the hybrid.<br />

architects and designers are therefore discovering<br />

the combination of the ‘contemporary’ and the reversion<br />

to the traditional, the familiar and the proven,<br />

something which will happen in future in all areas of<br />

products and interiors. the archaic wooden block is in<br />

this respect only the precursor of an attitude opposed<br />

to hasty throw-away mentalities. the call for surfaces<br />

48 _ HPL World<br />

which take on a patina is in direct opposition to the<br />

surfaces of the modern, impoverished as they are to the<br />

level of stepchildren by rationalisation and efficiency<br />

measures.<br />

the previously most durable finish of high-gloss is<br />

now being joined by matt, fine-grained surface textures;<br />

aluminium, metallic and stainless-steel finishes are<br />

being complemented by the beauty of copper,<br />

gold, bronze and brass. and this all<br />

without feelings of retro and nostalgia.<br />

the avant garde celebrates the<br />

beauty of the materials with grapes<br />

of spherical copper lights. Schiffini<br />

uses the traditional kitchen<br />

material of copper for his concept<br />

kitchen. Solid wood furniture is<br />

placed side-by-side with serving<br />

trolleys of copper and brass. the hightech<br />

impression of stainless steel handles<br />

is contrasted with handles of bronze, which<br />

take on a patina and tell of their past. the new interpretations<br />

of Eames’ side table with gold leaf decoration<br />

and arne Jacobsen’s ‘Egg’ chair with bronze feet as a<br />

limited edition on its 50th anniversary also show hybrid<br />

characteristics.<br />

dissolution of boundaries and the fusion of contradictory<br />

values! although gold and silver were until<br />

recently reserved exclusively as the setting of luxury<br />

and glamour, and deftly banned from any modern ensemble,<br />

the design-orientated of tomorrow will want<br />

to rediscover warm metal tones in all areas so long<br />

considered not to belong to ‘the modern’.

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