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some sort of a deep, pulsing electronicdrum groove. Quite special, to say theleast! Well the majority of 666 Internationalis per<strong>for</strong>med on the thin bordersnormally placed between sanity and <strong>com</strong>monsense, in such a way that at first,you always feel a sort of uncertainty, anodd unpleasantness, a real feeling of discordand paranoiac terror. You’re not reallysure if what you hear is supposed to bekick-ass black metal or a horrible mindfuck.Then again, that’s what avant-gardemusic is all about: to first question whathas always been conceived as normal andnatural, and then create a whole new universe.Be very attentive when it <strong>com</strong>es to all thetextures and the wrappings of the musicalcontent displayed <strong>here</strong>, because that isw<strong>here</strong> Dødheimsgard do shine throughthe most on this album. Ginge from Norwegianelectronic band Subgud had hishands on the final product and its easy tohear why, as t<strong>here</strong>’s a serious attention toa certain atmosp<strong>here</strong> of sounds, clearlyreminiscent of techno music. I’m not sayingthat <strong>for</strong>m wins over content; quite thecontrary actually, because if it weren’t <strong>for</strong>Vicotnik’s singular guitar twists and howhe builds these up and down in the mostunusual way, along crushing groovy technodrums and all kinds of synthesizersand grand piano, I couldn’t be writingthese words.Every black metal possible experimentationshas been given a try on 666 International,<strong>for</strong> the better or <strong>for</strong> the worst, alldepending on how far you can actuallytake it, and it’s as much death, thrash,black and rock metal music <strong>here</strong> as it isnoise and ambient related t<strong>here</strong> – usuallyat the same time! From pure mayhemblast beat chaos to slick, techno avantgarderock, Vicotnik and his super-heromates cover it all up around <strong>here</strong>. Comeand discover how sick and perverted excessivelyaggressive attitudes in music canbe<strong>com</strong>e in the right (or wrong) hands. Only<strong>for</strong> those who can find real pleasuredeep in pure psychosomatic madness anddrug-infused cosmic fantasies.Oliver SideDOL AMMADOcean DynamicsRelease: 30th of August 2006Label: Electronicartmetal RecordsAvantgenre: Electronic Art <strong>Metal</strong> AquaticSpace OperaDuration: 59:17Origin: GreeceOfficial site: http://www.dolammad.<strong>com</strong>/.............................................................................................................................................When I looked at the album cover I first lassa Dominion I-IV”. The journey movesfelt like a beaten dog, which then was on into the solar system and "Solarwinds”slowly and carefully nosing the CD until is tied on with fast and fantastic drumsrealising it was a friend and not a foe. which really sound like solar winds. This"Ocean Dynamics” is a continuous conceptstarting in outer space, represented you could distinguish between a stormis musically so amazingly well done, thatby the powerful first four tracks of "Tha-and a wind. The wind <strong>here</strong> even carries