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eeking in the vomit of the heroinist. Diapsiquirthrives on human filth.Musically, Virus STN is extremely diverse.Very well executed progressive BM at thecore, riddled in samples and programming.The vocals - all in French - are easilydecipherable (if you know the language)yelling and screaming. No traditionalgrowling, but rather a pissed-off shouting,giving the music an air of depraved humanity,unparallelled to my experience.The samples are made up of philosophicalmonologues (also in French - "Dieu? C'estmoi!"), classical music (Russian opera andBeethovens 7th symphony), childrenscreaming (highly unsettling!), gunshots etc. Even the music sounds very French,from the clear piano melodies and theaccordion (!!!) down to the excellent riffing,and the percussion moves from ordinaryblastbeats to programmed triphop anddrum&bass beats. All very strange, in apositively negative way, owing a lot toDHG, yet taking the electro-BM legacymuch further. Un<strong>for</strong>tunately, Diapsiquirwas discontinued after Virus STN (theirsecond full-length), but the dark madnessis still closer than you think. This is maybenot <strong>for</strong> everyone, since it does require acertain mind set. But I am addicted to thistimeless venom.aVoidDøDHEIMSGARD666 InternationalRelease: 1999Label: Moonfog ProductionsAvantgenre: Kosmische Techno BlackDuration: 66:06Origin: NorwayOfficialsite: http://www.myspace.<strong>com</strong>/dodheimsgard.............................................................................................................................................With 666 International, we see Dødheimsgardcreating, of course out of theattractively strange meaning. The music<strong>here</strong> is as groovier as it is disordered.famous black metal hole w<strong>here</strong> they camefrom, a whole new way of playing withsounds. Already on their previous EP SatanicArt, we could hear more and moretraces of the up<strong>com</strong>ing chaos, but nothingwas so certain yet. Whatever happened toguitarist and prime <strong>com</strong>poser Vicotnik,singer and lyricist Aldrahn and their nowOut of all the nine songs, t<strong>here</strong> is <strong>for</strong> instance"Shiva-Interfere", an almost tenminute’s sick industrial floating opera,w<strong>here</strong> Aldrahn sings some unpleasanttales of mythology and outer space, with auniquely bizarre and angular beauty inhis tragic-<strong>com</strong>ic vocal tones. As he’s justpartners-in-crime between 1997 and about to cry, being all sweetly delicate and1999, t<strong>here</strong>’s an obvious dive into psychedelicadventures within the music theythen put into <strong>for</strong>m, just as t<strong>here</strong> are clearevidences of schizophrenia in the waymany absurd musical details happen tocreate, once placed together, kind of annostalgic, he then explodes into a perverse,sadistic and out-t<strong>here</strong> laughter. Iwould even go as far as to say that t<strong>here</strong>’sa certain "alien” quality to his voice – it issimply out of this world. All of his vocals,in this song, are per<strong>for</strong>med over a mysteriousdesert-riffing style which follows

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