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Notable Sports Figures<br />

Esther Williams<br />

some live shows, which had some success; one live<br />

show, in London, was sold out during its entire run.<br />

Williams was also having problems in her personal<br />

life. Gage had mismanaged the couple’s money, losing<br />

most of it and getting them into deep trouble with the<br />

Internal Revenue Service. The two eventually divorced<br />

in 1957. Williams later married the movie star Fernando<br />

Lamas, who had starred opposite her in the 1953 film<br />

Dangerous When Wet. The two met again in 1960, while<br />

Williams was producing the television special Esther<br />

Williams at Cypress Gardens, in which Lamas also<br />

swam. This special, which aired on Williams’s birthday,<br />

was a huge hit: fifty-two percent of the televisions in the<br />

United States that were in use were tuned into it that<br />

night. Williams appeared in two more films in the early<br />

1960s, but by the end of the decade she had settled down<br />

to be Fernando Lamas’s wife and had disappeared from<br />

the public eye.<br />

Williams the Swimsuit Designer<br />

At the time that Williams first became a star,<br />

women’s swimsuit design was still in its infancy. Lycra<br />

and other stretchable materials had not yet been invented,<br />

and wool was still a common swimsuit component.<br />

The costume designers at MGM had had little practice<br />

in designing swimwear for films, and their results, al-<br />

Williams<br />

though creative, were often highly impractical, with<br />

sometimes disastrous results. Williams’s seventh film,<br />

This Time for Keeps, was set on Mackinac Island in<br />

northern Michigan, and in keeping with the woodsy<br />

theme, Williams’s costumer created a swimming suit out<br />

of plaid flannel. Flannel, being made of cotton, absorbs<br />

tremendous amounts of water, and the saturated swimsuit<br />

nearly dragged Williams to the bottom of the pool.<br />

In desperation she unzipped the suit and let it fall. Her<br />

costume designer, who luckily was poolside, had to cut<br />

a hole in the middle of a towel and drape it over<br />

Williams’s head so she could get out of the pool without<br />

exposing herself to the crowds of tourists who had come<br />

to watch the filming. After that debacle, Williams participated<br />

much more actively in the design process.<br />

In 1948, Williams was asked by designer Cole of<br />

California to endorse one of their swimsuits. This suit,<br />

one of the first ever to be made with latex, was revolutionary:<br />

the stretchable material meant that a zipper was<br />

no longer necessary. It also meant that the suit fit better<br />

and was more suitable for maneuvering in the water.<br />

Cole approached Williams independently of MGM and<br />

asked her to endorse the suit. At that time, celebrity endorsements<br />

were unheard of: while celebrity images<br />

were often used in advertisements, such uses were strictly<br />

controlled by the studio, and all profits went to the<br />

studio as well. After Williams won her fight with MGM<br />

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