arteles_catalogue_2014

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IN THE RESIDENCY June-July<strong>2014</strong> OSCAR CHAN YIK LONG Hong Kong coscar1013@gmail.com // www.oscarchan.com I am a Hong Kong based artist (1988). My creative approach explores personal experiences whilst embracing different media and their properties including installation, ceramics, and illustration. Some of my artwork are site-specific, enabling viewers to contextualise personal experiences into a wider context of collective relationship. Based on these very real personal experiences, I explore how individuals associate themselves with others.
WHAT (DEVIL) BABIES DO This project is based on a belief that babies are born ‘a piece of paper’. They turn out to become a good or bad person as a result of their environment and education. Through the process of drawing different devils or bad behaviour monsters from different mythologies, I try to find out see if there any similarities and reasons how the bad personality created and twisted from a neutral baby to scary devils.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
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SILENT INVOCATION, BANISHING BY MEA
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VISCERA ETCETERA I came to Arteles
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Photo: Annie France Noël IN THE AP
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HEIKKI LAAKSONEN’S SILENT SYLLABL
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A DAILY PRACTICE During my residenc
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ZONES Much of my time at Arteles wa
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ONE THOUSAND FACES I came to “ Th
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CIRCLE SERIES My current work explo
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TARMARC + PHOTO NOIRE (WORKING TITL
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WRITING AND SKETCHING My work here
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AMNESIA These pictures reflect the
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UNTITLED My current work, at least
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INVERSIONS / PERVERSIONS & FIREFLIE
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WHICH THEREFORE ADDS MUCH THAT CANN
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IN THE MUD ON YOUR KNEES During my
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MÄYÄ Human beings are constantly
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RESEARCH ON THE METAPHYSICAL PROPER
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FOREST [JOURNEY] There is always a
Page 59 and 60: LUONNOTAR Intéractive sculpture in
Page 61 and 62: STJÖRNUR Audiovidual and videomapp
Page 63 and 64: MEETING LEAVINGS / THE SWAN OF TUON
Page 65 and 66: LINTUKOTO & THE SWAN OF TUONELA In
Page 67 and 68: LANDSCAPING THE LANDSCAPE My dream
Page 69 and 70: APPARITIONS This is an intermedial
Page 71 and 72: #CROWDSOURCED #LANDSCAPES I used my
Page 73 and 74: CHAPTER 1 - KATHMANDU - REVELATION
Page 75 and 76: SUBJECT OBJECT I am composing and p
Page 77 and 78: END OF DAYS During the last two wee
Page 79 and 80: REALITY BONSAI As a bonsai is a met
Page 81 and 82: SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84: DRAWINGS / COLLAGES My time at Arte
Page 85 and 86: STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88: TRASH KING I collected the daily tr
Page 89 and 90: CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92: WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94: NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96: PAPPALAND My time at Arteles has be
Page 97 and 98: PERFECTION GREY Perfection Grey is
Page 99 and 100: FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102: MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104: PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106: PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108: WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109: SOLUS / ABSENCE During the month of
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
Page 125 and 126: EXPLORING ”NATURE” I purposeful
Page 127 and 128: PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130: SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132: THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134: ”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140: HIATO Like an intermission in life,
Page 141 and 142: FRIEND REQUEST Friend Request is a
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150: MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152: RADIANT GEOMETRIES In my month at A
Page 153 and 154: MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156: VIDEO-PATTERNS I’ve been making v
Page 157 and 158: PHENOMENOMENA Phenomenomena reflect
Page 159 and 160: ------------------------- The new s
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THE VIEW FROM AN ARTELES WINDOW. Wh
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CHARCOAL DRAWINGS I came to this re
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FINDING FACES I look for faces. And
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THE DECAY CHAIN I intended to spend
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ETIÄINEN Inspired by the Finnish m
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THE COLD OF MY MIND Before I arrive
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MIDNIGHT SHINE I’m just a weed sh
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Untitled (_MG_4099). Photography Un
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PROGRESS/COME UNDONE Here is a flow
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INTO THE DARKNESS For we begin to u
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LIGHT THE DARK When I arrived on Ne
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”SKYNIGHT MOTHER” (AURORA MATER
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PRINSESSA LEIKKII/ THE PRINCESS PLA
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THE GREAT OUT THERE/BLACK WINTER At
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