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nordiclarpyearbook2015

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Being a Monk: And building a cathedral<br />

- By Alexander “Gray” Orlov & Vasily “Jolaf” Zakharov<br />

Быть Монахом (Being а Monk) was a larp<br />

simulating the life of a Benedictine monastery<br />

in the Pyrenees during the Holy Week<br />

of 1202. The organizers were inspired not<br />

only by history and art, but also by their<br />

personal experience. The Duende larp held<br />

in 2010 in the Urals, where this larp’s organizers<br />

were players and part of the monastery<br />

team, proved that the life in a monastery<br />

could provide interesting play. Another<br />

source of inspiration was the experience<br />

of pilgrimage on the Spanish Way of Saint<br />

James (Camino de Santiago). Thus an idea<br />

of a larp about a monastery on a pilgrim<br />

route was born.<br />

Unity of place and time<br />

The core idea of the larp was to:<br />

Show the monastery structure as a hermetic<br />

microcosm;<br />

Make possible a unique and rich gameplay<br />

on religious subjects which are seldom<br />

touched;<br />

Make the monastery represent a moment in<br />

the history of the whole European religion;<br />

the Church’s decline and crisis at the beginning<br />

of the 13th century.<br />

The larp was focused on the idea of an<br />

individual within the structure, not on the<br />

structure itself – that is why the larp is titled<br />

Being a Monk, rather than, for instance,<br />

“The Monastery”. The Middle Ages were<br />

obsessed with the questions of essence and<br />

existence, and the existential aspect was<br />

crucial to the larp.<br />

g<br />

Why 1202? The idea of the Church on the<br />

edge of change was an important issue for<br />

us. The Franciscans and Dominicans were<br />

just about to appear, but their presence in<br />

the larp would make the answer too simple.<br />

The question was where the Western Christian<br />

world would go. Thus, the Benedictine<br />

monastery became the symbol of the<br />

Catholic Church, its inner problems – the<br />

distemper of all Christians, and the participants’<br />

answers defined the subsequent destiny<br />

of the Church.<br />

Why the Pyrenees? It was important that<br />

the monastery was situated on a pilgrimage<br />

route, and the Camino de Santiago was<br />

chosen. Vivid Basque culture created another<br />

plotline, throwing together Christians<br />

and pagans.<br />

j<br />

A rose is a rose is a rose is a<br />

rose<br />

The key sources of inspiration were Umberto<br />

Eco’s The Name of the Rose and<br />

Postscript to The Name of the Rose. However,<br />

the larp was based not on the books<br />

themselves, but on their sources, on the<br />

archetypal plots and conflicts. A monastery<br />

(though in another region than Eco’s), theological<br />

treatises, historical facts and legends,<br />

Benedictine regulations – it all formed the<br />

larp according to the spirit of the origin.<br />

102 103

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