INQUIRY
InquiryXIX
InquiryXIX
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New York University • College of Arts and Science<br />
choice set can increase the probability of choosing the item<br />
that dominates it, a revolutionary violation of the Irrelevance<br />
of Independent Alternatives Axiom. While plenty of examples<br />
can found in the literature from the 1970s and onward<br />
pertaining to the introduction of brands, only hypothetical<br />
examples in the realm of gastronomy are mentioned. After<br />
collecting data in the form of manipulated menus from<br />
over 552 diners at New York establishments and having<br />
econometrically determined the statistical significance of<br />
its implications, this study will argue for verifying the findings<br />
of Huber et al. and Ariely and Robertson and will thus<br />
supplement the prevailing theory of choice in behavioral<br />
economics from a unique angle.<br />
More than Just a Subway Dance: Litefeet as a Multifaceted<br />
Means of Upward Mobility<br />
Madeleine Vidger, Sociology<br />
Sponsor: Professor Ruth Horowitz, Sociology<br />
This study follows a group of young African American<br />
males who comprise Litefeet, a dance movement that<br />
emerged in the mid-2000s on the subway system of New<br />
York City. Litefeet is an improvised, energetic, acrobatic<br />
dance form that appropriates the subway car as its stage. In<br />
addition to gaining popularity among train riders, the advent<br />
of social media has accrued online fame for these public performers,<br />
leading to high-profile projects with international<br />
brands, figures in the music industry, commercials and magazine<br />
spreads. Their success has transformed Litefeet into a<br />
means of upward mobility for the individuals involved, who,<br />
as African American males born out of the inner city, have<br />
largely been excluded from conventional opportunities for<br />
economic prosperity. However, Litefeet is about more than<br />
doing flips across train cars: members participate in other<br />
art forms that supplement the performance, such as music<br />
making and clothing design. Making use of ethnographies<br />
collected from traveling around with NYC’s most renowned<br />
subway dance crew, the dynamic structure of creative young<br />
entrepreneurs that holds Litefeet together as a modern artistic<br />
movement is uncovered and how these performers’ success<br />
stories represent a wider re-conceptualization of the American<br />
Dream narrative in the social media era.<br />
The Urban Death Dilemma: Making Room for Memorialization<br />
in Twenty-First-Century New York City and<br />
Beyond<br />
Claire Voon, Art History, Journalism<br />
Sponsor: Professor Brooke Kroeger, Journalism<br />
Approximately 51,000 people die annually in New York<br />
City, and two-thirds of the deceased are prepared for earthen<br />
burials. But many cemeteries within the five boroughs<br />
increasingly struggle to find space as their land supplies<br />
deplete each year. Urbanization, beginning in the nineteenth<br />
century, has left graveyards landlocked and unable to expand<br />
their boundaries, and no plans exist to establish a completely<br />
new cemetery. Drawing on original interviews with industry<br />
professionals and extensive historical research, this project<br />
explores how New York City’s cemetery business plans to<br />
respond to land pressures and continue operating to serve<br />
those who purchased burial rights for perpetuity. As space<br />
becomes increasingly scarce and sales decline, many cemetery<br />
directors are devising solutions that not only maximize<br />
the potential of any remaining land but also establish sufficient<br />
funds to continue maintaining the grounds indefinitely<br />
if they do reach capacity. Cemeteries also have to consider<br />
current consumer trends when innovating; the rise of cremation<br />
and increased environmental concerns, which weren’t<br />
relevant until recent decades, reveal some desire to shift from<br />
resource-consuming burials, and research in new models of<br />
memorialization is emerging. The urban death industry is<br />
gradually evolving, reflecting changing attitudes in how we<br />
decide to memorialize loved ones.<br />
Know Thy Outgroup: Promoting Accurate Judgments of<br />
Political Attitude Differences through a Conflict Mindset<br />
Kate Voorheis, Psychology<br />
Sponsor: Professor Yaacov Trope, Psychology<br />
People tend to assume political outgroup members<br />
hold different beliefs than they do. At first glance, this is not<br />
surprising. However, research has consistently demonstrated<br />
people inaccurately view Americans with opposing ideologies<br />
as being more polarized than they actually are. This<br />
project tested a novel way by which accuracy in perceiving<br />
outgroup members’ attitudes can be increased. It was<br />
proposed that individuals might exaggerate self-outgroup<br />
attitude differences because they construe outgroup members<br />
as being highly distant from the self. Thus, bridging the<br />
perceived distance between oneself and outgroup members<br />
could facilitate more accurate perceptions. It was proposed<br />
that tacitly activating a mindset (i.e., a general mode of<br />
processing information) characterized by the consideration<br />
of conflicting perspectives may serve this purpose. Indeed,<br />
it was found that participants who were instructed to write<br />
about their own conflicting goals construed outgroup<br />
members as being closer to the self and, in turn, were more<br />
accurate in perceiving their attitudes. Erroneously perceiving<br />
how others experience social reality holds pernicious<br />
consequences for achieving social progress. The present<br />
research raises a key implication for generating greater<br />
accuracy in social judgments.<br />
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