arteles_catalogue_2014

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IN THE RESIDENCY September <strong>2014</strong> “OK!” LISA RYBOVICH CRALLÉ USA lisaRcralle@gmail.com // www.lisaRcralle.com Lisa Rybovich Crallé is a multidisciplinary artist living in the San Francisco Bay Area. Lisa received an MFA from the University of California, Davis in 2011 and a BA from Sarah Lawrence College in 2004, after also studying at the San Francisco Art Institute and the New York Studio School. Her work has been exhibited in the US and abroad, including the Yerba Buena Center for the Arts (San Francisco), Weekend (LA), Field Projects (NYC), Roots & Culture (Chicago) and the Dublin City Gallery (Ireland). She is the recipient of the Robert Arneson Fellowship and has been an Artist in Residence at Ox-Bow (Michigan), ART342 (Ft Collins), the Studios of Key West (FL), and the People’s Gallery (San Francisco). For more info visit: www.lisaRcralle.com.
LANDSCAPING THE LANDSCAPE My dream is to live inside the collapsed, colorful world of a painting. But since I exist in three-dimensions, my work is painting masquerading as sculpture. While at Arteles I am creating environments that pull painting into the physical world—giving dimension to colorful contours and silhouettes. I am fascinated by the discrepancy between our tangible spatial world and the illusory, poetic nature of perception. I’ve read that some people who are born blind but gain sight later in life find it impossible to reconcile visual shapes and colors with the sensory understanding of space they developed before sight. Shadows, for instance, appear to be dark ‘objects’ presumed to contain the same mass as the forms that have cast them. Likewise, the illusion of objects shrinking in perspective is a perplexing optical puzzle. With this in mind, I construct visual experiences to explore the strange splendor of perception. The installations I’ve been working on at Arteles incorporate painting, sculpture, and performance to establish habitats where spatial awareness is distorted. Working directly within the natural world, I’ve been wrapping the landscape with long rolls of paper I paint in advance, and then staging the other Arteles residents within the painted environments. From a distance, my installations may appear to be large canvases suspended in the landscape, but upon closer inspection their three-dimensionality becomes apparent. I like to think of this process as “landscaping the landscape.” The process is sculptural, the approach painterly, the product photographic and the experience immersive.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
Page 17 and 18: RESIDENTS + PROJECTS
Page 19 and 20: FOUR 30 GRAMS SINKERS 30 GRAMS AND
Page 21 and 22: ENTRE LOS DOS We filmed the second
Page 23 and 24: SILENT INVOCATION, BANISHING BY MEA
Page 25 and 26: VISCERA ETCETERA I came to Arteles
Page 27 and 28: Photo: Annie France Noël IN THE AP
Page 29 and 30: HEIKKI LAAKSONEN’S SILENT SYLLABL
Page 31 and 32: A DAILY PRACTICE During my residenc
Page 33 and 34: ZONES Much of my time at Arteles wa
Page 35 and 36: ONE THOUSAND FACES I came to “ Th
Page 37 and 38: CIRCLE SERIES My current work explo
Page 39 and 40: TARMARC + PHOTO NOIRE (WORKING TITL
Page 41 and 42: WRITING AND SKETCHING My work here
Page 43 and 44: AMNESIA These pictures reflect the
Page 45 and 46: UNTITLED My current work, at least
Page 47 and 48: INVERSIONS / PERVERSIONS & FIREFLIE
Page 49 and 50: WHICH THEREFORE ADDS MUCH THAT CANN
Page 51 and 52: IN THE MUD ON YOUR KNEES During my
Page 53 and 54: MÄYÄ Human beings are constantly
Page 55 and 56: RESEARCH ON THE METAPHYSICAL PROPER
Page 57 and 58: FOREST [JOURNEY] There is always a
Page 59 and 60: LUONNOTAR Intéractive sculpture in
Page 61 and 62: STJÖRNUR Audiovidual and videomapp
Page 63 and 64: MEETING LEAVINGS / THE SWAN OF TUON
Page 65: LINTUKOTO & THE SWAN OF TUONELA In
Page 69 and 70: APPARITIONS This is an intermedial
Page 71 and 72: #CROWDSOURCED #LANDSCAPES I used my
Page 73 and 74: CHAPTER 1 - KATHMANDU - REVELATION
Page 75 and 76: SUBJECT OBJECT I am composing and p
Page 77 and 78: END OF DAYS During the last two wee
Page 79 and 80: REALITY BONSAI As a bonsai is a met
Page 81 and 82: SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84: DRAWINGS / COLLAGES My time at Arte
Page 85 and 86: STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88: TRASH KING I collected the daily tr
Page 89 and 90: CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92: WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94: NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96: PAPPALAND My time at Arteles has be
Page 97 and 98: PERFECTION GREY Perfection Grey is
Page 99 and 100: FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102: MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104: PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106: PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108: WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110: SOLUS / ABSENCE During the month of
Page 111 and 112: WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
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NONE OF IT Provocative text flashes
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WALKING, STACKING, DRAWING During m
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NO MAN’S LAND During my stay at A
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UNTITLED A holding pattern recreate
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EXPLORING ”NATURE” I purposeful
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PROCESS; THE ACQUISITION OF LANGUAG
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SOMETHINGS ARE JUST VERY DIFFICULT
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THE INTUITIVE BODY - RESEARCH FOR U
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”BLACK MAGIC” The work ”Black
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UNTITLED (PROJECTIONS) Projecting i
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TWO NEW EXHIBITIONS IN PROGRESS My
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HIATO Like an intermission in life,
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FRIEND REQUEST Friend Request is a
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LOOPS, SOUNDSCAPES AND TIMELAPSE VI
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THE MOSS IS ALWAYS SOFTEST IN THE S
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SOWNER, LIKE DOWNER: NOT SAUNA, LIK
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MEETING FINNISH FAMILIES AND EXPLOR
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RADIANT GEOMETRIES In my month at A
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MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
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VIDEO-PATTERNS I’ve been making v
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PHENOMENOMENA Phenomenomena reflect
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------------------------- The new s
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THE VIEW FROM AN ARTELES WINDOW. Wh
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CHARCOAL DRAWINGS I came to this re
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FINDING FACES I look for faces. And
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THE DECAY CHAIN I intended to spend
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ETIÄINEN Inspired by the Finnish m
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THE COLD OF MY MIND Before I arrive
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MIDNIGHT SHINE I’m just a weed sh
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Untitled (_MG_4099). Photography Un
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PROGRESS/COME UNDONE Here is a flow
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INTO THE DARKNESS For we begin to u
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LIGHT THE DARK When I arrived on Ne
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”SKYNIGHT MOTHER” (AURORA MATER
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PRINSESSA LEIKKII/ THE PRINCESS PLA
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THE GREAT OUT THERE/BLACK WINTER At
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