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thrash guitar work of the majority of thetunes and some more death metal influencedtremolo picking and structures("The Problem of Evil", also standing outfor the robo-vocals and the rather melodicemotive outro)."No Religion Know Peace" is short sampleladen atmospheric piece that will hookyou right in and begs repeated listens dueto its brevity. Though at first the songtitles seem typical of the genres, as youdelve into the lyrics they appear wellthought out and rather poignant in places(not to say that the album lacks somebona fide black metal clichés in places,but it all adds to the effect)."Under the Hellspell" is a mid-paced rompthrough Celtic Frost in Ministry's dunebuggy."The Absurd Song" is another midtempotune that shows NOP mutatinghard rock rhythms to their own twistedvision and topping it with black metal andgothic vocals. "DCLXVI" has some greatepic sounding haunting piece. "Still Waiting"again ventures into new ground withsome nice fast and melodic guitar andvocal work. Over the course of the record,I realized these guys are over the metalmap in terms of sound, yet have a senseof song writing that makes it all cohesive.I was rather surprised at the high level ofquality of the recording as well as composition,in a scene that is too saturatedwith half-assed attempts at such sounds.This band is definitely sincere, and extremelytalented. They are recommendedto everyone looking for a new vitamin intheir extreme metal diet. Here's to manymore slices of experimenting metal madnessfrom this outfit. The band's mastermindBen is also organizing a Pink Floydtribute album (??!!) which will surely be atrip in itself.SuleimanOBLIVEONCarnivore MothermouthRelease: 1999Label: Hypnotic RecordsAvantgenre: Industrial Cyber Dark Thrash MetalDuration: 39:26Origin: CanadaOfficial site:http://www.myspace.com/obliveonmusicguitar textures juxtaposed to create an.............................................................................................................................................One of the most underrated extreme metaloutfits of all time, this band's swan-songwas a genre defining work that put mostother bands of this ilk to shame.This, along with Ministry's Psalm 69,SYL's City and Red Harvest's Cold DarkMatter, pretty much is the standard forcyber metal, though being very differentfrom them. Imagine the perfect cyberthrash outfit, forgoing the generic chuggachugga, cheap synth tweaks and basicnu-metallish tendencies of most 'industrial'metal outfits for a maturity bornfrom a more musically proficient background,with layers of intricacy providinga cohesive and dark listening experience.The sound is a mix of cutting-edge heavythrash with plenty of stop-start riffing anddissonant chords (ala Killing Joke)splashed here and there, eerie soundingelectronica (without resorting to clich és)and a mix of extremely powerful gothicvocals and more typical thrashgrowls/rasps. The end result is a uniquesonic signature that deserves to be heard
y any and all fans of 21st century extrememetal. The best thing about thealbum is that all the songs here showprowess to pen addictive and catchy tuneswithout comprising or simplifying thesound one iota.Highlights include "Devil In My Eyes",which will raise your hair ends, the hornworthy"Technicarnivore Motormouth" andas well as the jittering "Such a Quite River",all featuring a cohesive mix of apocalypticdoomy sounding riffery (imagineNeurosis riffs in Cyber Thrash context!!!)and industrial power and grooving metal.By the time "D ésert Incorporel" rolls overyour stunned corpse, it is all over tooquickly you cannot help but move oneundead cybernautic finger to the replaybutton.This basically takes everything from theirlast release "Cybervoid" to perfection. Themagic permeating the entire record's proceedingsis just unbelievable. Honestly, tothis day I still look for a band capable ofcoming close to this sound. I sometimeswonder where they could have taken thisband's concept if they hadn't disbanded attheir prime.SuleimanORGAN:7'' EPRelease: August 2009Label: Duplicate RecordsAvantgenre: Trippy/Glitch Black'n'RollDuration: 12:57Origin: NorwayOfficial site: http://www.myspace.com/organproject.............................................................................................................................................What have we here... 3 tracks -two songs There are no vocals, the music is drivenand an interlude- comprising an EP which by the riff progression and accompaniedtakes 3 seconds less than 13 minutes to by ambience sounds and voice samples, orintroduce the listener in uncharted spaces by the glitches that happen to the sameand back to the real world... or not? Do I riff almost all over the track #3. The productionis kind of strange yet clear andstay there yet? This glitched sonic rainbowmay have made me look at things in anotherway, sometimes more colored, some-didn't even know existed. These tracksbeautiful, sometimes full of things youtimes just glitchy. Anyway the shapes are just make you hear them.more twisted, the colors more vibrant andthe sounds chippier and intermixed afteryou listen to these tracks.As for the metal side of it, Organ: play alight-distortion psychedelic black'n'rollwith double kicks and blastbeats, noises,sampled voices, droney ambiences in amixture never tasted before. The riffs arecolorful and smell like mist and rain on asunny day, seen through the metalframedwindow of a skyscraper factory.Now I will further dissect the 7'' vinyl,making a script track by track:1) Wok WokFrequency modulated riff to confusinghappy start with ambience and talkingvoices and screams Rainbowlike psychedelicchromatic progression Noised abyssicunderwater life riff Chromatic doublebass drums to blastbeat in hallucinogenic
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ContentAZURE EMOTE 29Chronicles Of
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Page 8 and 9: The Crowbar covering Kraftwerk shti
Page 10 and 11: polygon: Hello guys, greetingsfrom
Page 12 and 13: lazy on chairs to enjoy some of the
Page 14 and 15: sage encouraging people to become a
Page 18 and 19: If only I had the time to learn the
Page 20 and 21: Can you tell us more about DOL THEE
Page 22 and 23: whole different experience. I do pr
Page 24 and 25: Well first off the major labels hav
Page 26 and 27: performance can best be described w
Page 28 and 29: chedelic visual art, in order to wa
Page 30 and 31: AZURE EMOTEChronicles Of An Aging M
Page 32 and 33: CARRIER FLUXIn WasteRelease: 2002La
Page 34 and 35: sensory assaults will knock you dow
Page 36 and 37: CHROME HOOFCrush DepthRelease: 2010
Page 38 and 39: The musical backbone that makes up
Page 40 and 41: some sort of a deep, pulsing electr
Page 42 and 43: yond the frontiers of our solar sys
Page 44 and 45: gaze into the new musical universe
Page 46 and 47: ti toms rhythms. Had Fenriz, Noctur
Page 48 and 49: KRELLKrell DemoRelease: 2006Label:
Page 50 and 51: MASTER'S HAMMERMantras - Venkovsky
Page 52 and 53: The marching snare and the dramatic
Page 56 and 57: apture Rainbowy painless happy hang
Page 58 and 59: RED HARVESTSick Transit Gloria Mund
Page 60 and 61: SQUIBB VS. SQUIBBSquibb Vs. SquibbR
Page 62 and 63: SYMPTOMSSymptoms That You Are Alive
Page 64 and 65: under that name, until changing the
Page 66 and 67: #03: Fruit salad. Add cans of your
Page 68 and 69: VOLKMAROverture Macabre DemoRelease
Page 70 and 71: ZWEIZZThe Yawn Of The New AgeReleas
Page 72 and 73: ZweizzÂ² = Zweizz x Zweizz = Zwei
Page 74: Special Print Edition ofAvantgarde
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