20.09.2015 Views

A-dictionary-of-greek-and-roman-antiquities-william-smith

A-dictionary-of-greek-and-roman-antiquities-william-smith

A-dictionary-of-greek-and-roman-antiquities-william-smith

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

AMPHITHEATRUM. AMPHITHEATRUM. 87<br />

the second ftlory we have the tiro outer colon was also pierced with windows. Above the onler<br />

nades repeated, <strong>and</strong> the radiating walls <strong>of</strong> the corridor <strong>of</strong> this story is a mnxaninr, ur small<br />

am slack are continued up through this story ; middle stnry, in front <strong>of</strong> which <strong>and</strong> above tho<br />

<strong>and</strong> between them are staircases leading out on to inner colonnade were a few tiers <strong>of</strong> wooden<br />

tamed to a sort <strong>of</strong> terrace (pnjecwtw) which runs<br />

ramd the buildinj? between the first <strong>and</strong> second<br />

ranges <strong>of</strong> seats, <strong>and</strong> increases the facilities for the<br />

spectators getting to their proper places. Sloping<br />

down from this praedMCtio to the level <strong>of</strong> the top <strong>of</strong><br />

the jadataL. <strong>and</strong> supported by the inner series <strong>of</strong><br />

radiating walls, are the lower series <strong>of</strong> seats. On<br />

the third story (above the floor <strong>of</strong> which the details<br />

sre almost entirely conjectural), we hare again<br />

the double colonnade, the inner wall <strong>of</strong> which<br />

rises immediately behind the top <strong>of</strong> the second<br />

ranis <strong>of</strong> seats, with only the interval <strong>of</strong> a narrow<br />

cceas was given by nathe<br />

wall just<br />

benches for the lowest class <strong>of</strong> spectators. Abov«<br />

this merxanine was a gallery, which ran right<br />

round the building, <strong>and</strong> the front <strong>of</strong> which is sup<br />

posed to have been formed by a range <strong>of</strong> columns.<br />

It seems that the terrace formed by the lop <strong>of</strong><br />

this gallery would be also available tor spectators.<br />

And, lastly, the very summit <strong>of</strong> the wall was<br />

formed into a sort <strong>of</strong> terrace which was, no doubt,<br />

occupied by the men who worked the rope* <strong>of</strong> tho<br />

rrJurium. The doors which opened from the staireases<br />

<strong>and</strong> corridors on to the interior <strong>of</strong> the am<br />

phitheatre were designated by the very appropriate<br />

name <strong>of</strong> vamitoria. The whole <strong>of</strong> the interior was<br />

called eacwa. The following section (from II ru<br />

exhibits these arrangements as clearlv as tbey can<br />

be shown without the aid <strong>of</strong> perspective.<br />

SECTION OP THK CORRIDORS, STAIRS, AMD SKATS.<br />

I. II. III. IV. The four stories <strong>of</strong> the exterior. ll. The space on the summit <strong>of</strong> the wall for th«<br />

A. The arena-<br />

managers <strong>of</strong> the velarium.<br />

C.DRF.<br />

B. The podium.<br />

Z. The steps which surrounded the building on<br />

The four corridors.<br />

the outside.<br />

a If r The three rnaeniajia.<br />

a. Stairs from the third colonnade to the po<br />

K. The upper i*_B-> gallery -, L. I' The terrace over it dium.<br />

a 4

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!