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Open Air Business May 2016

The UK's outdoor hospitality business magazine

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EVENTS<br />

Stage Specifics<br />

Specifying a stage, writes Jane Russen of Star Events Ltd, requires careful<br />

consideration but it is nothing a good supplier can’t handle<br />

PHOTOGRAPHY SUPPLIED BY STAR EVENTS LTD<br />

ANYWHERE YOU WANT to bring<br />

together a number of people<br />

and focus their attention in<br />

one place will require some<br />

sort of structure on which<br />

to provide entertainment or<br />

announcements. Your stage<br />

and sound choices are just as<br />

critical whether you’re holding<br />

live music in a field for crowds<br />

of thousands or a more intimate<br />

affair with audiences of a few<br />

hundred. Of importance too<br />

are the logistical and legal<br />

requirements for erecting and<br />

overseeing a stage when on site.<br />

There are a number of stage<br />

designs available to hire but not<br />

all are suitable for all types of<br />

shows. Mobile stages - portable<br />

versions of a permanent<br />

structure - are available in<br />

various shapes and sizes, the<br />

choice of which may be dictated<br />

by the level of production that<br />

acts require. The quick install<br />

process of a mobile stage is<br />

perfect for time conscious<br />

venues and tight budgets as<br />

overnight, on-site security<br />

won’t be required for as long.<br />

Providing you can get a truck<br />

onto your site, a mobile stage<br />

will always be the quickest,<br />

easiest and most cost effective<br />

solution.<br />

Smaller events might get<br />

away with a road show unit<br />

- usually a converted bus or<br />

truck - which incorporates<br />

stage, sound and lights all<br />

in one but these are rarely<br />

suitable for a band of any size.<br />

Also, with recent changes to<br />

the legal requirements event<br />

organiser’s face, a stage that is<br />

simply driven to site then left for<br />

the event organiser to oversee<br />

can lead to trouble. Since April<br />

2015, event organisers need to<br />

make provision for compulsory<br />

adherence to Construction<br />

Design Management (CDM)<br />

regulations, enforced by the<br />

Health and Safety Executive<br />

(HSE). This requires an<br />

experienced person to remain<br />

with the stage at all times.<br />

A mobile stage may still be<br />

suitable for sites with restricted<br />

access. We have a range of<br />

stages featuring independent<br />

rear steering which can access<br />

a site where a standard artic<br />

trailer may not be able. We<br />

also have a stage with a built-in<br />

360° turntable, meaning it can<br />

be positioned in very difficult<br />

to access locations such as<br />

across a road: this is unique to<br />

Star Events. If you can’t get a<br />

truck onto the site then you’ll<br />

need to consider how else<br />

you can deliver equipment.<br />

This may have to be unloaded<br />

outside the area and either<br />

transferred to a smaller vehicle<br />

or man-handled. Of course,<br />

this affects price and build time<br />

quite considerably so may be<br />

cost prohibitive. A site visit with<br />

all your main contractors is<br />

essential to ensure there are no<br />

nasty surprises on the day.<br />

Prices vary for stages and are<br />

dictated by their construction<br />

and size. A mobile stage is<br />

priced on the number of days<br />

it is on site: the longer you<br />

have it, the more it will cost.<br />

However, a mobile stage’s<br />

advantage is that it is likely to<br />

be on site for less time, keeping<br />

security costs to a minimum. A<br />

10 x 8m mobile stage will cost<br />

from £3,000 for one day’s hire<br />

with a minimal cost for each<br />

day thereafter.<br />

“A MOBILE STAGE IS PRICED ON<br />

THE NUMBER OF DAYS IT IS ON<br />

SITE: THE LONGER YOU HAVE IT,<br />

THE MORE IT WILL COST”<br />

58 WWW.OPENAIRBUSINESS.COM

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