INQUIRY
InquiryXIX
InquiryXIX
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<strong>INQUIRY</strong> • Volume 19, 2015<br />
to France’s campaign to retain Algeria, the architects of<br />
American counterinsurgency strategy in Iraq looked only<br />
to the doctrinally unstable initial years of the Algerian war,<br />
which spanned from 1954–1958, to the detriment of the<br />
final four years. This study focuses on those pivotal and<br />
final years of the Algerian insurgency when France pursued<br />
a joint strategy of indigenous empowerment and sweeping<br />
raids to devastating effect. In order to successfully employ<br />
the lessons of Algeria against modern insurgencies, it is<br />
necessary to investigate the entirety of the conflict and to<br />
understand that the United States cannot defeat insurgents<br />
by buying their loyalty but must instead use every resource,<br />
military and economic, at its disposal.<br />
One Big Soul: The Unity of Bill Viola’s Going Forth by Day<br />
Alex Greenberger, Art History<br />
Sponsor: Professor Shelley Rice, Photography and Imagining,<br />
Tisch School of the Arts<br />
American artist Bill Viola (1951– ) is known for his<br />
videos that ponder life’s biggest questions: e.g., the mysteries<br />
of birth and death, humanity’s connection to nature and<br />
the role of spirituality today. It is clear that what Viola does<br />
differs from the work of many socio-politically concerned<br />
contemporary artists. Scholars are therefore sometimes<br />
unsure how to study his work. In Going Forth by Day (2002),<br />
Viola’s most ambitious work to date, he brings together five<br />
videos that seem unconnected: a woman and rescue workers<br />
search for her son in the aftermath of a flood, an old man<br />
dies as his belongings are shipped off, people walk through a<br />
forest, an apartment building explodes with water and a birth<br />
is abstractly shown. Although these videos’ narratives have<br />
little in common, Viola brings them together so that these<br />
disparate parts are unified as a whole installation, a process<br />
that is then mirrored by the viewer’s own spiritual journey<br />
through the work. By relying on non-Western spirituality, art<br />
from both the West and outside it, the history of the sublime<br />
and video theory, it can be suggested that with Going Forth<br />
by Day, Viola attempts to reconnect humanity with its world.<br />
Glocalizing Expressway Conversions: From Brooklyn-<br />
Queens Expressway to Public Urban Tech-Park<br />
“Midline”<br />
Jesslyn Guntur, Urban Design and Architecture Studies<br />
Sponsor: Professor Mosette Broderick, Art History<br />
Since the 1970s, more than two dozen American cities<br />
have participated in the “Expressway Teardown Movement”<br />
and permanently dismantled outdated expressways<br />
or replaced them with a community-building, economically<br />
viable and environmentally sustainable alternative.<br />
However, still more cities have been too sidetracked by<br />
misplaced priorities, conflicting interests and financial<br />
hesitancy to realize the wide-ranging benefits of expressway<br />
conversions. This has been most evident in the case of the<br />
Brooklyn Queens Expressway (BQE) in Brooklyn Heights,<br />
New York. This project aims to convince Brooklyn Heights<br />
constituents to glocalize the “Expressway Conversion<br />
Movement” with the BQE by supplanting one of its threetiered<br />
cantilevered lanes with the Midline, a sustainable,<br />
urban technology-based public park. The author uses literature<br />
reviews, newspaper periodicals, technical manuals and<br />
global case studies to clarify the necessity, desirability and<br />
feasibility of the conversion. Ultimately, this project shows<br />
the estimated community benefits of the Midline to offset the<br />
cost of implementation. Research on the implications of the<br />
Midline offer a significant contribution to the field of urban<br />
design by challenging the forum to consider revitalization<br />
of active yet outdated infrastructures—as opposed to passive<br />
conversions of abandoned or deactivated spaces—for<br />
improving community life.<br />
A Call to Arms: John Oliver’s Democratic Engagement<br />
with His Audience<br />
Alexandra Heffern, Global Liberal Studies<br />
Sponsor: Professor Matt Longabucco, Liberal Studies<br />
Contemporary news media suffers many maladies:<br />
covert bias, obsession with entertainment and information<br />
overload to name a few. In response, political satire exposes<br />
and remediates these flaws. The impact of satire on politics<br />
was explored by Amber Day in her article Satire Might<br />
Not Sway Votes, but That Isn’t the Point. Day explains that<br />
when examining satirical impact, short term observations<br />
use a flawed understanding of healthy democratic activity.<br />
Instead of short term markers, like voter turnout, to judge<br />
success, Day proposes that, “the very idea of a democratic<br />
system is premised on the existence of an informed and<br />
engaged citizenry.” American politician Thomas Jefferson,<br />
Wendy Brown, professor at the University of California in<br />
Berkeley and Michael Schudson, professor at Columbia University’s<br />
Graduate School of Journalism, all have theories<br />
that elaborate on a healthy citizenry. A combination of their<br />
ideas creates a new model for contemporary citizen engagement.<br />
With this reconstructed definition of an informed<br />
and engaged citizenry, it is possible to move forward and<br />
analyze the efficacy of satirists in enacting change over<br />
traditional news journalists. Ultimately, John Oliver of Last<br />
Week Tonight is offered as a model for future development<br />
within the field of satire.<br />
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