arteles_catalogue_2014

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IN THE RESIDENCY September <strong>2014</strong> “When we talk about Jazz, we are talking about experimenters. Once the experimenting stops, the music gets stagnant” DAVID ORNETTE CHERRY USA davidornettecherry@earthlink.net // www.davidornettecherry.com My music career and education have thrust me into a variety of musical expressions that I call my “mosaic of sound.” I have been influenced by music of the world - the music of the spirit created from a powerful tapestry of rhythms and sensual melodies. Yet I am also influenced by the infusion of modern technology into that sound - I am a mix of world and jazz idioms.
SUBJECT OBJECT I am composing and painting, experimenting with both the creation of new music and visual scores that reflect the work. Coming to Finland gives me time, space and possibility of collaborating with other energetic, international artists. I am interested in the intersection between music and painting. I have been composing for theatre and spoken word poetry for the past seven years, integrating music compositions with words and visual theatre. Being at Arteles Creative Center is allowing me the space to create music scores and painting, visual compositions that can be stand alone works of art, and/or be part of multimedia video and performance. I have been on an organic journey doing art for a long time, and the one thing I learned from my teachers, mentors, and elders is that we need to stop sometimes and breathe, see where we are, and where we want to go as an artist. The world today is marked by a complexity of ever-changing events – unfortunately not all pleasant. As an artist there is always the need to take some time to look within and allow the creativity to guide the process and the flow, without concerns. I have been taught that when we make a positive change within, then we can take this out to the community and the world.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
Page 23 and 24: SILENT INVOCATION, BANISHING BY MEA
Page 25 and 26: VISCERA ETCETERA I came to Arteles
Page 27 and 28: Photo: Annie France Noël IN THE AP
Page 29 and 30: HEIKKI LAAKSONEN’S SILENT SYLLABL
Page 31 and 32: A DAILY PRACTICE During my residenc
Page 33 and 34: ZONES Much of my time at Arteles wa
Page 35 and 36: ONE THOUSAND FACES I came to “ Th
Page 37 and 38: CIRCLE SERIES My current work explo
Page 39 and 40: TARMARC + PHOTO NOIRE (WORKING TITL
Page 41 and 42: WRITING AND SKETCHING My work here
Page 43 and 44: AMNESIA These pictures reflect the
Page 45 and 46: UNTITLED My current work, at least
Page 47 and 48: INVERSIONS / PERVERSIONS & FIREFLIE
Page 49 and 50: WHICH THEREFORE ADDS MUCH THAT CANN
Page 51 and 52: IN THE MUD ON YOUR KNEES During my
Page 53 and 54: MÄYÄ Human beings are constantly
Page 55 and 56: RESEARCH ON THE METAPHYSICAL PROPER
Page 57 and 58: FOREST [JOURNEY] There is always a
Page 59 and 60: LUONNOTAR Intéractive sculpture in
Page 61 and 62: STJÖRNUR Audiovidual and videomapp
Page 63 and 64: MEETING LEAVINGS / THE SWAN OF TUON
Page 65 and 66: LINTUKOTO & THE SWAN OF TUONELA In
Page 67 and 68: LANDSCAPING THE LANDSCAPE My dream
Page 69 and 70: APPARITIONS This is an intermedial
Page 71 and 72: #CROWDSOURCED #LANDSCAPES I used my
Page 73: CHAPTER 1 - KATHMANDU - REVELATION
Page 77 and 78: END OF DAYS During the last two wee
Page 79 and 80: REALITY BONSAI As a bonsai is a met
Page 81 and 82: SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84: DRAWINGS / COLLAGES My time at Arte
Page 85 and 86: STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88: TRASH KING I collected the daily tr
Page 89 and 90: CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92: WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94: NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96: PAPPALAND My time at Arteles has be
Page 97 and 98: PERFECTION GREY Perfection Grey is
Page 99 and 100: FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102: MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104: PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106: PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108: WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110: SOLUS / ABSENCE During the month of
Page 111 and 112: WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
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EXPLORING ”NATURE” I purposeful
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PROCESS; THE ACQUISITION OF LANGUAG
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SOMETHINGS ARE JUST VERY DIFFICULT
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THE INTUITIVE BODY - RESEARCH FOR U
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”BLACK MAGIC” The work ”Black
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UNTITLED (PROJECTIONS) Projecting i
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TWO NEW EXHIBITIONS IN PROGRESS My
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HIATO Like an intermission in life,
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FRIEND REQUEST Friend Request is a
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LOOPS, SOUNDSCAPES AND TIMELAPSE VI
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THE MOSS IS ALWAYS SOFTEST IN THE S
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SOWNER, LIKE DOWNER: NOT SAUNA, LIK
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MEETING FINNISH FAMILIES AND EXPLOR
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RADIANT GEOMETRIES In my month at A
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MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
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VIDEO-PATTERNS I’ve been making v
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PHENOMENOMENA Phenomenomena reflect
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------------------------- The new s
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THE VIEW FROM AN ARTELES WINDOW. Wh
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CHARCOAL DRAWINGS I came to this re
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FINDING FACES I look for faces. And
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THE DECAY CHAIN I intended to spend
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ETIÄINEN Inspired by the Finnish m
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THE COLD OF MY MIND Before I arrive
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MIDNIGHT SHINE I’m just a weed sh
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Untitled (_MG_4099). Photography Un
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PROGRESS/COME UNDONE Here is a flow
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INTO THE DARKNESS For we begin to u
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LIGHT THE DARK When I arrived on Ne
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”SKYNIGHT MOTHER” (AURORA MATER
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PRINSESSA LEIKKII/ THE PRINCESS PLA
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THE GREAT OUT THERE/BLACK WINTER At
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