arteles_catalogue_2014

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IN THE RESIDENCY December <strong>2014</strong> MIRIAM VARELA QUINTERO Miriam_mlg@hotmail.com Spain I was born in Málaga Spain, I studied in the conservatory in Málaga and later in Barcelona and also Madrid where I finished my professional training. I worked with Sharon Friedman, Mónica Runde, Pedro Verdaÿes, and others in Madrid. I am a Pilates teacher and I practice aerial dance as well as hip hop and other forms. “Worlding, fully inhabitating body and space while continuously refreshing all relationshiops without naming any aspect of experience as a means to share identity.” GABRIEL FORESTIERI USA projectlimb@gmail.com // www.projectlimb.net I have always been drawn to my body and the earth. There were the places I found refuge from the madness of my emotions and the ever changing nature of my life. As a child it was in wilderness, physical activity, or discipline that I found silent spaces free from the judgment I felt from myself and others. This pull moved me from martial arts and theater into dance, and work in environmental restoration and gardening. During this time I received a BFA in Drama from Carnegie Mellon and a MFA in Dance from NYU and studied various physical and meditative practices such as Gyrokinesis, Aikido, Qi Gong, Breathing Coordination, and Kinesiology/Functional Anatomy. I worked as a professional dancer for many years in NYC, dancing with different choreographers and creating my own work. As my work moved from the theater and studio into the world I became fascinated with awareness and experience. I began to develop a technique to include more, to partner with the world, to participate instead of control. All of this drew me into focusing on my own work and I know travel the world creating site-specific dance in various cities with local dancers.
ENTRE LOS DOS We filmed the second half of a dance film and then edited it together during our residency. The first half was in Ibiza and was all underwater footage. The contrast with the water and sun in ibiza with the snow and darkness of finland in December made from some strong images. It is a very personal work that was nurtured by the creative space that is Arteles.
Page 1: 2014
Page 5 and 6: ABOUT // // This catalogue presents
Page 7 and 8: COLLABORATIONS [in alphabetical ord
Page 9 and 10: RESIDENTS SILENCE . AWARENESS . EXI
Page 11 and 12: RESIDENTS SILENCE . AWARENESS . EXI
Page 13 and 14: RESIDENTS 2011 Argentina Australia
Page 17 and 18: RESIDENTS + PROJECTS
Page 19: FOUR 30 GRAMS SINKERS 30 GRAMS AND
Page 23 and 24: SILENT INVOCATION, BANISHING BY MEA
Page 25 and 26: VISCERA ETCETERA I came to Arteles
Page 27 and 28: Photo: Annie France Noël IN THE AP
Page 29 and 30: HEIKKI LAAKSONEN’S SILENT SYLLABL
Page 31 and 32: A DAILY PRACTICE During my residenc
Page 33 and 34: ZONES Much of my time at Arteles wa
Page 35 and 36: ONE THOUSAND FACES I came to “ Th
Page 37 and 38: CIRCLE SERIES My current work explo
Page 39 and 40: TARMARC + PHOTO NOIRE (WORKING TITL
Page 41 and 42: WRITING AND SKETCHING My work here
Page 43 and 44: AMNESIA These pictures reflect the
Page 45 and 46: UNTITLED My current work, at least
Page 47 and 48: INVERSIONS / PERVERSIONS & FIREFLIE
Page 49 and 50: WHICH THEREFORE ADDS MUCH THAT CANN
Page 51 and 52: IN THE MUD ON YOUR KNEES During my
Page 53 and 54: MÄYÄ Human beings are constantly
Page 55 and 56: RESEARCH ON THE METAPHYSICAL PROPER
Page 57 and 58: FOREST [JOURNEY] There is always a
Page 59 and 60: LUONNOTAR Intéractive sculpture in
Page 61 and 62: STJÖRNUR Audiovidual and videomapp
Page 63 and 64: MEETING LEAVINGS / THE SWAN OF TUON
Page 65 and 66: LINTUKOTO & THE SWAN OF TUONELA In
Page 67 and 68: LANDSCAPING THE LANDSCAPE My dream
Page 69 and 70: APPARITIONS This is an intermedial
Page 71 and 72:
#CROWDSOURCED #LANDSCAPES I used my
Page 73 and 74:
CHAPTER 1 - KATHMANDU - REVELATION
Page 75 and 76:
SUBJECT OBJECT I am composing and p
Page 77 and 78:
END OF DAYS During the last two wee
Page 79 and 80:
REALITY BONSAI As a bonsai is a met
Page 81 and 82:
SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84:
DRAWINGS / COLLAGES My time at Arte
Page 85 and 86:
STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88:
TRASH KING I collected the daily tr
Page 89 and 90:
CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92:
WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94:
NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96:
PAPPALAND My time at Arteles has be
Page 97 and 98:
PERFECTION GREY Perfection Grey is
Page 99 and 100:
FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102:
MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104:
PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106:
PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108:
WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110:
SOLUS / ABSENCE During the month of
Page 111 and 112:
WHAT (DEVIL) BABIES DO This project
Page 113 and 114:
SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116:
EXPLORING ”NATURE” Feeling wrap
Page 117 and 118:
NONE OF IT Provocative text flashes
Page 119 and 120:
WALKING, STACKING, DRAWING During m
Page 121 and 122:
NO MAN’S LAND During my stay at A
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UNTITLED A holding pattern recreate
Page 125 and 126:
EXPLORING ”NATURE” I purposeful
Page 127 and 128:
PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130:
SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132:
THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134:
”BLACK MAGIC” The work ”Black
Page 135 and 136:
UNTITLED (PROJECTIONS) Projecting i
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TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140:
HIATO Like an intermission in life,
Page 141 and 142:
FRIEND REQUEST Friend Request is a
Page 143 and 144:
LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146:
THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148:
SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150:
MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152:
RADIANT GEOMETRIES In my month at A
Page 153 and 154:
MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
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VIDEO-PATTERNS I’ve been making v
Page 157 and 158:
PHENOMENOMENA Phenomenomena reflect
Page 159 and 160:
------------------------- The new s
Page 161 and 162:
THE VIEW FROM AN ARTELES WINDOW. Wh
Page 163 and 164:
CHARCOAL DRAWINGS I came to this re
Page 165 and 166:
FINDING FACES I look for faces. And
Page 167 and 168:
THE DECAY CHAIN I intended to spend
Page 169 and 170:
ETIÄINEN Inspired by the Finnish m
Page 171 and 172:
THE COLD OF MY MIND Before I arrive
Page 173 and 174:
MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176:
Untitled (_MG_4099). Photography Un
Page 177 and 178:
PROGRESS/COME UNDONE Here is a flow
Page 179 and 180:
INTO THE DARKNESS For we begin to u
Page 181 and 182:
LIGHT THE DARK When I arrived on Ne
Page 183 and 184:
”SKYNIGHT MOTHER” (AURORA MATER
Page 185 and 186:
PRINSESSA LEIKKII/ THE PRINCESS PLA
Page 187 and 188:
THE GREAT OUT THERE/BLACK WINTER At
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