arteles_catalogue_2014

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IN THE RESIDENCY January <strong>2014</strong> MARIANA PORTELA ECHEVERRI Portugal mariana.echeverri@gmail.com // www.mecheverri.com My artistic practice is based on subjects related to belonging and the subsequent construction of multiple realities. Its nature is selfreflective and centred on the individual’s subjectivity, its relation and interaction with the external world and its capacity of personal preservation through alternative systems. I am interested in creating fictional environments, which come from the belief that re-imagining spaces, objects and bodies, enables the construction of possibilities and immerses one in the logic of another place. In the past, I have explored these interests through projects related to sexuality, gender and science fiction. Currently, I am also working with concepts related to displacement, strategies of integration, the strangeness of landscapes and the fantastic in the quotidian. Interdisciplinarity and collaboration are central to my work.
THE GREAT OUT THERE/BLACK WINTER At the time I arrived at Arteles I was developing The Great Out There, a project that orbits concepts of displacement and belonging through the construction of abstract structures and their attempt to integrate with natural/raw environments. During the residency, due to a radical change of context – life in the country, extreme temperatures from snow to sauna, cultural exchanges, forging friendships and new philosophical questions – previous methodologies evolved into different shapes and different approaches to those same concepts. I primarily focused on the construction of small-scale sculptures and fictional landscape photography. On one hand, I used both improvised and controlled techniques to compose structures. Having previously researched about Himmeli making, I had the pleasure to attend a class from Arts and Crafts teacher for Hämeenkyrö council Elise Turppa. On the other hand, I developed an archive of natural phenomena and landscapes focusing on the fictional potential of their logical elements. These two main approaches blended in a series of visual collage experiments (like those in this page) that explore one’s own intent to integrate in the new environment. I have also worked in collaboration with other residents, creating the conversation project with Emily Stewart or planetarium with Naomi Bishop. To sum up, the whole month at Arteles was incredibly enriching and allowed space for experimentation and expansion of techniques and concepts of interest, creating a strong starting point for projects to come.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
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SILENT INVOCATION, BANISHING BY MEA
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VISCERA ETCETERA I came to Arteles
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Photo: Annie France Noël IN THE AP
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HEIKKI LAAKSONEN’S SILENT SYLLABL
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A DAILY PRACTICE During my residenc
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ZONES Much of my time at Arteles wa
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ONE THOUSAND FACES I came to “ Th
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CIRCLE SERIES My current work explo
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TARMARC + PHOTO NOIRE (WORKING TITL
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WRITING AND SKETCHING My work here
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AMNESIA These pictures reflect the
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UNTITLED My current work, at least
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INVERSIONS / PERVERSIONS & FIREFLIE
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WHICH THEREFORE ADDS MUCH THAT CANN
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IN THE MUD ON YOUR KNEES During my
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MÄYÄ Human beings are constantly
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RESEARCH ON THE METAPHYSICAL PROPER
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FOREST [JOURNEY] There is always a
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LUONNOTAR Intéractive sculpture in
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STJÖRNUR Audiovidual and videomapp
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MEETING LEAVINGS / THE SWAN OF TUON
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LINTUKOTO & THE SWAN OF TUONELA In
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LANDSCAPING THE LANDSCAPE My dream
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APPARITIONS This is an intermedial
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#CROWDSOURCED #LANDSCAPES I used my
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CHAPTER 1 - KATHMANDU - REVELATION
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SUBJECT OBJECT I am composing and p
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END OF DAYS During the last two wee
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REALITY BONSAI As a bonsai is a met
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SYLLABLE FROM SOUND “Syllable fro
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DRAWINGS / COLLAGES My time at Arte
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STRING TRIO N O 1: “WHOOSH—CLIC
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TRASH KING I collected the daily tr
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CODE IN THE MICRO (SERIES) LH + RH
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WEE BITS AT A TIME Rules Week 1 = 1
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NOTHING: A SERIES OF PHOTOGRAPHS AN
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PAPPALAND My time at Arteles has be
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PERFECTION GREY Perfection Grey is
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FROM BEDROCK TO BOULDERS, BACK TO M
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MUSIC BEGINS WHERE THE POSSIBILITIE
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PINEAPPLE WARRIOR The Pineapple War
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PHOTOS OF A GOOD BOY: REFLECTIONS A
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WENN DU ALLES VERLASSEN HAST, KOMMT
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SOLUS / ABSENCE During the month of
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WHAT (DEVIL) BABIES DO This project
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SUBJECT OBJECT Visual Artist Maggie
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EXPLORING ”NATURE” Feeling wrap
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NONE OF IT Provocative text flashes
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WALKING, STACKING, DRAWING During m
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NO MAN’S LAND During my stay at A
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UNTITLED A holding pattern recreate
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EXPLORING ”NATURE” I purposeful
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PROCESS; THE ACQUISITION OF LANGUAG
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SOMETHINGS ARE JUST VERY DIFFICULT
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THE INTUITIVE BODY - RESEARCH FOR U
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”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140: HIATO Like an intermission in life,
Page 141 and 142: FRIEND REQUEST Friend Request is a
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150: MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152: RADIANT GEOMETRIES In my month at A
Page 153 and 154: MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156: VIDEO-PATTERNS I’ve been making v
Page 157 and 158: PHENOMENOMENA Phenomenomena reflect
Page 159 and 160: ------------------------- The new s
Page 161 and 162: THE VIEW FROM AN ARTELES WINDOW. Wh
Page 163 and 164: CHARCOAL DRAWINGS I came to this re
Page 165 and 166: FINDING FACES I look for faces. And
Page 167 and 168: THE DECAY CHAIN I intended to spend
Page 169 and 170: ETIÄINEN Inspired by the Finnish m
Page 171 and 172: THE COLD OF MY MIND Before I arrive
Page 173 and 174: MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176: Untitled (_MG_4099). Photography Un
Page 177 and 178: PROGRESS/COME UNDONE Here is a flow
Page 179 and 180: INTO THE DARKNESS For we begin to u
Page 181 and 182: LIGHT THE DARK When I arrived on Ne
Page 183 and 184: ”SKYNIGHT MOTHER” (AURORA MATER
Page 185: PRINSESSA LEIKKII/ THE PRINCESS PLA
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