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New York University • College of Arts and Science<br />

choice set can increase the probability of choosing the item<br />

that dominates it, a revolutionary violation of the Irrelevance<br />

of Independent Alternatives Axiom. While plenty of examples<br />

can found in the literature from the 1970s and onward<br />

pertaining to the introduction of brands, only hypothetical<br />

examples in the realm of gastronomy are mentioned. After<br />

collecting data in the form of manipulated menus from<br />

over 552 diners at New York establishments and having<br />

econometrically determined the statistical significance of<br />

its implications, this study will argue for verifying the findings<br />

of Huber et al. and Ariely and Robertson and will thus<br />

supplement the prevailing theory of choice in behavioral<br />

economics from a unique angle.<br />

More than Just a Subway Dance: Litefeet as a Multifaceted<br />

Means of Upward Mobility<br />

Madeleine Vidger, Sociology<br />

Sponsor: Professor Ruth Horowitz, Sociology<br />

This study follows a group of young African American<br />

males who comprise Litefeet, a dance movement that<br />

emerged in the mid-2000s on the subway system of New<br />

York City. Litefeet is an improvised, energetic, acrobatic<br />

dance form that appropriates the subway car as its stage. In<br />

addition to gaining popularity among train riders, the advent<br />

of social media has accrued online fame for these public performers,<br />

leading to high-profile projects with international<br />

brands, figures in the music industry, commercials and magazine<br />

spreads. Their success has transformed Litefeet into a<br />

means of upward mobility for the individuals involved, who,<br />

as African American males born out of the inner city, have<br />

largely been excluded from conventional opportunities for<br />

economic prosperity. However, Litefeet is about more than<br />

doing flips across train cars: members participate in other<br />

art forms that supplement the performance, such as music<br />

making and clothing design. Making use of ethnographies<br />

collected from traveling around with NYC’s most renowned<br />

subway dance crew, the dynamic structure of creative young<br />

entrepreneurs that holds Litefeet together as a modern artistic<br />

movement is uncovered and how these performers’ success<br />

stories represent a wider re-conceptualization of the American<br />

Dream narrative in the social media era.<br />

The Urban Death Dilemma: Making Room for Memorialization<br />

in Twenty-First-Century New York City and<br />

Beyond<br />

Claire Voon, Art History, Journalism<br />

Sponsor: Professor Brooke Kroeger, Journalism<br />

Approximately 51,000 people die annually in New York<br />

City, and two-thirds of the deceased are prepared for earthen<br />

burials. But many cemeteries within the five boroughs<br />

increasingly struggle to find space as their land supplies<br />

deplete each year. Urbanization, beginning in the nineteenth<br />

century, has left graveyards landlocked and unable to expand<br />

their boundaries, and no plans exist to establish a completely<br />

new cemetery. Drawing on original interviews with industry<br />

professionals and extensive historical research, this project<br />

explores how New York City’s cemetery business plans to<br />

respond to land pressures and continue operating to serve<br />

those who purchased burial rights for perpetuity. As space<br />

becomes increasingly scarce and sales decline, many cemetery<br />

directors are devising solutions that not only maximize<br />

the potential of any remaining land but also establish sufficient<br />

funds to continue maintaining the grounds indefinitely<br />

if they do reach capacity. Cemeteries also have to consider<br />

current consumer trends when innovating; the rise of cremation<br />

and increased environmental concerns, which weren’t<br />

relevant until recent decades, reveal some desire to shift from<br />

resource-consuming burials, and research in new models of<br />

memorialization is emerging. The urban death industry is<br />

gradually evolving, reflecting changing attitudes in how we<br />

decide to memorialize loved ones.<br />

Know Thy Outgroup: Promoting Accurate Judgments of<br />

Political Attitude Differences through a Conflict Mindset<br />

Kate Voorheis, Psychology<br />

Sponsor: Professor Yaacov Trope, Psychology<br />

People tend to assume political outgroup members<br />

hold different beliefs than they do. At first glance, this is not<br />

surprising. However, research has consistently demonstrated<br />

people inaccurately view Americans with opposing ideologies<br />

as being more polarized than they actually are. This<br />

project tested a novel way by which accuracy in perceiving<br />

outgroup members’ attitudes can be increased. It was<br />

proposed that individuals might exaggerate self-outgroup<br />

attitude differences because they construe outgroup members<br />

as being highly distant from the self. Thus, bridging the<br />

perceived distance between oneself and outgroup members<br />

could facilitate more accurate perceptions. It was proposed<br />

that tacitly activating a mindset (i.e., a general mode of<br />

processing information) characterized by the consideration<br />

of conflicting perspectives may serve this purpose. Indeed,<br />

it was found that participants who were instructed to write<br />

about their own conflicting goals construed outgroup<br />

members as being closer to the self and, in turn, were more<br />

accurate in perceiving their attitudes. Erroneously perceiving<br />

how others experience social reality holds pernicious<br />

consequences for achieving social progress. The present<br />

research raises a key implication for generating greater<br />

accuracy in social judgments.<br />

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