arteles_catalogue_2014

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IN THE RESIDENCY March <strong>2014</strong> “Eyes Shut Space. Working into the invisible.” BETH GIBBONS UK bethywest1976@gmail.com I draw because it is my way of seeing. The immediacy of the mark demands a candour – an allegiance to the original idea. So as the image is manipulated, drawing it away from the visible and playing around with it in the imaginary, I allow myself, through recognising the process as a journey, to genuinely question whether where I end up cannot be as real as the point that I started from.
FINDING FACES I look for faces. And I have found some lovely ones this past month. As is my journey, I take every unique feature and quietly pull it through into the imaginary. I do not try hard to justify where I end up. I just let each new pair of eyes tell me where I should go. The portraits I have been working on will be incorporated into a solo show in France in August entitled ‘call me Pygmalion and I will say thank you but would prefer you didn’t call me names’. Ps. Thank you to each one of my Faces...
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
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SILENT INVOCATION, BANISHING BY MEA
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VISCERA ETCETERA I came to Arteles
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Photo: Annie France Noël IN THE AP
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HEIKKI LAAKSONEN’S SILENT SYLLABL
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A DAILY PRACTICE During my residenc
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ZONES Much of my time at Arteles wa
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ONE THOUSAND FACES I came to “ Th
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CIRCLE SERIES My current work explo
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TARMARC + PHOTO NOIRE (WORKING TITL
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WRITING AND SKETCHING My work here
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AMNESIA These pictures reflect the
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UNTITLED My current work, at least
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INVERSIONS / PERVERSIONS & FIREFLIE
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WHICH THEREFORE ADDS MUCH THAT CANN
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IN THE MUD ON YOUR KNEES During my
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MÄYÄ Human beings are constantly
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RESEARCH ON THE METAPHYSICAL PROPER
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FOREST [JOURNEY] There is always a
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LUONNOTAR Intéractive sculpture in
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STJÖRNUR Audiovidual and videomapp
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MEETING LEAVINGS / THE SWAN OF TUON
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LINTUKOTO & THE SWAN OF TUONELA In
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LANDSCAPING THE LANDSCAPE My dream
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APPARITIONS This is an intermedial
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#CROWDSOURCED #LANDSCAPES I used my
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CHAPTER 1 - KATHMANDU - REVELATION
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SUBJECT OBJECT I am composing and p
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END OF DAYS During the last two wee
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REALITY BONSAI As a bonsai is a met
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SYLLABLE FROM SOUND “Syllable fro
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DRAWINGS / COLLAGES My time at Arte
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STRING TRIO N O 1: “WHOOSH—CLIC
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TRASH KING I collected the daily tr
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CODE IN THE MICRO (SERIES) LH + RH
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WEE BITS AT A TIME Rules Week 1 = 1
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NOTHING: A SERIES OF PHOTOGRAPHS AN
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PAPPALAND My time at Arteles has be
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PERFECTION GREY Perfection Grey is
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FROM BEDROCK TO BOULDERS, BACK TO M
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MUSIC BEGINS WHERE THE POSSIBILITIE
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PINEAPPLE WARRIOR The Pineapple War
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PHOTOS OF A GOOD BOY: REFLECTIONS A
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WENN DU ALLES VERLASSEN HAST, KOMMT
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SOLUS / ABSENCE During the month of
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WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
Page 125 and 126: EXPLORING ”NATURE” I purposeful
Page 127 and 128: PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130: SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132: THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134: ”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140: HIATO Like an intermission in life,
Page 141 and 142: FRIEND REQUEST Friend Request is a
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150: MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152: RADIANT GEOMETRIES In my month at A
Page 153 and 154: MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156: VIDEO-PATTERNS I’ve been making v
Page 157 and 158: PHENOMENOMENA Phenomenomena reflect
Page 159 and 160: ------------------------- The new s
Page 161 and 162: THE VIEW FROM AN ARTELES WINDOW. Wh
Page 163: CHARCOAL DRAWINGS I came to this re
Page 167 and 168: THE DECAY CHAIN I intended to spend
Page 169 and 170: ETIÄINEN Inspired by the Finnish m
Page 171 and 172: THE COLD OF MY MIND Before I arrive
Page 173 and 174: MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176: Untitled (_MG_4099). Photography Un
Page 177 and 178: PROGRESS/COME UNDONE Here is a flow
Page 179 and 180: INTO THE DARKNESS For we begin to u
Page 181 and 182: LIGHT THE DARK When I arrived on Ne
Page 183 and 184: ”SKYNIGHT MOTHER” (AURORA MATER
Page 185 and 186: PRINSESSA LEIKKII/ THE PRINCESS PLA
Page 187 and 188: THE GREAT OUT THERE/BLACK WINTER At
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