ti toms rhythms. Had Fenriz, NocturnoCulto and Zephyrous gone Norwegian discotheques'icons, this would have beenone of their earliest floor-ripper.Représailles à Versailles – Solefaldesqueneonism of hip hop with much vocal experi-"mentation"from Cornelius, upon hearingwhom I often found myself laughingout loud and feeling playful. Located in abackstreet area, phat bass and oozingdirty grooves meet with orchestral chorusesand broken rapping. Simple and wellcrafted.Why is t<strong>here</strong> a reference to Versailles?I have no idea.First Song Last Chance – Electro interlude,chanting females in awe, emphasison light, beautiful, uplifting. A bit cheesy,not my favourite to be honest.Mastur Bator – A mystical and satiricalode to the God of love, the great <strong>com</strong>manderMastur Bator. It is difficult to explainwhy but this song feels very realisticwhen you follow the lyrics. I think it is avery representative picture of the youngergenerations we are and will see <strong>com</strong>ingmore and more often. As Cornelius writesit in the lyrics, "look at the sea, at thosewaves of red heat; one million heartspounding lust at every beat; we like itwicked, making love beyond measure;excess in every way, overdose on naughtypleasure". Obviously in good spirits andlove worshipping, von Jackhelln onceagain surprises the listener with his sharpsense of humour and observation.The Beauty & the Bitch – Every nextdoor's guy who's had a few serious relationshipswith women will find in thissong something from their past or presentexperience. Cornelius is a writer and evenfrom the most personal point of views – inthis case, a guy helplessly rambling overwomen – he makes it a universal themeusing catchy pop as a springboard to enhancehis ideas so to speak. The mostac<strong>com</strong>plished pop song I've heard fromG.U.T., and a very effective one at that.The sudden guitars at two minutes intothe song are priceless. Come on, sing withme, "I've loved and been loved by thebeauty and the bitch; I could never tell thewoman from the witch".Unconquered Sun – A more cinematicapproach to music, this song is epic andcontemplative right from the start. Thedrum programming is as usual basicthough just enough alive to drive thesong's dynamics into some interestinggalloping. Think brooding, melancholic,sleazy, lurking electro rock ac<strong>com</strong>paniedby an Italian operatic drama edge and notdevoid of something oddly "out t<strong>here</strong>".Solefald fans should enjoy this one, or is itjust me? Classic Cornelius vocals. Hardcoreopera pop.My Only Drug is Madness – Much darkerand meaner, let me quote parts of thistam tam electro orchestra's lyrics to bringyou into the mood:"Music is the way I share what I have seenMy only drug is madness, my bloodstreamis cleanWhy do you need powder to behave like astar?I say like Kurt Cobain, <strong>com</strong>e as you areWe want to be loved, to be worshipped asgodsWe sell our asses to be ridiculed as sodsAn artist should live <strong>for</strong>gotten abroadAway from TV and the celebrity fraud"Nein Nein Zeppelin – Ending the albumwith industrial beats à la Future Sound ofLondon, dry and aggressive guitar tones,German lyrics and truckloads of buzzingelectronics is a cool and perfect way to saygoodbye to such a circus-like record. Analbum <strong>for</strong> the freaks, an album <strong>for</strong> theblinds, an album <strong>for</strong> the wise. Old-schoolas much as it is new-school. One wouldassume that from his experience with thisalbum, Cornelius will have new and perhapsweirder impulses <strong>for</strong> the up<strong>com</strong>ingSolefald.Oliver Side
HAVOC UNITH.IV+ (Hoarse Industrial Viremia)Release: 2008Label: Vendlus RecordsAvantgenre: Machine Butcher <strong>Metal</strong>Duration: 53:37Origin: FinlandOfficial site: http://www.h-i-v.fi/.............................................................................................................................................…AND OCEANS are dead. Yet, its memberscontinue under the name of HAVOCUNIT. And a change of name is appropriate,<strong>for</strong> what these creative people deliveron "h.IV+” has nothing to do with …ANDOCEANS at all. Who thought that HAVOCUNIT would continue the kind of discoindustrialmetal they celebrated under theold name on "Cypher” is terribly wrong.Gone are the pleasant, danceable melodiesand beats. The first track "Vermicide”jumps right in your face with really uglyindustrial metal - raw, menacing and evil.A cyber-demonized version of ME-SHUGGAH or a slower, but heavier versionof THE AMENTA – that's what <strong>com</strong>esto my mind when listening to HAVOCUNIT these days, with a sound directlyfrom the factories of 21st -century-hell. Asthe tracklist implies, HAVOC UNIT's lyricsdeal with the perversions of the last decadesto batter them relentless back in theface of mankind. And battering is theword that describes their music best – Thescreamed vocals, the machine-gun riffingand the stomping of the machine-beatshurt and is definitely not <strong>for</strong> the faintheartedwho seek beautiful melodies. Forthat matter, even people who seek ANYmelody will be disappointed. "h.IV+” is onebig rhythm-monster with samples, menacingsynths and some slower intermezzi; itis a spirit of wrath; the embodiment of thepits of the human psyche.And <strong>for</strong> that, I love it. It is cold, aggressiveand inhuman; much like DHG's "SupervillainOutcast”. T<strong>here</strong> is only one downside:it is a little bit unvaried. If you'd play me atrack, I could not say which one it is, onlythat it is on "h.IV+”. And I wouldn't listento it the whole day, <strong>for</strong> I am one of thesepeople who like a good melody once in awhile. But then t<strong>here</strong> is "Ignoratio Elenchi[Reversed Genesis]” to make up <strong>for</strong> it,which is, simply put, brilliant. That ismostly due to the voice of SOLEFALD'sCornelius, but not only that, the track hasa dreamy and dark atmosp<strong>here</strong> whichgives you goosebumps. It might be a bitunfair to say that this (and only this) tracksounds like a SOLEFALD-song (and notonly due to Cornelius' voice), but that'sthe way it is… And t<strong>here</strong> also is "Kristallnacht[From Revolution to Reconstruction]”,a soothing piano piece.All in all, I am positively surprised. No,not really surprised, because I didn't knowwhat to excpect from HAVOC UNIT now inthe first place, only that the name changemust have had SOME impact on the music.It is surely interesting to hear HAVOCUNIT explore regions of acoustic brutalityother than speed, <strong>for</strong> brutal it is. A perfectsoundtrack <strong>for</strong> the devil's abbatoir, a mixof rust and blood.Tentakel P.