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Young und Okey - 1915 - Travels in France and Italy during the years 1787,

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242/Arthur <strong>Young</strong><br />

crowned by <strong>the</strong> Alps, are f<strong>in</strong>e. The Count de Tiene, with <strong>the</strong> assistance<br />

of ano<strong>the</strong>r nobleman, of more experience, who happened to be present,<br />

gave me some <strong>in</strong>formation relative to <strong>the</strong> part of <strong>the</strong> Vicent<strong>in</strong>e <strong>in</strong> which<br />

<strong>the</strong>ir estates are situated. Quitt<strong>in</strong>g him, I begged <strong>the</strong> Abbate Pierropan<br />

to favour me with his company at d<strong>in</strong>ner, by which means I had <strong>the</strong><br />

benefit of his conversation so much longer on <strong>the</strong> favourite topic. The<br />

Abbate de Tracio, vice-president of <strong>the</strong> academy, jo<strong>in</strong>ed us. After d<strong>in</strong>ner,<br />

accord<strong>in</strong>g to appo<strong>in</strong>tment, to <strong>the</strong> Count de Bon<strong>in</strong>g, whose coach<br />

was ready, <strong>and</strong> carried us to <strong>the</strong> farm. Fortunately <strong>the</strong> farmer, a sensible<br />

<strong>and</strong> <strong>in</strong>telligent man, was ready to answer all such <strong>in</strong>quiries as I put to<br />

him. At night, returned to <strong>the</strong> city, after a rich day, that pays for <strong>the</strong><br />

trouble of travell<strong>in</strong>g.<br />

26th. My friendly Abbate, cont<strong>in</strong>u<strong>in</strong>g his oblig<strong>in</strong>g offices, had <strong>the</strong><br />

goodness to accompany me this morn<strong>in</strong>g to a very famous woollen fabric,<br />

at present <strong>und</strong>er <strong>the</strong> direction of an Englishman, <strong>and</strong> to a magaz<strong>in</strong>e<br />

of ear<strong>the</strong>nware <strong>in</strong> imitation of Mr. Wedgwood. It is surely a triumph of<br />

<strong>the</strong> arts <strong>in</strong> Engl<strong>and</strong> to see <strong>in</strong> <strong>Italy</strong> Etruscan forms copied from English<br />

models. It is a better imitation than many I have seen <strong>in</strong> <strong>France</strong>. View<br />

<strong>the</strong> Olympic <strong>the</strong>atre of Palladio, which pleases all <strong>the</strong> world; noth<strong>in</strong>g<br />

can be more beautiful than <strong>the</strong> form, or more elegant than <strong>the</strong> colonnade<br />

that surro<strong>und</strong>s it. Of all his works here, I like <strong>the</strong> Palazzo Barbarana<br />

least. I am sorry to see that most of Palladio’s edifices are of bricks<br />

stuccoed, except <strong>the</strong> Palazzo Raggione, which is of durable stone; <strong>and</strong><br />

that <strong>the</strong>re is hardly one of <strong>the</strong>m which is not out of repair. The roof of<br />

<strong>the</strong> Palazzo di Raggione, which must onend every eye, is not of Palladio;<br />

only <strong>the</strong> case of arcades that surro<strong>und</strong> <strong>the</strong> build<strong>in</strong>g, which is one vast<br />

room of 200 feet by 80, used for <strong>the</strong> courts of justice, <strong>and</strong> also as a<br />

common jakes by <strong>the</strong> mob, <strong>and</strong> dreadfully garnished. A pretty use to<br />

which to apply an edifice of Palladio. The brick columns of this great<br />

architect are of <strong>the</strong> f<strong>in</strong>est work I ever saw; <strong>and</strong> some of <strong>the</strong> stucco only<br />

now fail<strong>in</strong>g, after 200 <strong>years</strong>. At Verona <strong>and</strong> Vicenza <strong>the</strong>re are very few<br />

new houses, <strong>and</strong> no signs, that I could see, of <strong>the</strong> wealth <strong>and</strong> prosperity<br />

of <strong>the</strong> present age. There are exceptions, but <strong>the</strong>y are few. A silk merchant<br />

here has built a good house; <strong>and</strong> Signore Cordel<strong>in</strong>a, an advocate<br />

at Venice, a large <strong>and</strong> h<strong>and</strong>some one, that cost 100,000 ducats, without<br />

be<strong>in</strong>g f<strong>in</strong>ished: he made his fortune by plead<strong>in</strong>g.<br />

27th. To Padua. The country, which has been called a garden by<br />

travellers, not at all better cultivated than before, but deeper <strong>and</strong> richer.<br />

The same flat, l<strong>in</strong>ed <strong>in</strong>to rows of pollards <strong>and</strong> v<strong>in</strong>es <strong>in</strong> <strong>the</strong> same manner;

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