arteles_catalogue_2014

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IN THE RESIDENCY April <strong>2014</strong> RAOUL RIES LUXEMBOURG rr@raoulries.com // www.raoulries.com/ I am interested in people and places, and in how their history and key characteristics can be perceived or reconstructed in a photograph.
MEETING FINNISH FAMILIES AND EXPLORATIONS ON A RED BICYCLE! Two topics intrigued me when I arrived at Arteles. The first was the distance between houses, and the social structure implied by local architecture. Houses are spaced further apart than in villages in Western or Southern Europe. Most of them have playgrounds or toys nearby, and one or two cars, indicating nuclear families quite unlike the statistical average in cities. I wanted to see how the families present themselves to a stranger, how they group themselves for the photograph, what distance they keep between themselves, and how they pose. This set of photographs is tentatively called “Finnish Family”. The second impression grew more slowly. Having lived in a city for the last few years, I re-discovered the joy of exploring pastoral surroundings on a bicycle. Although neither new nor fancy, the bicycle was red! On the red bicycle I felt like a ten-year old adventurer on an expedition into both familiar and uncharted territories. My outings on the red bicycle eventually developed into a second photographic project at Arteles.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
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SILENT INVOCATION, BANISHING BY MEA
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VISCERA ETCETERA I came to Arteles
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Photo: Annie France Noël IN THE AP
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HEIKKI LAAKSONEN’S SILENT SYLLABL
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A DAILY PRACTICE During my residenc
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ZONES Much of my time at Arteles wa
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ONE THOUSAND FACES I came to “ Th
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CIRCLE SERIES My current work explo
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TARMARC + PHOTO NOIRE (WORKING TITL
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WRITING AND SKETCHING My work here
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AMNESIA These pictures reflect the
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UNTITLED My current work, at least
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INVERSIONS / PERVERSIONS & FIREFLIE
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WHICH THEREFORE ADDS MUCH THAT CANN
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IN THE MUD ON YOUR KNEES During my
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MÄYÄ Human beings are constantly
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RESEARCH ON THE METAPHYSICAL PROPER
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FOREST [JOURNEY] There is always a
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LUONNOTAR Intéractive sculpture in
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STJÖRNUR Audiovidual and videomapp
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MEETING LEAVINGS / THE SWAN OF TUON
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LINTUKOTO & THE SWAN OF TUONELA In
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LANDSCAPING THE LANDSCAPE My dream
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APPARITIONS This is an intermedial
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#CROWDSOURCED #LANDSCAPES I used my
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CHAPTER 1 - KATHMANDU - REVELATION
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SUBJECT OBJECT I am composing and p
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END OF DAYS During the last two wee
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REALITY BONSAI As a bonsai is a met
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SYLLABLE FROM SOUND “Syllable fro
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DRAWINGS / COLLAGES My time at Arte
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STRING TRIO N O 1: “WHOOSH—CLIC
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TRASH KING I collected the daily tr
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CODE IN THE MICRO (SERIES) LH + RH
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WEE BITS AT A TIME Rules Week 1 = 1
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NOTHING: A SERIES OF PHOTOGRAPHS AN
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PAPPALAND My time at Arteles has be
Page 97 and 98: PERFECTION GREY Perfection Grey is
Page 99 and 100: FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102: MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104: PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106: PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108: WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110: SOLUS / ABSENCE During the month of
Page 111 and 112: WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
Page 125 and 126: EXPLORING ”NATURE” I purposeful
Page 127 and 128: PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130: SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132: THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134: ”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140: HIATO Like an intermission in life,
Page 141 and 142: FRIEND REQUEST Friend Request is a
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 151 and 152: RADIANT GEOMETRIES In my month at A
Page 153 and 154: MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156: VIDEO-PATTERNS I’ve been making v
Page 157 and 158: PHENOMENOMENA Phenomenomena reflect
Page 159 and 160: ------------------------- The new s
Page 161 and 162: THE VIEW FROM AN ARTELES WINDOW. Wh
Page 163 and 164: CHARCOAL DRAWINGS I came to this re
Page 165 and 166: FINDING FACES I look for faces. And
Page 167 and 168: THE DECAY CHAIN I intended to spend
Page 169 and 170: ETIÄINEN Inspired by the Finnish m
Page 171 and 172: THE COLD OF MY MIND Before I arrive
Page 173 and 174: MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176: Untitled (_MG_4099). Photography Un
Page 177 and 178: PROGRESS/COME UNDONE Here is a flow
Page 179 and 180: INTO THE DARKNESS For we begin to u
Page 181 and 182: LIGHT THE DARK When I arrived on Ne
Page 183 and 184: ”SKYNIGHT MOTHER” (AURORA MATER
Page 185 and 186: PRINSESSA LEIKKII/ THE PRINCESS PLA
Page 187 and 188: THE GREAT OUT THERE/BLACK WINTER At
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