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apture Rainbowy painless happy hangoverto confusion and enjoyable disorientationWeirdbiomechanical dancing to frequencymodulation end2) Mandolin Floating in between of theoutskirts of now<strong>here</strong> interlude3) Bossanova Glitch drone start toglitched gloomy atmosp<strong>here</strong> to same withvarious electro beats and glitchy warpingfills, full of giltches, to ambience to glitchysatisfactory endOrgan: have made an unxpected move <strong>for</strong>the avant-garde metal scene with this EP,I think so even after having listened previouslyto their demo 'Apoplexy in six parts',which was already quite surprising; I hopethey develop their personal mark furtherinto a full length album soon. Then wecan have legal and cheaper hallucinosonicdrugs instead of everyday drugs <strong>for</strong> morethan just 13 minutes.AdryuuPSALMThreshold Of PainRelease: 1997Label: Self ReleasedAvantgenre: Industrial Death <strong>Metal</strong>Duration: 35:35Origin: FranceOfficial site: http://na.............................................................................................................................................The debut release from this French fourpiece is a <strong>for</strong>gotten gem of a record. I onlygot my hands on this via an mp3 CD sentto me containing all various projects of acertain Monseuir Boris Doussy.From the first note this is hook laden brutalityall the way. The band claimed Ministryand Godflesh as influences, butsounds more like a mix of The Swans andGrave. The opening title track floored mewith the classic DM riffing, and aptly savagearrangement interspersed with thegothic emotional mid-part. Some dissonantriffing <strong>here</strong> and t<strong>here</strong> greatly lifts thefinal product above the hordes of 90's DM."Sweet Virtual Picture" has a more cyberthrash feel (Voivod maybe), and thechunky groove makes way <strong>for</strong> the morebrutal death metal segues. This bandcould have gone places, had they been onthe right label at the right time, as theswirling dissonance/blasts juxtapositionin the song attests. Monseiur Boris couldhave coded this at a higher bit-rate thanthe basic 128 kbps, as it does the alreadymuddy 90's DM demo production no favors(though strangely nostalgic of whatwas easily the golden era of extreme metal)."PerpetualChange - my Desire" continuesthe cyber onslaught. Stop startriffing and those haunting open stringchords make <strong>for</strong> some great metal. Theyagain battles it out with death metal todevastating effect. All six songs on thisrelease follow the same building blocks:death metal, some Meshugga-ish thrash,Voivod/Killing Joke atmospherics and amaturity in <strong>com</strong>position. Give this is amodern production and instrument tonesand thus could take any modern contenderto the cyber-death Thrash throne headon.Thankfully it <strong>com</strong>pletely manages to avoidthe yawn inducing Fear Factory theatricsso prevalent then and now. "The UnknownSensation" another great and dark riff andthat old Swans groove, as well as chanting

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