arteles_catalogue_2014

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IN THE RESIDENCY December <strong>2014</strong> “a quiet noise monster!” HEEJIN JANG South Korea / USA hjang0307@gmail.com // www.heejinjang.com Heejin Jang’s practice manifests itself in the forms of sound performances, and site-specific video installations. In the performances, the interaction between machines and the artist transforms ordinary portrait, landscape, and the noise of daily routine into something unusual. The layered moments demonstrate the way she interacts with the culture and place she has been involved in. Jang currently lives and works in San Francisco.
HEIKKI LAAKSONEN’S SILENT SYLLABLES. HD VIDEO 4:15” Mister Heikki Laaksonen unfolds his travel diary that he wrote in last December: a story of sweat, snow, steam, and silence.
Page 1: 2014
Page 5 and 6: ABOUT // // This catalogue presents
Page 7 and 8: COLLABORATIONS [in alphabetical ord
Page 9 and 10: RESIDENTS SILENCE . AWARENESS . EXI
Page 11 and 12: RESIDENTS SILENCE . AWARENESS . EXI
Page 13 and 14: RESIDENTS 2011 Argentina Australia
Page 17 and 18: RESIDENTS + PROJECTS
Page 19 and 20: FOUR 30 GRAMS SINKERS 30 GRAMS AND
Page 21 and 22: ENTRE LOS DOS We filmed the second
Page 23 and 24: SILENT INVOCATION, BANISHING BY MEA
Page 25 and 26: VISCERA ETCETERA I came to Arteles
Page 27: Photo: Annie France Noël IN THE AP
Page 31 and 32: A DAILY PRACTICE During my residenc
Page 33 and 34: ZONES Much of my time at Arteles wa
Page 35 and 36: ONE THOUSAND FACES I came to “ Th
Page 37 and 38: CIRCLE SERIES My current work explo
Page 39 and 40: TARMARC + PHOTO NOIRE (WORKING TITL
Page 41 and 42: WRITING AND SKETCHING My work here
Page 43 and 44: AMNESIA These pictures reflect the
Page 45 and 46: UNTITLED My current work, at least
Page 47 and 48: INVERSIONS / PERVERSIONS & FIREFLIE
Page 49 and 50: WHICH THEREFORE ADDS MUCH THAT CANN
Page 51 and 52: IN THE MUD ON YOUR KNEES During my
Page 53 and 54: MÄYÄ Human beings are constantly
Page 55 and 56: RESEARCH ON THE METAPHYSICAL PROPER
Page 57 and 58: FOREST [JOURNEY] There is always a
Page 59 and 60: LUONNOTAR Intéractive sculpture in
Page 61 and 62: STJÖRNUR Audiovidual and videomapp
Page 63 and 64: MEETING LEAVINGS / THE SWAN OF TUON
Page 65 and 66: LINTUKOTO & THE SWAN OF TUONELA In
Page 67 and 68: LANDSCAPING THE LANDSCAPE My dream
Page 69 and 70: APPARITIONS This is an intermedial
Page 71 and 72: #CROWDSOURCED #LANDSCAPES I used my
Page 73 and 74: CHAPTER 1 - KATHMANDU - REVELATION
Page 75 and 76: SUBJECT OBJECT I am composing and p
Page 77 and 78: END OF DAYS During the last two wee
Page 79 and 80:
REALITY BONSAI As a bonsai is a met
Page 81 and 82:
SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84:
DRAWINGS / COLLAGES My time at Arte
Page 85 and 86:
STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88:
TRASH KING I collected the daily tr
Page 89 and 90:
CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92:
WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94:
NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96:
PAPPALAND My time at Arteles has be
Page 97 and 98:
PERFECTION GREY Perfection Grey is
Page 99 and 100:
FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102:
MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104:
PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106:
PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108:
WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110:
SOLUS / ABSENCE During the month of
Page 111 and 112:
WHAT (DEVIL) BABIES DO This project
Page 113 and 114:
SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116:
EXPLORING ”NATURE” Feeling wrap
Page 117 and 118:
NONE OF IT Provocative text flashes
Page 119 and 120:
WALKING, STACKING, DRAWING During m
Page 121 and 122:
NO MAN’S LAND During my stay at A
Page 123 and 124:
UNTITLED A holding pattern recreate
Page 125 and 126:
EXPLORING ”NATURE” I purposeful
Page 127 and 128:
PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130:
SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132:
THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134:
”BLACK MAGIC” The work ”Black
Page 135 and 136:
UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138:
TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140:
HIATO Like an intermission in life,
Page 141 and 142:
FRIEND REQUEST Friend Request is a
Page 143 and 144:
LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146:
THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148:
SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150:
MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152:
RADIANT GEOMETRIES In my month at A
Page 153 and 154:
MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156:
VIDEO-PATTERNS I’ve been making v
Page 157 and 158:
PHENOMENOMENA Phenomenomena reflect
Page 159 and 160:
------------------------- The new s
Page 161 and 162:
THE VIEW FROM AN ARTELES WINDOW. Wh
Page 163 and 164:
CHARCOAL DRAWINGS I came to this re
Page 165 and 166:
FINDING FACES I look for faces. And
Page 167 and 168:
THE DECAY CHAIN I intended to spend
Page 169 and 170:
ETIÄINEN Inspired by the Finnish m
Page 171 and 172:
THE COLD OF MY MIND Before I arrive
Page 173 and 174:
MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176:
Untitled (_MG_4099). Photography Un
Page 177 and 178:
PROGRESS/COME UNDONE Here is a flow
Page 179 and 180:
INTO THE DARKNESS For we begin to u
Page 181 and 182:
LIGHT THE DARK When I arrived on Ne
Page 183 and 184:
”SKYNIGHT MOTHER” (AURORA MATER
Page 185 and 186:
PRINSESSA LEIKKII/ THE PRINCESS PLA
Page 187 and 188:
THE GREAT OUT THERE/BLACK WINTER At
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