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“FOR US, IT IS <strong>THE</strong> CHALLENGE OF RECOGNISING<br />
<strong>THE</strong> PRESENT.”<br />
Finally, let us return to the key word ‘hybrid’:<br />
what does it mean for styling? Will gold suddenly<br />
return in austere styles, while muddy tones are<br />
set amongst intricate flourishes?<br />
at the moment we have two developments which<br />
provide an answer to that question. Firstly, ornamentation<br />
is for us no longer an expletive. it now<br />
forms its own justification once more. this means<br />
that we decorate the object. the ornament is used as<br />
decoration. the other point of view is that we have<br />
very modern furniture, which, although functional and<br />
CrEatiVitY<br />
expansive in their design language, are provided in<br />
a colour scheme which corresponds more to traditional<br />
values. in this way, gold, for example, has become much<br />
more popular in modern design language.<br />
HPL World _ 59