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INQUIRY

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<strong>INQUIRY</strong> • Volume 19, 2015<br />

to France’s campaign to retain Algeria, the architects of<br />

American counterinsurgency strategy in Iraq looked only<br />

to the doctrinally unstable initial years of the Algerian war,<br />

which spanned from 1954–1958, to the detriment of the<br />

final four years. This study focuses on those pivotal and<br />

final years of the Algerian insurgency when France pursued<br />

a joint strategy of indigenous empowerment and sweeping<br />

raids to devastating effect. In order to successfully employ<br />

the lessons of Algeria against modern insurgencies, it is<br />

necessary to investigate the entirety of the conflict and to<br />

understand that the United States cannot defeat insurgents<br />

by buying their loyalty but must instead use every resource,<br />

military and economic, at its disposal.<br />

One Big Soul: The Unity of Bill Viola’s Going Forth by Day<br />

Alex Greenberger, Art History<br />

Sponsor: Professor Shelley Rice, Photography and Imagining,<br />

Tisch School of the Arts<br />

American artist Bill Viola (1951– ) is known for his<br />

videos that ponder life’s biggest questions: e.g., the mysteries<br />

of birth and death, humanity’s connection to nature and<br />

the role of spirituality today. It is clear that what Viola does<br />

differs from the work of many socio-politically concerned<br />

contemporary artists. Scholars are therefore sometimes<br />

unsure how to study his work. In Going Forth by Day (2002),<br />

Viola’s most ambitious work to date, he brings together five<br />

videos that seem unconnected: a woman and rescue workers<br />

search for her son in the aftermath of a flood, an old man<br />

dies as his belongings are shipped off, people walk through a<br />

forest, an apartment building explodes with water and a birth<br />

is abstractly shown. Although these videos’ narratives have<br />

little in common, Viola brings them together so that these<br />

disparate parts are unified as a whole installation, a process<br />

that is then mirrored by the viewer’s own spiritual journey<br />

through the work. By relying on non-Western spirituality, art<br />

from both the West and outside it, the history of the sublime<br />

and video theory, it can be suggested that with Going Forth<br />

by Day, Viola attempts to reconnect humanity with its world.<br />

Glocalizing Expressway Conversions: From Brooklyn-<br />

Queens Expressway to Public Urban Tech-Park<br />

“Midline”<br />

Jesslyn Guntur, Urban Design and Architecture Studies<br />

Sponsor: Professor Mosette Broderick, Art History<br />

Since the 1970s, more than two dozen American cities<br />

have participated in the “Expressway Teardown Movement”<br />

and permanently dismantled outdated expressways<br />

or replaced them with a community-building, economically<br />

viable and environmentally sustainable alternative.<br />

However, still more cities have been too sidetracked by<br />

misplaced priorities, conflicting interests and financial<br />

hesitancy to realize the wide-ranging benefits of expressway<br />

conversions. This has been most evident in the case of the<br />

Brooklyn Queens Expressway (BQE) in Brooklyn Heights,<br />

New York. This project aims to convince Brooklyn Heights<br />

constituents to glocalize the “Expressway Conversion<br />

Movement” with the BQE by supplanting one of its threetiered<br />

cantilevered lanes with the Midline, a sustainable,<br />

urban technology-based public park. The author uses literature<br />

reviews, newspaper periodicals, technical manuals and<br />

global case studies to clarify the necessity, desirability and<br />

feasibility of the conversion. Ultimately, this project shows<br />

the estimated community benefits of the Midline to offset the<br />

cost of implementation. Research on the implications of the<br />

Midline offer a significant contribution to the field of urban<br />

design by challenging the forum to consider revitalization<br />

of active yet outdated infrastructures—as opposed to passive<br />

conversions of abandoned or deactivated spaces—for<br />

improving community life.<br />

A Call to Arms: John Oliver’s Democratic Engagement<br />

with His Audience<br />

Alexandra Heffern, Global Liberal Studies<br />

Sponsor: Professor Matt Longabucco, Liberal Studies<br />

Contemporary news media suffers many maladies:<br />

covert bias, obsession with entertainment and information<br />

overload to name a few. In response, political satire exposes<br />

and remediates these flaws. The impact of satire on politics<br />

was explored by Amber Day in her article Satire Might<br />

Not Sway Votes, but That Isn’t the Point. Day explains that<br />

when examining satirical impact, short term observations<br />

use a flawed understanding of healthy democratic activity.<br />

Instead of short term markers, like voter turnout, to judge<br />

success, Day proposes that, “the very idea of a democratic<br />

system is premised on the existence of an informed and<br />

engaged citizenry.” American politician Thomas Jefferson,<br />

Wendy Brown, professor at the University of California in<br />

Berkeley and Michael Schudson, professor at Columbia University’s<br />

Graduate School of Journalism, all have theories<br />

that elaborate on a healthy citizenry. A combination of their<br />

ideas creates a new model for contemporary citizen engagement.<br />

With this reconstructed definition of an informed<br />

and engaged citizenry, it is possible to move forward and<br />

analyze the efficacy of satirists in enacting change over<br />

traditional news journalists. Ultimately, John Oliver of Last<br />

Week Tonight is offered as a model for future development<br />

within the field of satire.<br />

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