Dissertation
A self-devised dissertation and final year project focused on providing a personalised beauty platform for women over 45.
A self-devised dissertation and final year project focused on providing a personalised beauty platform for women over 45.
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A new personalised beauty platform may be the answer to<br />
solving these problems that women face on a regular basis . For<br />
example, employing Independent Makeup Artists as opposed<br />
to brand-specific sales assistants, may help towards creating<br />
a safe space for women to discuss their concerns and ask for<br />
advice. It is also important the these makeup artists are of<br />
a similar age, or perhaps even older than the consumer. As<br />
Kaur discusses, “a woman who is going through hot flushes...<br />
menopausal, struggling perhaps with their skin getting drier,<br />
doesn’t want to go and talk to a young, 20/30 year old who<br />
has no idea what she’s going through...she wants is...a friend,<br />
someone who understands what they’re going through, or<br />
maybe even someone that’s further along the journey than<br />
she is” (Appendix F.4). This is an idea supported by Marketing<br />
Consultant Beau Green, who states “Boomers look to their<br />
peers in terms of advice and guidance for making fashion<br />
decisions...you generally don’t want to have a 22-yearold<br />
working with a 60-year-old client” (Hughes, A. 2014);<br />
addressing this issue may be beneficial for both the brand and<br />
[Fig 39] Beauty Bible (2011). [Fig 40] Pretty Honest (2016). [Fig 41] The Invisible Woman (2015).<br />
consumer, allowing them to share a friendship-like bond.<br />
Several beauty books and guides to ageing have a come about in the past few years;<br />
including ‘The Anti-Ageing Beauty Bible’ by Fairley, J and Stacey, S and Sali Hughes’<br />
‘Pretty Honest’. Many of these ‘beauty bibles’ make suggestions about the best products<br />
and most effective methods for skincare and makeup on an ageing complexion, but none<br />
manage to mention the confliction between the way these brands address the consumer<br />
and the way the consumer wants to be addressed. As Sindy Kaur discusses, “what I can<br />
see is a big backlash against the anti ageing message”, “so many women are anti the<br />
anti ageing message, and what they are saying is they want to look like me, but on a<br />
good day, so the emphasis is more now things like glowing, not younger...what they’re<br />
saying now is that 50 is the new 30, so older women don’t want to be categorised...they<br />
don’t want to be treated differently” (Appendix F.4). This idea is supported by a recent<br />
Mintel report, which discussed how “46% of Baby Boomers (aged 50-68) report feeling<br />
that people of their age group are stereotyped in advertising, compared with 38% on<br />
average” and how perhaps “another strategy is to target older shoppers by including<br />
them together with people of other age groups in the same campaigns, so as to not<br />
make it seem like they are being singled out or stereotyped” (Mitskavets, I. 2015). These<br />
woman are truly living the ‘New Middle Age’, a term coined by WGSN, their recent report<br />
on ‘Boomers’ suggests that “as technology increases the average life expectancy, old<br />
age now starts at 74, with middle age lasting at least nine years longer than current<br />
estimates” (Bell, A. 2015). (See Appendix D.5 for further research).<br />
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