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Opposites 1994, Rebellion EP 1995) to one of the leading lights of space metal (Passage1996, Exodus 1998, Eternal 1999, Reign of Light 2004). They have constantly challengedtheir fans with new concepts in cosmic/cyber metal <strong>com</strong>position, though their classic periodis widely acknowledged to be 1994 – 1999.Some other black metal elite who have incorporated industrial and electronic elements intheir sound (to good or bad effect) include the raging yet cold MAYHEM (Grand Declarationof War 2000) and the mind expanding ULVER (Themes from William Blake’s The Marriage ofHeaven and Hell 1998, Perdition City 2000).It is highly re<strong>com</strong>mended that the interested reader further researches the various bandsmentioned above, as well as digging deeper underground <strong>for</strong> the more obscure outfits that Ihave not touched. Electro metal has developed immensely as a genre in the last 20 years orso, with many off-shoots. But to further strengthen this most futuristic and <strong>for</strong>ward thinkingof genres, we need to support the original and innovative artists and root out the <strong>com</strong>mercialpop rock masquerading under Electro/Industrial <strong>Metal</strong>’s banner. So listen and analyzebe<strong>for</strong>e spending your hard earned cash! As a rule of thumb, major record label hype isalmost always wrong.Check the reviews sections <strong>for</strong> many currently active bands that are continuously morphingthe mold and carrying <strong>for</strong>ward the flag of Electro <strong>Metal</strong>.NOTE: A third installment of this article covering post 2000 bands of this ilk may or may notappear depending on the planetary alignments in this sub-sector of the space – time continuum.SuleimanDEKADENZThe Beauty And The MachineQuite unnoticed the German [D]ekaden[Z],who are around the underground culturesince 1998, have released their debut album"Elektronoid” last year. The longplayerfeatures electrifying extreme metal withdozens of weird electronic/industrial decorationand an interesting lyrical concept.Over the last decades the work with ingredientsof extreme metal and electronica hasbe<strong>com</strong>e a challenge <strong>for</strong> musicians, whowant to go a few steps further than thetypical drums+guitar+bass+disgusting vocalsconcept. Symptomatic <strong>for</strong> most "industrial-metal”releases (beside very few exemptionslike ABORYM’s "With No HumanIntervention”) was their half-hearted realisationand artistic weakness.I have to admit that I don’t see in[D]ekaden[Z] the revolutionaries of any genrenor is their debut a classic, but at leastwith "Mechatronik” and "Vom Untergang”they created two pounding and cold roboter-symphoniesthat made me just wantto grab my digital pen to do an interviewand learn more about their weird cosmos.Singer L.O.S. and machinist "@noize” wereso kind to answer my questions.

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