arteles_catalogue_2014

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IN THE RESIDENCY July <strong>2014</strong> ALEXANDRIA CARRION alexandria.carrion@gmail.com USA Capturing the essence of a detail interests me. I study intersections of moments within the landscape: exposure of edges stripped bare from erosion, fissures from compression, cracks of pressure, furrows on roads, profiles of trees, and architectural interruptions. My practice observes the minutiae of what could be considered banal, and renders it into considered forms with articulated surfaces, sculptural meditations.
FROM BEDROCK TO BOULDERS, BACK TO MAQUETTES My project at Arteles has been rooted in the observance of Finland’s geology. The terrain serves as a source of inspiration for sculptural forms. As a result of studying the local bedrock, I have been working on a series of maquettes made from sheet metal and duct tape. By exploring the tangible nature of model making, and utilizing the immediate landscape as a source, I am attempting to generate small sculptural works that explore the ideas of tension, compression, and intersections.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
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SILENT INVOCATION, BANISHING BY MEA
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VISCERA ETCETERA I came to Arteles
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Photo: Annie France Noël IN THE AP
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HEIKKI LAAKSONEN’S SILENT SYLLABL
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A DAILY PRACTICE During my residenc
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ZONES Much of my time at Arteles wa
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ONE THOUSAND FACES I came to “ Th
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CIRCLE SERIES My current work explo
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TARMARC + PHOTO NOIRE (WORKING TITL
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WRITING AND SKETCHING My work here
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AMNESIA These pictures reflect the
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UNTITLED My current work, at least
Page 47 and 48: INVERSIONS / PERVERSIONS & FIREFLIE
Page 49 and 50: WHICH THEREFORE ADDS MUCH THAT CANN
Page 51 and 52: IN THE MUD ON YOUR KNEES During my
Page 53 and 54: MÄYÄ Human beings are constantly
Page 55 and 56: RESEARCH ON THE METAPHYSICAL PROPER
Page 57 and 58: FOREST [JOURNEY] There is always a
Page 59 and 60: LUONNOTAR Intéractive sculpture in
Page 61 and 62: STJÖRNUR Audiovidual and videomapp
Page 63 and 64: MEETING LEAVINGS / THE SWAN OF TUON
Page 65 and 66: LINTUKOTO & THE SWAN OF TUONELA In
Page 67 and 68: LANDSCAPING THE LANDSCAPE My dream
Page 69 and 70: APPARITIONS This is an intermedial
Page 71 and 72: #CROWDSOURCED #LANDSCAPES I used my
Page 73 and 74: CHAPTER 1 - KATHMANDU - REVELATION
Page 75 and 76: SUBJECT OBJECT I am composing and p
Page 77 and 78: END OF DAYS During the last two wee
Page 79 and 80: REALITY BONSAI As a bonsai is a met
Page 81 and 82: SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84: DRAWINGS / COLLAGES My time at Arte
Page 85 and 86: STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88: TRASH KING I collected the daily tr
Page 89 and 90: CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92: WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94: NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96: PAPPALAND My time at Arteles has be
Page 97: PERFECTION GREY Perfection Grey is
Page 101 and 102: MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104: PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106: PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108: WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110: SOLUS / ABSENCE During the month of
Page 111 and 112: WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
Page 125 and 126: EXPLORING ”NATURE” I purposeful
Page 127 and 128: PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130: SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132: THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134: ”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140: HIATO Like an intermission in life,
Page 141 and 142: FRIEND REQUEST Friend Request is a
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
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MEETING FINNISH FAMILIES AND EXPLOR
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RADIANT GEOMETRIES In my month at A
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MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
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VIDEO-PATTERNS I’ve been making v
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PHENOMENOMENA Phenomenomena reflect
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------------------------- The new s
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THE VIEW FROM AN ARTELES WINDOW. Wh
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CHARCOAL DRAWINGS I came to this re
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FINDING FACES I look for faces. And
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THE DECAY CHAIN I intended to spend
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ETIÄINEN Inspired by the Finnish m
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THE COLD OF MY MIND Before I arrive
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MIDNIGHT SHINE I’m just a weed sh
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Untitled (_MG_4099). Photography Un
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PROGRESS/COME UNDONE Here is a flow
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INTO THE DARKNESS For we begin to u
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LIGHT THE DARK When I arrived on Ne
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”SKYNIGHT MOTHER” (AURORA MATER
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PRINSESSA LEIKKII/ THE PRINCESS PLA
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THE GREAT OUT THERE/BLACK WINTER At
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