arteles_catalogue_2014

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IN THE RESIDENCY April <strong>2014</strong> LEA DEVON SORRENTINO USA lea.sorrentino@gmail.com // www.leadevon.com My practice is an auto-ethnographical investigation of my life in pursuit of understanding contemporary American culture. My practice is about calling attention to the constructs of American success and the emotional investments we place in possessions and entertainment to create individuality. Or, in not art speak, I am interested in why we eat too much, spend too much, and cry at reality television.
FRIEND REQUEST Friend Request is a project started at Arteles that is equal parts observation, research, interaction, and performance. The project begins with a questionnaire comprised of extracted information asked by Facebook to inform a user’s “About Me” section in the profile. In a folder is a physical version of the questionnaire personally filled out, along with a recent image of myself. Once someone agrees to become my “friend” on Facebook I give them my personal file and proceed to inquire about their personal lives based off the questionnaire. (This exchange happens at first encounter or arranged). The intention of Friend Request is to start a discourse about the amount of information social media users give forthcomingly to all of their social networks. Technology has shifted societies notions of privacy and intimacy and has expedited virtual relationships. The speed and accuracy that strangers get acquainted through online interactions has escalated the intimacy amongst social users. The editable structure of social media networks promotes the idea that sharing information increases connections, but this information does not necessarily strengthen a singular relationship. Sharing an abundance of personal information helps with self-promotion before generating a connection, making online development more self-serving than commutative. Large amounts of self-disclosure create vulnerability, but constant curation of a user’s online profile allows for the development of an ideal identity. Since the virtual interaction is crafted the relationship promoted online can be entirely different than the relationship held in the physical world. This shift has implications in the real world, or maybe it means that society is moving into an existence of multiple identities that have to be developed and navigated.
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2014
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ABOUT // // This catalogue presents
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COLLABORATIONS [in alphabetical ord
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS SILENCE . AWARENESS . EXI
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RESIDENTS 2011 Argentina Australia
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RESIDENTS + PROJECTS
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FOUR 30 GRAMS SINKERS 30 GRAMS AND
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ENTRE LOS DOS We filmed the second
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SILENT INVOCATION, BANISHING BY MEA
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VISCERA ETCETERA I came to Arteles
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Photo: Annie France Noël IN THE AP
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HEIKKI LAAKSONEN’S SILENT SYLLABL
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A DAILY PRACTICE During my residenc
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ZONES Much of my time at Arteles wa
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ONE THOUSAND FACES I came to “ Th
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CIRCLE SERIES My current work explo
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TARMARC + PHOTO NOIRE (WORKING TITL
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WRITING AND SKETCHING My work here
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AMNESIA These pictures reflect the
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UNTITLED My current work, at least
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INVERSIONS / PERVERSIONS & FIREFLIE
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WHICH THEREFORE ADDS MUCH THAT CANN
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IN THE MUD ON YOUR KNEES During my
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MÄYÄ Human beings are constantly
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RESEARCH ON THE METAPHYSICAL PROPER
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FOREST [JOURNEY] There is always a
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LUONNOTAR Intéractive sculpture in
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STJÖRNUR Audiovidual and videomapp
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MEETING LEAVINGS / THE SWAN OF TUON
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LINTUKOTO & THE SWAN OF TUONELA In
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LANDSCAPING THE LANDSCAPE My dream
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APPARITIONS This is an intermedial
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#CROWDSOURCED #LANDSCAPES I used my
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CHAPTER 1 - KATHMANDU - REVELATION
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SUBJECT OBJECT I am composing and p
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END OF DAYS During the last two wee
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REALITY BONSAI As a bonsai is a met
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SYLLABLE FROM SOUND “Syllable fro
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DRAWINGS / COLLAGES My time at Arte
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STRING TRIO N O 1: “WHOOSH—CLIC
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TRASH KING I collected the daily tr
Page 89 and 90: CODE IN THE MICRO (SERIES) LH + RH
Page 91 and 92: WEE BITS AT A TIME Rules Week 1 = 1
Page 93 and 94: NOTHING: A SERIES OF PHOTOGRAPHS AN
Page 95 and 96: PAPPALAND My time at Arteles has be
Page 97 and 98: PERFECTION GREY Perfection Grey is
Page 99 and 100: FROM BEDROCK TO BOULDERS, BACK TO M
Page 101 and 102: MUSIC BEGINS WHERE THE POSSIBILITIE
Page 103 and 104: PINEAPPLE WARRIOR The Pineapple War
Page 105 and 106: PHOTOS OF A GOOD BOY: REFLECTIONS A
Page 107 and 108: WENN DU ALLES VERLASSEN HAST, KOMMT
Page 109 and 110: SOLUS / ABSENCE During the month of
Page 111 and 112: WHAT (DEVIL) BABIES DO This project
Page 113 and 114: SUBJECT OBJECT Visual Artist Maggie
Page 115 and 116: EXPLORING ”NATURE” Feeling wrap
Page 117 and 118: NONE OF IT Provocative text flashes
Page 119 and 120: WALKING, STACKING, DRAWING During m
Page 121 and 122: NO MAN’S LAND During my stay at A
Page 123 and 124: UNTITLED A holding pattern recreate
Page 125 and 126: EXPLORING ”NATURE” I purposeful
Page 127 and 128: PROCESS; THE ACQUISITION OF LANGUAG
Page 129 and 130: SOMETHINGS ARE JUST VERY DIFFICULT
Page 131 and 132: THE INTUITIVE BODY - RESEARCH FOR U
Page 133 and 134: ”BLACK MAGIC” The work ”Black
Page 135 and 136: UNTITLED (PROJECTIONS) Projecting i
Page 137 and 138: TWO NEW EXHIBITIONS IN PROGRESS My
Page 139: HIATO Like an intermission in life,
Page 143 and 144: LOOPS, SOUNDSCAPES AND TIMELAPSE VI
Page 145 and 146: THE MOSS IS ALWAYS SOFTEST IN THE S
Page 147 and 148: SOWNER, LIKE DOWNER: NOT SAUNA, LIK
Page 149 and 150: MEETING FINNISH FAMILIES AND EXPLOR
Page 151 and 152: RADIANT GEOMETRIES In my month at A
Page 153 and 154: MAS AMAS DIEHTÁ MAID OARRI BORRÁ.
Page 155 and 156: VIDEO-PATTERNS I’ve been making v
Page 157 and 158: PHENOMENOMENA Phenomenomena reflect
Page 159 and 160: ------------------------- The new s
Page 161 and 162: THE VIEW FROM AN ARTELES WINDOW. Wh
Page 163 and 164: CHARCOAL DRAWINGS I came to this re
Page 165 and 166: FINDING FACES I look for faces. And
Page 167 and 168: THE DECAY CHAIN I intended to spend
Page 169 and 170: ETIÄINEN Inspired by the Finnish m
Page 171 and 172: THE COLD OF MY MIND Before I arrive
Page 173 and 174: MIDNIGHT SHINE I’m just a weed sh
Page 175 and 176: Untitled (_MG_4099). Photography Un
Page 177 and 178: PROGRESS/COME UNDONE Here is a flow
Page 179 and 180: INTO THE DARKNESS For we begin to u
Page 181 and 182: LIGHT THE DARK When I arrived on Ne
Page 183 and 184: ”SKYNIGHT MOTHER” (AURORA MATER
Page 185 and 186: PRINSESSA LEIKKII/ THE PRINCESS PLA
Page 187 and 188: THE GREAT OUT THERE/BLACK WINTER At
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