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… I SOMETHING!<br />
STARTING BASIS<br />
“Who says that laminates have to be made from<br />
wood?” “develop innovative applications with HPL<br />
as the surface finish. Perhaps there is a use for ‘soft’<br />
objects and furniture.” “Bring together what belongs<br />
together — but which nobody yet knows about!” With<br />
all these questions and challenges, guest lecturer<br />
Wolfgang Kreser sent out his seminar participants on<br />
a voyage of discovery.<br />
this required not only good ideas, but also successful<br />
realisation. these began with small-scale<br />
MATERIAL COCKTAILS<br />
60 _ HPL World<br />
experiments, the so-called ‘material cocktails’, continued<br />
with works in more detail with “Little objects”<br />
and finally resulted in large applications in the form<br />
of situational furniture. over the course of the semester,<br />
“… i know something!” became “… i can do that!”<br />
and finally “… here it is!” and in fact, as the selected<br />
examples show, the creative dedication was well<br />
worthwhile. HPL has rarely been seen to be more<br />
flexible.<br />
in the first seminar phase, diligent research was carried out. the students thereby developed a feel for the<br />
material. Cutting, scratching, gluing, bending, riveting, plaiting, drilling, stringing — everything that can and<br />
cannot be done with HPL.<br />
LITTLE OBJECTS<br />
SEMESTER PROJECT AT <strong>THE</strong><br />
UNIVERSITY OF WISMAR<br />
How does one learn creativity? With <strong>Duropal</strong> HPL in the trend colour Icy White (U 1027) and a clear goal. “Design<br />
furniture and objects which demonstrate the versatility of the colour white at an exhibition presentation” was<br />
the virtual task which the renowned Hamburg interior designer Wolfgang Kreser (formgold) gave to the students<br />
of the Interior Design Faculty of the University of Wismar specialising in furniture and building components (Prof.<br />
Achim Hack) at the start of the semester on 2.10.2008.<br />
Above_ Material cocktails by Andrea Kirch<br />
in order to refine the newly acquired feel for the material, small articles and implements were planned and<br />
produced in the second phase of the seminar. a further step towards the ‘great’ creative design.<br />
Above (from left)_ Little Objects by Dietrich Jax, Andrea Kirch, Dietrich Jax and Tim Niemann