arteles_catalogue_2014

More documents

Info

IN THE RESIDENCY March <strong>2014</strong> LESLIE LANXINGER USA leslie.lanxinger@gmail.com // www.lolaramona.org The themes in my work are layered with mythology, religion, science, fairy tales, anthropology, and pop culture. I use tiny details to convey feelings and ideas, as well as to elicit an empathetic emotional reaction. I am interested in the ways that we view ourselves as human beings: who we want to be, who we think we are, and how we expect to end up. My drawings reveal universal fragility- the cracks in the armor. The moments that often go unnoticed in life become the pivotal tensions: they expose vulnerability and tragic/ comic poetry.
CHARCOAL DRAWINGS I came to this residency with an open mind, looking for inspiration from my surroundings and I was not disappointed. I discovered work left in my room by a previous artist- small sculpted figures wearing snowsuits, very crude and gestural. I began to make my own figures and draw them: anonymous, faceless characters who are solitary, but clearly possessed with a certain longing. These little figures proved very helpful in interpreting my experiences. They became almost talismanic: a way to channel my feelings into pictures.
Page 1:
2014
Page 5 and 6:
ABOUT // // This catalogue presents
Page 7 and 8:
COLLABORATIONS [in alphabetical ord
Page 9 and 10:
RESIDENTS SILENCE . AWARENESS . EXI
Page 11 and 12:
RESIDENTS SILENCE . AWARENESS . EXI
Page 13 and 14:
RESIDENTS 2011 Argentina Australia
Page 17 and 18:
RESIDENTS + PROJECTS
Page 19 and 20:
FOUR 30 GRAMS SINKERS 30 GRAMS AND
Page 21 and 22:
ENTRE LOS DOS We filmed the second
Page 23 and 24:
SILENT INVOCATION, BANISHING BY MEA
Page 25 and 26:
VISCERA ETCETERA I came to Arteles
Page 27 and 28:
Photo: Annie France Noël IN THE AP
Page 29 and 30:
HEIKKI LAAKSONEN’S SILENT SYLLABL
Page 31 and 32:
A DAILY PRACTICE During my residenc
Page 33 and 34:
ZONES Much of my time at Arteles wa
Page 35 and 36:
ONE THOUSAND FACES I came to “ Th
Page 37 and 38:
CIRCLE SERIES My current work explo
Page 39 and 40:
TARMARC + PHOTO NOIRE (WORKING TITL
Page 41 and 42:
WRITING AND SKETCHING My work here
Page 43 and 44:
AMNESIA These pictures reflect the
Page 45 and 46:
UNTITLED My current work, at least
Page 47 and 48:
INVERSIONS / PERVERSIONS & FIREFLIE
Page 49 and 50:
WHICH THEREFORE ADDS MUCH THAT CANN
Page 51 and 52:
IN THE MUD ON YOUR KNEES During my
Page 53 and 54:
MÄYÄ Human beings are constantly
Page 55 and 56:
RESEARCH ON THE METAPHYSICAL PROPER
Page 57 and 58:
FOREST [JOURNEY] There is always a
Page 59 and 60:
LUONNOTAR Intéractive sculpture in
Page 61 and 62:
STJÖRNUR Audiovidual and videomapp
Page 63 and 64:
MEETING LEAVINGS / THE SWAN OF TUON
Page 65 and 66:
LINTUKOTO & THE SWAN OF TUONELA In
Page 67 and 68:
LANDSCAPING THE LANDSCAPE My dream
Page 69 and 70:
APPARITIONS This is an intermedial
Page 71 and 72:
#CROWDSOURCED #LANDSCAPES I used my
Page 73 and 74:
CHAPTER 1 - KATHMANDU - REVELATION
Page 75 and 76:
SUBJECT OBJECT I am composing and p
Page 77 and 78:
END OF DAYS During the last two wee
Page 79 and 80:
REALITY BONSAI As a bonsai is a met
Page 81 and 82:
SYLLABLE FROM SOUND “Syllable fro
Page 83 and 84:
DRAWINGS / COLLAGES My time at Arte
Page 85 and 86:
STRING TRIO N O 1: “WHOOSH—CLIC
Page 87 and 88:
TRASH KING I collected the daily tr
Page 89 and 90:
CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92:
WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94:
NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96:
PAPPALAND My time at Arteles has be
Page 97 and 98:
PERFECTION GREY Perfection Grey is
Page 99 and 100:
FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102:
MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104:
PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106:
PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108:
WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110:
SOLUS / ABSENCE During the month of
Page 111 and 112: WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
Page 125 and 126: EXPLORING ”NATURE” I purposeful
Page 127 and 128: PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130: SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132: THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134: ”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139 and 140: HIATO Like an intermission in life,
Page 141 and 142: FRIEND REQUEST Friend Request is a
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150: MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152: RADIANT GEOMETRIES In my month at A
Page 153 and 154: MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156: VIDEO-PATTERNS I’ve been making v
Page 157 and 158: PHENOMENOMENA Phenomenomena reflect
Page 159 and 160: ------------------------- The new s
Page 161: THE VIEW FROM AN ARTELES WINDOW. Wh
Page 165 and 166: FINDING FACES I look for faces. And
Page 167 and 168: THE DECAY CHAIN I intended to spend
Page 169 and 170: ETIÄINEN Inspired by the Finnish m
Page 171 and 172: THE COLD OF MY MIND Before I arrive
Page 173 and 174: MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176: Untitled (_MG_4099). Photography Un
Page 177 and 178: PROGRESS/COME UNDONE Here is a flow
Page 179 and 180: INTO THE DARKNESS For we begin to u
Page 181 and 182: LIGHT THE DARK When I arrived on Ne
Page 183 and 184: ”SKYNIGHT MOTHER” (AURORA MATER
Page 185 and 186: PRINSESSA LEIKKII/ THE PRINCESS PLA
Page 187 and 188: THE GREAT OUT THERE/BLACK WINTER At
show all

arteles_catalogue_2014

Create successful ePaper yourself

Delete template?

Save as template?